Working Towards a Solution on Violent School Assaults

Over on Facebook, a comment of mine has resulted in a thought provoking discussion between friends on all sides of the political and gun control spectrum — and I thank all the participants for being willing to listen to others and have a civil discussion. There have been some key underlying notions that have emerged that provide some good ground rules for discussion on this issue:

  • The answer is a complex one, and there is no single solution — or to use a bad analogy, no silver bullet. However, there are a number of small things that might work together to reduce risk.
  • The answer is not blanket taking away of guns. The guns are just a symptom of an underlying problem, and if you take them away without doing anything else, people will find another outlet that could be equally deadly.

The following is a collection of ideas and thoughts I’ve had from these various discussions. None are fully worked out, and I’m open to further civil discussion on them. Although they are numbered, that is solely for ease of discussion, and not to indicate any priority or ordering.

  1. Constitutional freedoms are not unlimited. Courts have ruled that there are limits on speech, especially when it goes to the level of harming others. Some rights are limited to citizens; others can be lost with criminal convictions. It is permissible to regulate guns in various ways (“well-regulated” is part of the 2nd amendment) — the question is what is the right way.
  2. In discussions like this, people commonly bring up Benjamin Franklin’s statement about giving up liberty for security not being the answer. That’s true on both ends of the spectrum. Just as giving up the ability to legally own guns doesn’t bring security,  nor do armed guards and bag checks and hardened facilities everywhere. Some levels of both, when warranted in a risk reduction context, are appropriate; however, neither is a complete answer.
  3. One approach might be to treat more lethal weapons (automatic or semi-automatic weapons, for example) differently. Not to take them away, but to have increased regulation of ownership: regulations for refresher training on how to store such weapons, more frequent health and anger screenings, special permits. Handguns and hunting rifles and such may have easier ownership regulations. In a way, this is similar to what we do with vehicles: motorcycles and commercial vehicles have different training and licensing regulations than passenger automobiles and trucks.
  4. It is increasingly clear that we need to address the root causes of the problem: the stresses that make people turn to guns and such violence as a solution to their problems. Perhaps what we should be discussing is the cost and benefits of a different tradeoff: the tradeoffs of tight gun control or armed protection on one side, vs. the cost of health and societal safety nets on the other. It might ultimately be cheaper — and more preserving of liberty — to have no cost, low cost, or affordable mental and physical health services available so that those facing the stresses can get help before turning to guns; to have living wages and financial support for families in need so that those pressures don’t result in a turn to violence; to have programs that address the inequalities and bullying so that people don’t feel the need to turn to violence. It could be that the cost of providing those things is much less than the cost of arming or taking away things (with the concurrent costs of the regulatory and legal structure). There’s often the comparison to other countries that don’t have those problems. Those countries don’t have the guns, but they also typically have better support systems as well.
  5. We need to address the culture of anger and hate that underlies the violence. We need to teach people that violent assaults are not the proper response to stress and anger. Just as the car chases you see on TV never result in the criminal winning, shooting up innocents has never solved the underlying problem behind the solution. We need to better understand the role our various media — the internets, publishing, music, games — play in this culture of anger and hate; we need to figure out appropriate regulations — but regulations and processes that move away from taking away things (negative) to positive additions. This means emphasizing a different message, and using media to teach other ways to resolve problems.
  6. We need to address the acceptance and glorification of violence in society. When our media celebrates violence; when video games focus more on violence than positive interaction; when guns are used casually and no thought (and no consequences) in movies; when our social media celebrates and amplify violent memes — we’re doing something wrong. We need to replace violence as a solution with a different message.
  7. We need to address dehumanization. When one sees others as “less than” due to various attributes: economic status, skin color, sexual orientation, political stance, religion, gender … then violence against them becomes more acceptable. I have seen — on all sides — views that people of different political stances are not worthy of life … and that’s plain wrong. We need to value everyone, from the lowliest welfare recipient to those with economic success; gay or straight; all shades of skin tones; all religions. We need to address the Internet echo chambers that feed upon and amplify the hatred of the different.
  8. If we are to build a culture that values life, we need to do it at all stages. One can’t be valuing the life of a fetus and then turning a blind eye to the person once born. The entire spectrum needs to be considered. Reasonable regulation of abortion (making it harder to obtain as independent life outside the womb is increasingly viable), as well as social safety nets demonstrating we value  the child once born, and the adult that child grows into. If we value children and adults in everything we do, than it becomes increasingly unacceptable to have violence against those who are valued.
  9. We need leaders that are role models again. When we have leaders that joke about violence to others, that act in ways that dehumanize segments of society, and that who operate through bullying and ridicule, we teach that those values are acceptable. We need to make it clear that such leaders are not leaders to be followed and emulated.
  10. We need to care about and for each other, and that means recognizing that the camel’s back is about to break before it breaks. We need to teach society to recognize the signs that indicate someone is antisocial and about to snap, that someone is dealing with situations they cannot handle. This is not to “take away their guns”, but to intervene with solutions that will help the individual before they turn to violence. The best gun is not one that is taken away, but one that isn’t used out of choice.
  11. While it is reasonable, in a National sense, to restrict certain rights and privileges to citizens (for example, ask yourself if the Second Amendment applies to the undocumented immigrant or the violent felon who has lost certain rights), some solutions may not be acceptable to limit. For example, we don’t restrict vaccines to citizens, because non-citizens can get sick and spread disease. It may be reasonable to extend societal safety nets and other support systems broadly, because even non-citizens and undocumented residents can go crazy, get angry, and grab their weapon of choice to assault others. Weapons don’t work only for citizens. (This, by the way, is a notion similar to why drivers licences should be available to undocumented residents — they still share the roads, and their vehicles can still crash into ours. That doesn’t prevent the license from making clear that the bearer is not documented, which simplifies law enforcement’s job if they do get in an accident.)
  12. There has been much discussion of thoughts and prayers. But I never seem to see the notion that God’s answer to our prayers might be the brains that God has given us. We were made in God’s image, and that includes the ability to answer our own prayers by developing a solution, perhaps with a little divine inspiration. We have been given free will; we have been given the choice of life or death, right or wrong, to act properly or not. The answer to our prayers is not doing nothing, the answer is choosing to do the right thing even when it is difficult to do.
  13. In general, the answer is not to ban and take away things, to be negative. Rather, the answer is to be positive and proactive. Prevent the situation that leads to the violence. Educate people on alternative solutions. Make the necessary help available so that violence and guns are never considered even as a potential solution.



