📰 Beauty is in the eye of the News Chum

Another area in which I collect news chum is titled “Size and Beauty”. Articles in this area explore body image, and society’s acceptance (or non acceptance) thereof. It also explore how we treat people based on their appearance. As I clear out the news chum, let’s see what’s in this area:

 

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📰 Is News Chum Kosher?

As I continue to clear out the accumulated news chum, here’s a collection of articles that had been accumulated in the religion and Judaism areas:

  • The Disease of Christian Privilege. For as much as our great nation touts religious freedom and religious diversity, this is a profoundly Christian nation, with clear and distinct benefits — both explicit and implicit — provided to those who are Christian. From common morals to the days we get off, to the views on abortion to the views on marriage, Christianity abounds …. and those who are not Christian pay the price. This article explores how this privilege has influenced … and hurt … our culture.
  • The Loneliness Of The Liberal Zionist. We’re all aware of the place that the Nation of Israel holds in the heart of the Evangelical Christian, and you may even know how the attitude of Orthodox Jews have often become similarly aligned with respect to Israel. But what about the Liberal Zionist? As the article notes, “It means you support the right of the Jewish people to self-determination in their historic homeland while simultaneously supporting progressive causes in your American homeland.” It also means “having a position on Israel/Palestine, one that is rejected by the anti-Zionist left and the Zionist right.” It also raises loads of questions in light of the recent decision of the Israeli government: how does one balance the desire for a Jewish state with recognition of the rights of other religions and ethnic groups in Israel, especially when many of the progressive Jewish movements aren’t considered to be Jewish-enough for those in power in Israel.
  • Religiously unaffiliated ‘nones’ are pursuing spirituality, but not community. One of the big issues facing organized religion in America is the shrinking of congregational religion. How do we get younger people and younger families into the seats to support the infrastructure? This article points out the difficulty: building the community or supporting the community is no longer a sufficient argument. The desire is for spirituality, which isn’t always found within organizational walls.
  • People Told Me I Wasn’t “Jewish Enough” My Entire Life. Judging other people. It seems to be the main activity of some Jews — in particular, judging whether they are Jewish enough. Here’s an interesting exploration.
  • Surveys show sharp differences between Jews in US and Israel. What do Jews want for Israel? Is the attitude the same for those Jews in Israel, and those in America? This article explores the dichotomy.
  • Jeffersonian vs. Jacksonian Jews: Revisiting Jewish Political Behavior in the 21st Century. I have a number of Jewish friends who are strong Trump supports. For the life of me, I can’t figure out why. This article explores the question — in particular, it explores the distinction in view between the Populist, America First bunch (Jacksonian) from those with a more Global perspective (Jeffersonian). Quite interesting reading.
  • Why Are Jews So Pro-Choice? Abortion / Choice. It is one of the driving forces of those on the right to oppose it. But it is also one of those areas where those who aren’t that ilk of Christian feel they are having a Christian moral shoved down their throats. Here’s an explanation of the Jewish position. (Note: This item also appeared in my “Lighting the Political Fire” post earlier this week — a good post, you should read it)
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📰 Securing the Future

And the cleaning out of the accumulated news chum links continue. Here’s a collection of links related to cybersecurity, but the concern here is not where you think it might be:

  • When Identity Thieves Hack Your Accountant. We are all concerned about the online services that we used, and what might happen when they are attacked. But have you thought about the human service providers you use? Your accountant. Your auto repair shop. Your financial advisor. They use services too, and these services have your information. Hint: The adversaries have thought about it.
  • Why Cities Are So Bad at Cybersecurity. Many folks are aware of the US government’s efforts in cybersecurity, and at least the awareness is growing. But what about your state and local governments? How cyberaware are they? The answer, unfortunately, may not be as good as you might like. Now think about this: most of our critical systems are at the local level: power, elections, traffic control, ….
  • Transportation is now the third most vulnerable sector exposed to cyberattacks. The previous item connects directly to this. When we think about cybersecurity, we think about our banks, our national security systems. But one of our most vulnerable sectors is transportation — from automated traffic systems to air traffic control to automated trains to the computers in our cars. Just imagine attacks on all those black Ford SUVs carrying government officials. There’s a lot of risk there.
  • 4 Mistakes Security Pros Make and how a Wellness Model can Help. When we think security, we think certification and border protection. But a holistic wellness model is a great way to think about the subject. According to the National Wellness Institute, “wellness is multidimensional and holistic, encompassing lifestyle, mental and spiritual well-being, and the environment.” The model surrounding wellness is essentially a conscious effort to help an individual become self-directed to achieve their healthiest state, based on awareness and choice.   Wellness also understand that you don’t get well at once; it is incremental improvement.
  • Don’t Give Away Historic Details About Yourself. One way to start getting well is to stop answering those quizzes about yourself. Giving away historical data helps adversaries in so many ways: from giving hints on passwords (if you’re not using a random password generator) to giving answers to security questions for password recovery. Think before you answer a quiz.
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📰 This Is My City

