Bigger Isn’t Better… Or Is It?

userpic=corporateMerger mania is back. Today’s lunchtime news chum concerns some mergers that are in the news, as well as some other business news primarily focused on ways to bring in the green:

  • If You See Your Waitress Here, Send Her Over With a Beer. The “mainstream” beer world is devolving, with everything distilling down to two major brewers who make most of the beer in the world (which personally isn’t a big deal for me, as I don’t drink beer). My favorite blog, Planet Money, has a wonderful thing they call a Beer Map: for any country, who makes the swill you drink (Two Giant Brewers, 210 Brands).
  • A Clip Joint. So Office Depot and OfficeMax are merging. I don’t know if this is good or bad, but it probably isn’t that great for prices. Neither has ever been great in the fancy pen department. Of course, some cities are happy about it. Good example: St. Louis, which has no Staples stores, might get some to give Office MaxDepot some competition.
  • An American Conglomeration. Tom Paxton once sung about the horrible baggage service of Republic Airlines. Republic was formed by the merger of North Central and Southern, and then merged with Hughes Airwest. This then merged with Northwest Orient to form Northwest, which then merged into Delta (which itself was the merger of Delta and Western). Then again, there is United Airlines, which is the merger of United and Continental, where Continental absorbed the old People Express and Texas International, and United absorbed most of Pan Am. Well these two Frankenstein monsters now have a third beast to contend with: American (which in the past had absorbed AirCal, Reno Air, and TWA) is merging with US Airways (which itself was the merger of Allegheny, Lake Central, Mohawk, Trump Shuttle, Piedmont, America West, US Airways, Pacific Southwest Airways) to form an even bigger American. Here’s how American and US Airways joined. I should note that coming up forth is the combination of Southwest and AirTran, which to my knowledge haven’t swallowed anything else.

And as we’re talking about business, here are a few more business related items to clear out the bookmarks:

  • Flyaway Expanding… and Raising Fares. Yet another Flyaway bus line is being added to get people to LAX because the light rail doesn’t go there. This time, the bus will be running from the Expo Line La Brea Station starting in the Spring (at a price of $6, moving up to $7). More importantly to me, the article noted that one-way fares between Van Nuys bus terminal and LAX will rise to $8 July 2. The increase is expected to reduce an annual deficit of $531,000 for operating and maintaining the Van Nuys terminal to $168,000.
  • Paying to Play. We’re all used to it. The hours and hours of previews before a movie. (That’s one nice thing about live theatre — no previews to sit through!). That may be changing, as a number of theatres are either charging to run the previews, or are limiting the number that can be run for free. I’m curious whether this means there will be less previews. The theatres need to be looking less for revenue and more for what will draw patrons in (as Michael Jonathan noted in a blog post I noted yesterday); their problem is that the movies they advertise might not even be running in their theatre, or certainly not exclusively in their theatre.
  • In Bed With Martha Stewart. It appears Macys and Pennys are sparring over the queen of domestic advice, Martha Stewart. Yup, the two retailers are arguing over who has the sole right to see the convicted women’s branded stuff. Neither is asking, however, whether people actually care about the name in the first place.
  • Customers Demand More Fees. Caesars Entertainment has announced that they are going to start charging resort fees in all of their Las Vegas properties. Specifically, Caesars will begin adding fees ranging from $10-$25 on March 1 that will provide package coverage for amenities including Wi-Fi, local calls and fitness centers. Caesars operates nine hotels in Las Vegas, including Caesars Palace, Harrah’s, Bally’s, the Flamingo, the Quad, Paris Las Vegas and Planet Hollywood on the Strip. Why are they doing this? According to Caesars, it is something guests asked for. Specifically, Caesars indicated guests asked for a pckage fee, as opposed to what Caesars did in the past: charging separately for such amenities.