Thoughts on a Theatre Season – 5-Star Theatricals, Theatreworks, and a little bit more

It’s season announcement time, and I’ve gotten a few more in the mail. What am I interested in and what will I attend? What should you consider? Read on, McDuff!

🎭 5 Star Theatricals (FB) 🎭

This is the company that was formerly known as Cabrillo Music Theatre. They operate out of a large regional theatre in Thousand Oaks, doing locally-cast musicals with a mix of Equity performers, non-Equity professionals, and up and coming artists. They have announced three shows for the 2018-2019 season (currently remaining in the 2017-0218 season are The Hunchback of Notre Dame (April 20-29) and Beauty and the Beast (July 20-29)):

  • Shrek. 👍 Oct. 19-28, 2018. This is the first time 5-Star/Cabrillo is doing Shrek (Music by Jeanine Tesori and lyrics by David Lindsay-Abaire), although it has been done regionally before (notably at Simi ARTS back in 2014). We last saw this back in 2009 at the Pantages; it should be nice to see a good regional production of the show.
  • Matilda the Musical 👍 March 22-31, 2019. Book by Dennis Kelly and Music and Lyrics by Tim Minchin (FB) based on the novel by Roald Dahl (FB). This is the regional theatre premier for the region. We last saw this back in 2015 at the Ahmanson.  5-Star should do a good job with this.
  • West Side Story. 👍 July 26-Aug. 4, 2018. A classic show, with score by Leonard Bernstein and lyrics by Stephen Sondheim. Very appropriate in this year celebrating Leonard Bernstein. We last saw it at Cabrillo back in 2004.

We should be renewing our subscription when the packet arrives.

 🎭 Silicon Valley Theatreworks (FB) 🎭

I recently received the announcement of Theatreworks next season. Theatreworks is in the San Jose/Palo Alto area, about 300 miles away, but for the right show I might drive up, plus I have friends who live in that area. Here is their next season:

  • HOLD THESE TRUTHS. By Jeanne Sakata. REGIONAL PREMIERE. Palo Alto: July 11–Aug 5, 2018. An unsung American hero, Gordon Hirabayashi, fought passionately for the Constitution against an unexpected adversary: his own country. During World War II, he refused to report to a relocation camp with thousands of families of Japanese descent, launching a 50-year journey from college to courtroom, and eventually to a Presidential Medal of Freedom.
  • NATIVE GARDENS. By Karen Zacarias. REGIONAL PREMIERE.  Mountain View: Aug 22–Sept 16, 2018. In this cutting edge suburban comedy from America’s hottest new playwright, gardens and cultures clash, turning well-intentioned neighbors into ecological adversaries. When an up-and-coming Latino couple purchases a home beside the prize-winning garden of a prominent Washington D.C. family, conflicts over fences and flora spiral into an uproarious clash of cultures, exposing both couples’ notions of race, taste, class, and privilege.
  • FUN HOME. Music by Jeanine Tesori. Book & Lyrics by Lisa Kron.  Mountain View: Oct 3–28, 2018. [They don’t say it, but I think this is a premiere at the regional level.]  Welcome to Fun Home, the blazingly honest memoir of Alison, a graphic novelist exploring her youth in a loving, dysfunctional family whose secrets of sexual identity echo her own. Winner of every Best Musical award of 2015, this tragicomic tale is told with enormous emotion and sensitivity, its haunting yet amusing score illuminating one of the most extraordinary and original musicals of our times.
  • TUCK EVERLASTING. Book by Claudia Shear & Tim Federle. Music by Chris Miller. Lyrics by Nathan Tysen. REGIONAL PREMIERE. Palo Alto: Nov 28–Dec 23, 2018. An enchanting bestseller springs to life in this 1890s tale of Winnie Foster, a free-spirited girl whose search for adventure leads to the Tucks, a close-knit family that has discovered the secret to everlasting life. With a rousing score and a wealth of warm-hearted humor, this whimsical Broadway musical offers Winnie the choice of a lifetime: return to everyday life, or join the Tucks on their infinite, irreversible voyage through time.
  • FROST/NIXON. By Peter Morgan. Mountain View: Jan 16–Feb 10, 2019. Richard Nixon has resigned. David Frost has been canceled. With America caught in the riptides of Watergate and Vietnam, the former leader of the free world and the lightweight British talk-show host clash in a legendary series of TV interviews that will determine the President’s legacy forever. In a riveting political prizefight unseen again until today, the cameras roll, the truth spins, and it becomes clear that he who controls the medium controls the message.
  • MARIE AND ROSETTA. By George Brant. WEST COAST PREMIERE. Palo Alto: March 6–31, 2019. Stirring churches in the morning and the Cotton Club at night, Sister Rosetta Tharpe became a musical legend. With competition growing on the 1940s Gospel Circuit, she auditions a new partner, a beauty with a voice made in heaven. Will they blend, break, or find harmony at last? Don’t miss this roof-raising musical hit from our New Works Festival, the saga of the woman who inspired Elvis, Ray Charles, and more on her way to the Rock and Roll Hall of Fame.
  • Hershey Felder: A PARIS LOVE STORY. Featuring the music of Claude Debussy. Written and Performed by Hershey Felder. WORLD PREMIERE. Mountain View: April 3–28, 2019. Virtuoso Hershey Felder takes us on his own personal journey as he explores the life and music of Impressionist composer Claude Debussy. For decades Felder’s “Great Composer Series” has celebrated the brilliance of Beethoven, Berlin, Tchaikovsky, and more. In this glorious series finale, he brings to life a visionary who proclaimed nature his religion and romance his milieu, creating music of ravishing beauty, color, and compassion. From the sweeping La mer and evocative L’après-midi d’un faune to the mystical Clair de lune, this soaring tribute will never be forgotten.
  • ARCHDUKE. By Rajiv Joseph. NORTHERN CALIFORNIA PREMIERE. Mountain View: June 5–30, 2019. Can one man, one moment, derail a century? Pulitzer Prize finalist Rajiv Joseph explores the present by focusing on the past: the assassination of Archduke Franz Ferdinand in Sarajevo, 1914—the flash that ignited World War I. On a darkly comic quest for immortality, three hapless insurgents prove that little has changed from then to now. This New Works Festival sensation is from the author of Broadway’s Bengal Tiger at the Baghdad Zoo.

An excellent season. If I lived in Northern California, I’d subscribe both to TheatreWorks and to Tabard, whose season I already mentioned in my review of A Walk in the Woods:

  • The Tabard Theatre Company (FB) in San Jose has an interesting season coming up: Another Roll of the Dice / Sep 14 – Oct 7, 2018; The Explorer’s Club / Oct 26 – Nov 18, 2018; Uptown Holiday Swing / Nov 30 – Dec 16, 2018; Snapshots: A Musical Scrapbook (featuring songs from the Stephen Schwartz catalog)/ Jan 11 – Feb 3, 2019; Beau Jest / Feb 15 – Mar 10, 2019; and Queen of the Mist / Apr 5-28, 2019.  If they weren’t 300 miles away, we’d consider subscribing; still, we may drive up for Queen of the Mist. If you’re in the southern Bay Area, you should consider subscribing in our stead.