And there’s still more news chum to clear out. Here’s a collection of various articles about Los Angeles:

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📰 Lighting the Political Fires

As I continue the process of clearing out the news chum, here is a collection of articles that should serve as political incendiary catalysts, sure to light that political spark of discussion:

  • Nobel Laureate Economist Says American Inequality Didn’t Just Happen. It Was Created. Quote: “Those with power used that power to strengthen their economic and political positions, or at the very least to maintain them. They also attempted to shape thinking, to make acceptable differences in income that would otherwise be odious.”
  • Alexandria Ocasio-Cortez is a Democratic Socialists of America member. Here’s what that means. Just as Trump was a whistle to the hard right folks, Bernie Sanders was a whistle to the hard left. We’ve seen the growth of a subgroup in the Democratic party called the Democratic Socialists. This isn’t a particular party, and it isn’t your father’s socialism. Further, it doesn’t add up financially.
  • Why Are Jews So Pro-Choice? Abortion / Choice. It is one of the driving forces of those on the right to oppose it. But it is also one of those areas where those who aren’t that ilk of Christian feel they are having a Christian moral shoved down their throats. Here’s an explanation of the Jewish position.
  • I Was Fired For Criticizing Trump. We have a President who seems to feel any criticism of him is fake, and he’s convinced some in the news profession that criticism is not allows. What happens when a liberal editorial cartoons runs into a change of ownership at his paper?
  • How to be an uncivil Trump resister without leading a vigilante mob. We’ve all heard the calls for civility. But when should you be uncivil, and how?
  • Immigration in America. Think immigration is a new problem? It is both what made America, and what some claim is destroying it. But do you understand it? Here’s a visualization of immigration to America as the rings in a tree trunk.
  • Trump’s Republican Party, explained in one photo. A real T-shirt at a Trump rally read: “I’d rather be Russian than a Democrat”. This captures what Trump’s identity politics has done to America, and how it can destroy this country. Since when has the Russian system of government with its dictatorship, false democracy, and draconian laws been better that what we have in America, even with the opposition party? I wrote about this with respect to Israel and their new National law about Jews coming first a few weeks ago. Identity politics — in which one group is 100% right and the other group is subhuman — is destructive.
  • Remaining Trump Supporters. What camp do you fall into: (1) Too arrogant to admit Trump was a mistake; (2) Too embarrassed to admit it; or (3) Too dumb to see it?
  • Fake News (no link here — just look at any Trump tweet). A challenge of the day, for those who purport that the news is “Fake”: Find multiple verifiable sources demonstrating a pattern of false news from the source claimed to be fake, other than the one making the claim that it is fake. A couple of times is human error: there needs to be a verifiable ongoing pattern of falsehood, from sources across the spectrum that can be verified.  Note: Bias is different than Fake. Biased news can have the bias filtered out, but is ultimately based on the truth and that underlying truth can be verified. Fake news is false and untrue, and cannot be verified.

As I say, “ready, set, discuss”.

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📰 Design You Haven’t Thought About

I’m finally past the mapping project for the highway pages, and I’ve posted the theatre reviews for the last weekend. Do you know what that means, boys and girls? It means I can get back to clearing out the accumulated links for news chum (as in, “ready, set, discuss”). This collection all struck me as having to deal with design issues you might not have thought about:

  • Coffee Cup Lids. Have you ever thought about that styrene lid you get on your take-out coffee or tea? Who designed it? What is the meaning of all those symbols. It turns out that there is a new book on the design of the humble lid, and there is even more details in an Atlas Obscura post on the same subject, where they decode the lid.
  • Concrete. If you were to think about what makes our civilization possible, your mind might turn to the humble man-made rock, concrete. It allows us to build in a variety of shapes, it makes our roads and tall buildings possible. But its manufacture comes with a tremendous environmental cost, and it is one of the reasons we are at peak sand today. The manufacture of cement creates loads of greenhouse gases, and the manufacture of concrete traps water and sand in a way that can’t be easily recovered (certainly, the sand).
  • Airline Maps. Consider the humble airline route map in the back of your in-flight magazine. Have you ever thought about how it is designed? How it shows you the detail the airline wants you to see while hiding others? How it conveys messages about the brand itself. Here’s an interesting exploration of the design process behind the creation of the map.
  • DC Metro Stations. When you travel on transit, you probably don’t think about the station design. But that design can tell you a lot about the system, when it was built, and the messages and wayfaring notions the transit operator wants to convey. Just consider all the different station types in Washington DC.
  • Highways and Cities. When you think about the design of highways, what thoughts go through your head? The material the road is made out of? How much easier it will make it for you to get from point A to point B? The fact that it completes a line on a map? But do you ever think about how the design and routing of a freeway can impact a city? Building a highway can divide communities and make racial segregation worse. This isn’t new; think about the “other side of the tracks” distinction. Look at how freeways such as the Harbor divide south-central LA. But that raises the next question: Would removing a highway undo the damage? How might we build these structures so that they do not divide.
  • Batteries. Finally, here’s a questions of A, B, Cs. More properly, I should say AAA, AA, C, and D. Here’s a handy diagram of all types of batteries.