 

 

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Thoughts on the Pantages 2013-2014 Season

While reading the news over lunch, I noticed that the Pantages Theatre (Broadway LA) has just announced their 2013-2014 season, so I thought I would post my assessment of it, and which shows I plan to see:

  • The Wizard of Oz (Sep 17 – Oct 6, 2013). This is the Andrew Lloyd Weber reworking, with a number of additional songs. I have the album of the new version, and the lead (at least in the London cast) has a number of weird and interesting vocal inflections. I know this story by heart… and have seen it many many many times (as well as many many many ancillary productions) … but also have a soft spot for it. Maybe.
    [As a P.S. on Oz, there was a interesting article earlier this week in the LVRJ about L. Frank Baum’s great-grandson, who is still writing Oz books.]
  • War Horse (Oct 8 – 13, 2013). The show whose main draw on stage is a gigantic horse puppet. That wasn’t enough to draw me in when it was at the Ahmanson for $20 tickets. It certainly is not enough of a draw to get me to the Pantages with worse sight lines and higher ticket prices. Uninterested.
  • Evita (Oct 23 – Nov 10, 2013). I saw Evita when it was out in its original incarnation at the Shubert Theatre in Century City in the 1980s. I saw it again recently at a surprisingly good production at Van Nuys High School. I have no urge to see it again. Uninterested.
  • The Lion King (Nov 20, 2013 – Jan 12, 2014). I saw The Lion King during its first run at the Pantages many many years ago. It’s been back numerous times since then. I’m not aware of anything in this production that makes me want to see this retread. Uninterested.
  • The Book of Mormon (Jan 21 – Feb 9, 2014). Hello. My name is Elder I-Just-Saw-This-A-Year-Ago. Why would I want to go and see this show again? Uninterested.
  • Green Day’s American Idiot (May 13 – 18, 2014). This is another show that was just recently in Los Angeles at the Ahmanson. As with Lion King, I’m not sure that there was enough different in this run to make it worth a second visit. Uninterested.
  • The Music of Andrew Lloyd Weber (Jun 3 – 22, 2014). A jukebox show of Sir Andrew’s music, including some from Love Never Dies. Weber is like Wildhorn — you either love or hate his work. Although I like some of his early shows, his later stuff has been mostly ponderous, and I have no strong urge to see a jukebox show of his stuff. Uninterested.
  • Ghost: The Musical (Jun 27 – Jul 13, 2014). This is a new musical that did so-so on Broadway. I’ve got the album, and actually find it enjoyable, but have never seen the original movie. Probably.
  • Once: The Musical (Jul 15 – Aug 10, 2014). This is the musical that has surprised everyone. An intimate musical with a folk-ish score, it has been winning Tony awards and Grammy awards left and right. But it is also being done at the Pantages, which doesn’t quite fit with the notion of intimate musical. I’ll likely go see this, and then hope for an intimate, more regional production. Probably.

That’s it. The Broadway LA 2013-2014 season. Mostly, ehhh, with a few possibilities.

P.S.: And an ancillary note regarding the Oscars, which are relevant because the Pantages hosted the Oscars in the 1950s, including the first televised ceremony. It appears that this year, the leggy busty models will be not used to present the statuettes. Rather, that honor is going to six aspiring filmmakers who won a contest. What happened is this. One of the co-producers of the Oscars, Neil Meron, believed “This tradition of the buxom babe that comes out and brings the trophy to the presenter to give to the winner seemed to be very antiquated and kind of sexist, too. They’re just there to be objectified. Why can’t we have people who actually care about film and are the future of film be the trophy presenters?” So he and co-producer Craig Zadan developed a contest directed at college students that asked: How will you contribute to the future of film? More than 1,100 students submitted essays and videos, and six were chosen to appear on the Oscar telecast. All six winning students will walk on the Oscar stage during Sunday’s ceremony. They’re each getting a makeover and formal tuxedo or gown for the event as well.

P.P.S.: As it is still lunch hour, a few thoughts on tours and revivals. There’s a meme going around on Facebook about supporting local and independent artists, and that’s one thing I like to do with live theatre. For the small and mid-size venues, it is all about the local institutions and local performers and local technicians. But what about the big institutions and tours. Many of these (such as the recent Backbeat at the Ahmanson) had no local performers or staff; this is also often the case at the Pantages/BroadwayLA productions. These productions, while supporting a small number of local artists, primarily line the pockets of the commercial producing organization, with a small about to the local producing organization. That’s OK, as it encourages said producers to keep producing work, but it’s not the reason I choose to go. My primary reason for going is whether I’m interested in the particular show. For such productions, my priorities are (a) new shows that I think may move to Broadway or other significance (e.g., Backbeat, Les Jazz) ; (b) revivals that aren’t simply retreads, but are reimagine-ings of existing properties (e.g., Sweeny Todd); and (c) shows that I haven’t seen before but want to see. So when the Pantages presents a season of shows I’ve seen, with the only difference being a new tour cast, I have no urge to see them again.

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