Looking at the TheatreWorks season, I’m really interested in Tuck Everlasting. This failed on Broadway, so it is unlikely that Los Angeles will see a tour. This means I’m dependent on a theatre company down here to do it, which isn’t that likely given our companies (I could see Chance giving it a try, or MTW. But anyone else? It might be a while). Yet I loved the music and the premise of the show. That might make it worth the drive for either Thanksgiving weekend or after the ACSAC conference.

 🎭  Chromolume Theatre (FB) 🎭

Chromolume just announced their Hollywood Fringe Festival production, and I’m excited. Here’s what they wrote:

We are happy to announce that our 2018 Hollywood Fringe Festival production will be the one-act musical, The Story of My Life! We are also excited to announce we will be performing at the The Hobgoblin Playhouse. We are excited to bring this story to you…coming in June! Click on the link below to find out more!

And for those of you who don’t know, if you purchase your season subscription before our current production ends, you will get free tickets to see this production!

We last saw Story of My Life back in 2009, right after the death of our dear friend Lauren. The story touched me in special ways; it is just a beautiful and meaningful show. Here’s one verse from a song in the show:

“You’re a butterfly my friend,
Powerful and strong
And I’m grateful for the way
You’ve always hurried me along.
When you flap your wings to stretch yourself
It might seem small to you
But you change the world
With everything you do.”

I’m really, really, excited for this show. We’re season subscribers. You should subscribe as well: $60 for Dessa RoseJane Eyre The Musical, and Sondheim’s Passion, as well as the Fringe show. Support a wonderful small theatre.

 🎭  Ahmanson Theatre (FB 🎭

Lastly, an update on the Ahmanson. They’ve been announcing their season in pieces, with the first chunk here, with an additional show I discussed with the Pantages season. There are two shows left to announce, and when I asked, CTG replied:

So, in two weeks, I hopefully should be able to make the final subscription (and see if I got my predictions right).


Appearances are Everything | “A Walk in the Woods” @ Actors Co-Op

A Walk in the Woods (Actors Co-Op)How do we achieve actual progress towards solving problems that, if left unsolved, have the potential to destroy the world? That’s the question that is at the heart of Lee Blessing‘s A Walk in the Woods, which just opened at Actors Co-op (FB) in Hollywood. The story, on the surface, revolves around two arms negotiators, Andrey Botvinnik and Joan Honeyman, meeting over perhaps two years (the time period isn’t 100% clear) in Switzerland. Their job: find an agreement whereby the two countries can make the world safer by reducing the number of arms each other has. But is this ever possible? Will either country let the other gain an advantage, or will they just agree to reduce one obsolete set of arms, while building new equally lethal technology not covered by agreements? Will the reductions be significant enough to ever reduce the situation to a non-lethal state? Or … perhaps .. is what is more important the appearance of negotiating on the issue, never actually accepting something?

This play was written during the Obama administration, and discusses a time period seemingly during the Reagan administration, when the nuclear arsenals of the US and the Soviet Union were of concern, and when our leaders knew how to be diplomats. One question I had was the relevance of this play today, when our nation’s leadership doesn’t seemingly care about the world stage. We have an isolationist, jingoist, and militarianist “America First” (yet another problematic slogan) we haven’t seen since the days before WWI. Does our country even care about reducing armaments today? Are there negotiations going on to do so? There are recent proposals by the President to increase and modernize our nuclear forces, to increase and continue the “mine is bigger and better than yours” mentality that makes the world less safe. So in the era of Trump, is this play just saying the negotiations are pointless anyway?

Yet there are other issues — domestic and international — where we keep talking, but not making progress. Immigration. Climate Change. We talk and talk, propose agreements, only to see them scuttled by one side or the other for seemingly meaningless reasons. Could it be that the talks are just a delay and distraction tactic, creating the appearance of progress when there was never an intent of actually finding a solution — for in finding a solution, one side must be the victor and the other the loser.

So perhaps there is a point to this play — in the Trump era — after all. It is to show us that the talking may be a form of progress. The talking may delay something worse. The talking may be keeping hope alive — hope that future administrations may finally move beyond the talk to an actual solution, and the perception and appearance of progress might be replaced by actual progress.

Under the direction of Ken Sawyer (FB), the production is kept simple. Two actors, talking, with a roughly representative set that is sufficiently evocative but not realistic, drawing the focus to the words and the action. The performances themselves were good, but still in evolution (this was the second performance of the show, and there were points where the actors had micro-momental line recall issues that were quickly recovered). Phil Crowley‘s Andrey was the friendly Russian uncle; Nan McNamara (FB)’s Joan was the no-nonsense negotiator trying to prove herself. Both performers seemed reasonably realistic, and there was a good unspoken chemistry between the two. Combined with the story, the two kept and held your attention, and the two hours (including short intermission) passed without seeming to drag.