 

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🎭 A Harmonious Production | “Always Andrews” @ Actors Co-Op

Always Andrews (Actors Co-Op)Our second show of the weekend was a much simpler production (in fact, I was thinking it could have been mounted at the Fringe Festival — it was that simple): Always Andrews, part of the Actors Co-Op Too! Summer Series at  Actors Co-op (FB) in Hollywood.  Actors Co-Op Too! is a series of short run productions used to explore new plays, grow new directors and new actors, and season the acting muscles of existing company members. In this case, company member Jorie Janeway (FB) brought in a production she had been developing with two friends, Carlyn Connolly (FB) and Katharine Quinn (FB) that was essentially a showcase of the music and history of The Andrews Sisters, a sibling group (Patty, Laverne, Maxine) that was popular during World War II. They were known for their tight harmonies, their humor, and there unique musical stylings and approaches to songs.

Janeway, Connolly, and Quinn had developed the notion for this show while working together on a different show in Virginia; they had been honing it over the years. Quinn was unavailable for this run, so Adrian Mustain (FB) jumped in with only a week or two of preparation.  The performers did two sets of Andrews Sisters songs:

 

Set 1 Set 2
Sing, Sing, Sing! Hold Tight
Well, All Right! European Medley
Gimme Some Skin Love Medley
In The Mood Straighten Up and Fly Right
Shoo-Shoo Baby Bounce Me, Brother, With a Solid Four
Accentuaate the Positive Rhumboogie
I’ve Got a Guy in Kalamazoo Boogie Woogie Bugle Boy
Chattanooga Choo-Choo
Beat Me, Daddy, Eight to the Bar
Tropics Medley
Don’t Sit Under the Apple Tree

 

I thought the selection of songs was good, although they should look to included one of the Andrews Sisters’ “injected patter” songs — listen to something like their version of “Sonny Boy” for an example. I also thought a bit more history would be good: they didn’t mention the sisters by name. One person during the talkback noted they should indicated how they got their start. I think it would also be worth noting what happened after the war: they continued during the 1950s and 1960s, and the Sherman Brothers of Disney-fame developed a Broadway show around them.

Each performer did not assume the role of a particular sister, although Jorie did most of the humorous bits. I thought that both Jorie and Carlyn had strong singing voices. Adrian’s was a bit weaker, but she noted during the talkback that it was stronger the week before, so it could have just been a touch of strain. I thought they had the movement down well, and had a good interaction with each other.

If they are still in town when next June rolls around, I suggest that they do this at the Hollywood Fringe Festival. They could easily do it within the confines of the festival — 15 minutes in, 15 minutes out — as they have no particular set and no costume changes, and it could give them some very strong exposure.

Music was provided by Chadwick Harmon on Piano and Kyle Dombroski (FB) on Drums.

We caught the last performance of this show. Next week we catch the last Actors Co-Op Too! show, Twelfth Night.

***

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at 5 Star Theatricals (FB), the Hollywood Pantages (FB), Actors Co-op (FB), and the Ahmanson Theatre (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows:

Next weekend brings the last Actors Co-Op Too! production, Twelfth Night, or What You Will at Actors Co-op (FB). The third weekend of August will be Merrily We Roll Along, a guest production at the Colony Theatre (FB).

Looking forward to September: The first weekend of September is currently open. The second has a hold date for I Dig Rock and Roll Music at the Rubicon in Ventura. The third weekend has Ain’t Too Proud at the Ahmanson Theatre (FB) on Friday, followed by Paradise – A Divine Bluegrass Musical Comedy at the Ruskin Theatre (FB) on Saturday. The fourth weekend has Rope at Actors Co-op (FB), and the fifth brings Bark: The Musical at Theatre Palisades (FB). October is still open, with only two weekends currently booked, and one with a hold date.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-LemonsMusicals in LA@ This StageFootlights, as well as productions I see on GoldstarLA Stage TixPlays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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🎭 Sugar, Butter, Flour … Sweet | “Waitress” @ Hollywood Pantages

Waitress (Pantages)Let’s get this out of the way: I hate cake (well, except cheesecake, which may not be a cake). Given my choice, at a birthday party, I’d much rather have pie. Fruit pie. Ice cream pie. Chocolate silk pie. Lemon Meringue. Just not coconut. But I’m a pie guy.