Also seen on stage were the two assistant stage managers, Katie Chen and Carla Vigueras both dressed identically in all white. They gave the opening welcome to the show (in unison!), and also operated in unison to change the set between scenes. Although not part of the formal play, they provided a little extra levity in what was a very serious production.

In keeping with the focus on the words and the story, the other production elements were kept simple. I’ve already mentioned Ellen Lenbergs‘s simple set design of abstract winter trees, projected headlines, a dock, and a bench. This was augmented by Adam R. Macias (FB)’s sound design, which created the soundscape of the woods, and was eerily stereophonic during the rabbit discussion. Mood and season was established well by Nicholas Acciani (FB) and Matt Ritcher (FB)’s lighting design. Wendell C. Carmichael‘s costumes were sufficient — there’s not much one can say about business attire, other than the Russian’s seemed vaguely Russian. E. K. Dagenfield (FB) was the coach for the Russian dialogue. Other creative and production credits: Christian Eckels (FB) [Stage Manager];  Lauren Thompson (FB), [Producer]; Selah Victor (FB) [Production Manger].

A Walk in the Woods continues at Actors Co-op (FB) through March 18th. I found it an enjoyable drama. Tickets are available at the Actors Co-Op Website, Discount tickets may be available through Goldstar.

Season Announcements: I’ve received some season announcements in the mail recently:

  • 5 Star Theatricals (FB) [the company formerly known as Cabrillo Music Theatre (FB)] has announced their 2018-2019 season (renewals are going out to subscribers, like us, shortly). The season consists of Shrek – The MusicalMatilda, and West Side Story. We’ll probably renew. Although there have been a number of local productions of Shrek, we haven’t seen it since 2011 when it was at the Pantages. Someone should let George Chavez know :-). This should be the first regional production of Matilda (wouldn’t it be interesting if they got Cabrillo Alum Lesli Margherita to return for the show). West Side Story is a classic; always fun to see.
  • The Tabard Theatre Company (FB) in San Jose has an interesting season coming up: Another Roll of the Dice / Sep 14 – Oct 7, 2018; The Explorer’s Club / Oct 26 – Nov 18, 2018; Uptown Holiday Swing / Nov 30 – Dec 16, 2018; Snapshots: A Musical Scrapbook (featuring songs from the Stephen Schwartz catalog)/ Jan 11 – Feb 3, 2019; Beau Jest / Feb 15 – Mar 10, 2019; and Queen of the Mist / Apr 5-28, 2019.  If they weren’t 300 miles away, we’d consider subscribing; still, we may drive up for Queen of the Mist. If you’re in the southern Bay Area, you should consider subscribing in our stead.
  • Hollywood Pantages (FB). The Hollywood Pantage just made their season announcement; I addressed it in detail in this post. In short, it looks good, and we’ve already renewed.


Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at 5 Star Theatricals (FB) [the company formerly known as Cabrillo Music Theatre (FB)], the Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Saroya [the venue formerly known as the Valley Performing Arts Center (VPAC)] (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows:

The middle of this week brings opera: specifically,  Candide at LA Opera (FB). That is followed the next weekend by the first production of the Chromolume Theatre (FB) 2018 season, Dessa Rose. The month concludes with  James and the Giant Peach at the Chance Theatre (FB) in the Anaheim Hills, and tickets for Dublin Irish Dance Stepping Out at  the Saroya (the venue formerly known as the Valley Performing Arts Center (VPAC)) (FB).

March was supposed to start with the MRJ Man of the Year dinner, but that shifted back a week, so we’ll go to it after our first show in March, the LA Premiere of the musical Allegiance at the Japanese American Cultural and Community Center (FB). This is followed by a HOLD for Steel Pier at the UCLA School of Television, Film, and Theatre (FB). The penultimate Friday of March was to bring Billy Porter singing Richard Rodgers at the Saroya (the venue formerly known as the Valley Performing Arts Center (VPAC)) (FB), but that has shifted to June and that weekend is currently open. The last weekend of March is open for theatre, but there will be the Men of TAS Seder.

April looks to be a busy month. It starts with Love Never Dies at the Hollywood Pantages (FB) [as an aside, there was just a great interview with Glen Slater, the lyricist of that show, on Broadway Bullet that is well worth listening to]. The second weekend brings A Man for All Seasons” at Actors Co-op (FB). The third weekend brings The Hunchback of Notre Dame at 5 Star Theatricals (FB) (nee Cabrillo Music Theatre (FB)), as well as our annual visit to the Original Renaissance Faire. The last weekend of April sees us travelling for a show, as we drive up to San Jose to see friends as well as Adrift in Macao at The Tabard Theatre Company (FB). Currently, we’re booking all the way out in mid to late 2018! We may also be adding an  Ahmanson Theatre (FB) subscription, given their recent announcements regarding the next season.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-LemonsMusicals in LA@ This StageFootlights, as well as productions I see on GoldstarLA Stage TixPlays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.



A recent article about Chrome moving to mark all HTTP sites as Non-Secure has rekindled some thinking about a potential remodel of the Highway side of I don’t necessarily believe that the highway side needs to be HTTPS (after all, this is really low impact data, and the risk is relatively low), but the actions of Google plus the desire to ensure that advertising or malware isn’t inserted in the data stream is going to push me to HTTPS. Plus, as a cybersecurity professional in real life, I should practice what I preach. So I’ve renewed the certificate for, and I’ve got the blog side of the site already set to be always HTTPS. I believe I’ve got the Highway side so that the pages are all using or referencing secure sources (some images on the book reference page are broken right now), but I’m waiting for Westhost to help do the final HTTPS redirect.

To understand what I’m planning to do, you need to understand something about the setup of the Highways side of the site, other than it is old. I keep individual files for each highway. I run a perl script over these files that builds them into the pretty version the user sees, puts 8 highways per file, builds all the cross references when highways are mentioned, and such. For non-individual highway pages, it takes a source version of the page and fixes links and references to generate the final HTML version of the page. My remodeled setup will need to retain all of that, and ideally, will not break any link into the site that other sites may have, except, perhaps, forcing them to HTTPS.

I’d like to build upon a notion I use for an application I’ve developed at work, where I download an HTML template file that has markers for the title (%TITLE%) and the gooey center (%BODY%). The generation scripts will insert whatever my content is into that template. At work, I use a hidden template file in a WordPress installation. I can’t do that here, because I use WordPress for the blog and I’ll need a different content management system for the site.

I’d also like the updated site to be more responsive and adaptive — in other words, it would automatically adapt to mobile and other devices. This may need to change how I refer to my image callouts. Luckily, I can have my perl generation scripts fix IMG tags to add whatever I need. I also plan to have a script that will change http: in image callouts to https: (if they aren’t local), and potentially, to do automatic validation that websites are still good by attempting to download from them.

What I’m thinking is that I’ll install a second either content management system (CMS) or blog on the Highway side of the site, and if necessary, make index.html do a reload of whatever the top page is of the CMS. The question is: which CMS or Blog. The Softalicious Installer lists the following blogging software packages as available for installation (in addition to WordPress): Open BlogSerendipityDotclearb2evolutionTextpatternNibbleblogLifeTypePixieNucleusChyrpeggBlogHTMLyPivotXFlatPress, and Movable Type. One thing I don’t know is whether a second installation would create mysql conflicts with WordPress. In terms of CMSs available, there is: Joomla, Open Real Estate, Concrete5, MODX, e107, CMS Made Simple,  Xoops,  Composr,  Drupal,  Website Baker,  PHP-Nuke,  Subrion,  sNews,   Kliqqi,   jCore,   Contao,   Silex,  GRAV,  SilverStripe,  Geeklog,  Bolt,  ProcessWire,  Kirby,  Koken,  Pluck,  ImpressPages,  Quick.CMS,  Sitemagic CMS,  Redaxscript,  ImpressCMS,  Open Business Card,  Monstra,  Mahara,  PopojiCMS,  Bludit,  Microweber,  SiteCake,  Croogo,  Jamroom,  Pimcore,  Anchor,  PluXml,  WonderCMS,  Fiyo CMS,  Typesetter,  razorCMS, SeoToaster CMS, Pagekit, OctoberCMS, Cotonti, Hotaru CMS, TYPO3, Tiki Wiki CMS Groupware 15, Zenario, liveSite, Kopage, SCHLIX CMS, CMSimple, Precurio, appRain, ClipperCMS, and. Wolf CMS. No, I’m not going to link all of these; you can see them here.

So, I’d appreciate thoughts any readers who have made it this far might have.



At the end of last month, an interesting announcement crossed my RSS feeds: Xerox Cedes Control to Fujifilm, Ending Its Independence. This is a sad passing indeed, and reflects a transition of one of the seminal companies in the office automation field. Sure, the name might live on, but it won’t be the same. It will be a Kodak or a Polaroid — an echo of a company that once was great.

I have many varied memories of Xerox, from their facilities on Aviation Blvd where the ACM ’81 Conference Committee once met, to the Sex manuals around the UCLA Computer Club (which, before you put your mind in the gutter, were the manuals for the SDS Sigma 7, and SDS was later XDS, Xerox Data Systems), to (of course) all the stories about Xerox PARC.  But for most of us, the word Xerox is synonymous with one thing: copying and reproduction.

My first memory of a copier was at my parent’s office. I don’t remember the brand, but it was expensive, slow, and used rolls of special paper (plain paper copiers were a few years in the future). Nowadays, we have multifunction Xerox copiers at work that can not only copy, but scan and print. So in tribute to Xerox, here are two interesting articles:

  • How Photocopiers Work. This is an in-depth exploration of the photocopying process.
  • Why Paper Jams Persist. As long as there have been copiers, there have been paper jams. There will likely always be paper jams, because the problem of solving them is extremely hard. This article explains why.



Headlines About California Highways – January 2018

Ah, a new year. But what a start, with floods in Montecito on top of the recent fires. Let’s look at the headlines, shall we?

  • SR 67 tunnel would potentially connect trails throughout county. A vision hatched nearly three years ago to create an interconnected trail system that stretches across much of the county is inching ahead with a recent vote of the Poway City Council. Officials agreed to fund the creation of designs for a pedestrian tunnel that would be built beneath state Route 67 just north of the intersection of Poway Road and the highway. The designs, which will cost the city $22,000, with half that amount being reimbursed by the county, would then be submitted as part of a state grant application.
  • Sacramento Road Sign in Ocean City to be Updated. For a westbound driver on U.S. Route 50 departing Ocean City, it’s a long road ahead, according to a green highway sign than hangs near the Harry Kelley Bridge. But the cross-country trip to California may not be as long as the sign indicates.
  • The Harse Beauty and Banality of the 110-105 Interchange. The 110-105 interchange holds a unique place in the psyche of Los Angeles. I’ve always called it The Cathedral, because it feels like you’re inside one when you’re driving under the towering, chapel-like crests of the ramps connecting the highways. The sounds of speeding engines in trucks and cars amplify against the network of massive concrete pillars sustaining the bridges, so it almost sounds like voices singing from a hymnal.
  • Golden Gate Bridge gets security upgrade in past year. The Golden Gate Bridge this year has undergone a tightening of security, prompted by terrorism, suicides and two interlopers who made their way to the top of the span in the dead of night.
  • Caltrans: Rising Waters From Climate Change Will Endanger Bay Area Freeways. A new Caltrans study released Wednesday revealed the havoc rising water levels in the San Francisco Bay caused by climate change could create on Bay Area roadways. It is the first of 12 studies Caltrans will conduct — one for each of its regions — as the transportation agency begins to plan for the future impact of climate change

Read More …


Thoughts on a Theatre Season: Pantages 2018-2019

This morning, the  Hollywood Pantages (FB) announced their 2018/2019 season. My predictions were pretty damn close. Here’s what I was predicting, from my last review post:

Speaking of show mixes: The Ahmanson has added Ain’t Too Proud, a musical on the Temptations, to their 2018/2019 season, and they still have two shows to announce (see the end of the paragraph). It is looking even more likely that we’ll add that subscription, if we can get the cheap seats. As for the Pantages, they announce on Tuesday. As I wrote in my Aladdin writeup: We already know that Dear Even HansenCome From AwayFalsettos, and The Play That Goes Wrong will be going to the Ahmanson Theatre (FB). What does that leave for the Pantages, as they don’t produce their own. Here are my guesses: BandstandAnastasia, and Charlie and the Chocolate Factory are highly likely; so is the Miss Saigon revival. So would Groundhog Day, except they just cancelled their tour. If A Bronx Tale had announced a tour, it would also be likely. Ditto for Hello Dolly. Lesser possibilities are Amazing Grace, or A Night with Janis Joplin. In terms of potential retreads, I could see them bringing in the current Les Miz tour, and possibly the Fiddler on the Roof,  Lion King or Wicked tours, if they are still on the road. Also known to be going on tour/on tour, and thus possibilities for retreads, are Cats and Phantom, as they will draw in crowds and haven’t been in LA recently. Natasha, Pierre, and the Great Comet of 1812 has announced a tour, but I think the Pantages is too large for them. I could see them doing the Ahmanson. As for the Ahmanson Theatre (FB), which has two slots to announce, I predict that one will be a show in development, and the other will either be Natasha, Pierre, … , or some form of dance or ballet, like the Matthew Bourne stuff that they’ve done recently.

2018-2019 Pantages Season AnnouncementSo, what did the Pantages announce? You can see their graphic to the right. Here are my thoughts on the shows:

  • 👍 Hello Dolly. I hadn’t heard this was going on tour, but I thought that if it did, it would end up here. I haven’t seen this on the big stage; I think I saw a regional production in Atascadero once. So I’m looking forward to this. It will be interesting to see who they get to headline the tour, as this tends to be a star vehicle.
  • 👍 A Bronx Tale. Again, I hadn’t seen a tour announcement, but if it did, the Pantages was a likely home. I’ve heard the music from this and it is quite good.
  • 👍 Charlie and the Chocolate Factory. I predicted this one. Looking forward to seeing it, even though it got weak reviews in New York.
  • 👍 Miss Saigon. Again, I predicted this one. Surprisingly, I haven’t seen this on the stage, so I’m looking forward to this.
  • 👍 Fiddler on the Roof. I predicted this was a possibility, so again, I got it right. On the original Broadway production, my daughter actually toured Eastern Europe on Yiddishkeyt with the actor performing Mottel. I haven’t seen Fiddler on the stage in ages, so I’m looking forward to this.
  • 😐 Cats. Again, I indicated this was on tour and a possibility for a retread. I saw it when it was at the Shubert in Century City ages ago, as well as a good regional mounting at 5 Star Theatricals (FB) (nee Cabrillo Music Theatre (FB) quite a few years ago. I don’t mind seeing this again — it’s a great dance show.
  • 😐 Les Miserables. Another show that I indicated was a possibility. I saw this quite a few years ago when a tour hit the Ahmanson Theatre (FB); I wouldn’t mind seeing it again, but I’m somewhat lukewarm.

What I found interesting was that neither Anastasia or Bandstand ended up at the Pantages; I really thought Anastasia would be a Pantages show. Either of these could end up in one of the unannounced slots at the Ahmanson; it is less likely that both would (but one never knows). Additionally, reflecting on things, I think that if Natasha, Pierre, and the Great Comet of 1812 does go on tour, it would end up either at the Mark Taper Forum or another theatre that would be willing to adapt to their immersive staging (perhaps the Pasadena Playhouse, or a theatre on Broadway). For the following season, there are a number of shows from the current Broadway season that are likely to show up: Escape to MargaritavilleThe Band’s VisitSpongebob Squarepants, and many others.



A Lunchtime Rant: Ohm on the Range

userpic=divided-nationEarlier today, a politically conservative friend of mine posted the following cartoon from Legal Insurrection:

Sourced from

My initial reaction is the situation pictured will be about as successful as the “Hate Obama/Clinton” strategy was for the Republicans in 2016.

I’ll let that sink in a minute.

But seriously, the picture highlighted a problem and perception that I have with our progressive, resistance movement. Far too many of us are just as knee-jerk in our hatred of Trump as the Conservative side was of Obama. Look at the memes from groups like Occupy Democrats making fun of Trump. Look at the posts on Pantsuit Nation with people in fear of Trump. As you read memes from our progressive groups, ask yourself if they are the same types of memes you might be seeing from the Conservative side against Obama or Hillary. Hell, you’re still seeing them from that side against Hillary.

An aside to any Conservative reading this: We’ve given up on Hillary; you should too, and let her fade back into the historical record.

We are better than that. I like to think that liberals and progressives are well educated and critical thinkers (which is why we’re liberals and progressives). I like to think that we have in-depth knowledge of the issues; that we take the time to learn the nuances and complications before we tweet. We shouldn’t need to sink to sophomoric name calling, fat shaming, slut shaming, ad hominem attacks, and all the other silliness that I see.

The issues in the upcoming elections are critical not only to our nation, but to the world. They are complicated issues — health care, climate change, treatment of women and minorities, religious freedom, equality, economic class warfare, and much more. I like to believe we have the better positions. I like to believe that we can represent and discussion those positions, and win based on the strength of our arguments — even in the face of conspiracy theorists. Certainly, in a fact based discussion, we can demolish Trump’s position and expose them for what they really are, and who they do and do not benefit.

If our platform for 2018 and beyond is simply hatred of Donald Trump, we’ve lost. We’ve let partisanship eclipse our intelligence and common sense. Let’s win the upcoming election season not by dropping down to the level of hatred, but by rising up to the level of intelligent political discourse where we take the time to listen to the other side, and use our intelligence and critical thinking to refute their arguments and to convince them of the correctness of our positions.

Hatred never wins. Well, except when you manipulate the electoral college and district boundaries.