So, just perhaps, I was predisposed towards Waitress, a new musical by Jessie Nelson (book) and pop artist Sara Bareilles (music and lyrics), which we saw last night at the  Hollywood Pantages (FB) theatre. But I seemed not only to be the only one. The audience was full — and (unlike many shows), it was full of younger adults. It seems that if you want to get younger, non-theatre folks into the theatre, you simply need to do shows by younger artists they know and like. Who knew?

In all seriousness, last night we saw Waitress, which was based on the motion picture written by Adrienne Shelly. Now I’d never see that picture, which isn’t a surprise because I see very few motion pictures. So I wasn’t familiar with the story of Waitress at all, other than reading the liner notes to the cast album once. But the music? That I know. I have both the album by Sara Bareillies and the cast album, and I enjoy both of them quite a bit. So going it — on top of the pie theme — I was looking forward to seeing this show.

Sitting through the show — I’ll summarize the plot in a minute — I found myself smiling. This was a story that was funny and touching, realistic and empowering, and just likable. Then it hit me during the intermission: the best way to describe this show was sweet — just like the pies it discusses. There are a lot of different flavors touched upon in this show: from unwanted pregnancy to abusive relationships, to the questions of why we stay in relationships and why we don’t, to the power of friendships and the support of friends, to the power of love and accepting people for who they are, and it all just simmers and blends and comes together for a result that is … sweet.

So this is a musical that will leave you with a good taste in your mouth. I think you’ll enjoy it quite a bit.

I’ve gotten this far without summarizing the story, and one advantage of online reviews is I can cut and paste. Here’s the synopsis from StageAgent:

Waitress, based on the 2007 movie of the same title, follows the story of Jenna, a woman who is pregnant without any desire to be, trapped in an abusive relationship in a small town with no hope for a future outside of fear and false positivity. She escapes from her trauma through the baking of pies, creations of her own that she names after their uniquely combined themed ingredients and the events that inspired them, and recipes of her mother’s that once instructed her own baking. She sells her goods at Joe’s Pie Diner, where she’s also a waitress, and this job and the friends she has there exist as her only world outside her husband. The two other waitresses at the diner, Becky and Dawn, are Jenna’s best friends and closest confidantes, women with their own nuances and quirks, but like Jenna, harboring fantasies of better love than they’ve seen and lives that aren’t so sheltered and full of drudgery. When Jenna meets her new male gynecologist and sparks of lust start to fly between them, she’s forced to face up to all the things inside her that are hurting, and take action to change them. What begins as a story of a romantic love that helps to free Jenna from all the things chaining her to a miserable life becomes a story of love in so many other contexts. Jenna finds her happiness by accepting the kinds of love she truly deserves, especially the love that will be there for her the longest, and rejecting those who compromise her potential to feel powerful in her own life.

What this synopsis fails to mention are the interesting relationships formed by the other waitresses in the diner (which is somewhere near Richmond IN — if you look at the background, there’s a US 27 sign, and a “To I-70” sign. The only place the two meet is near Richmond IN — and now you know I’m a roadgeek as well). It fails to mention the curmudgeonly owner of the diner, Joe. As I said, this is a fun show.

Under the direction of Diane Paulus and the choreography of Lorin Latarro, this show seems easy as pie. By that, I mean that the characters seem believable, and the movement is remarkable. There aren’t really large dance numbers, but there is a fluid motion and transitions that make things appear out of nowhere, and make things just be right where they need to be when they need to be there. If that’s not choreography, then what is? In other words, the direction and choreography is so well integrated it just disappears into the story and doesn’t call attention to itself, and that is a good thing.

Desi Oakley (★FB, FB) plays the lead position as Jenna, the pie-baking waitress who finds herself pregnant. She brings a wonderfully strong pop voice to the role, and embodies the role with a gentle humor that is fun to watch. She is onstage for much of the show, and give a remarkable performance.

Supporting Jenna at the diner are Lenne Klingaman (★FB, FB) as Dawn and Charity Angél Dawson (FB) as Becky. Each are unique in their own way. Klingaman’s Dawn is lovely neurotic and looking for love, while being scared about finding it. She captures this well, but also has a remarkable singing voice. Her numbers with Ogie are remakable. Dawson’s Becky is the wisecracking waitress that one finds in every diner. She brings a lot of the humor and the sass to the role, and is just a hoot to watch. Lastly, playing off of them in more of a straight-man role (which makes his humorous moments even funnier) is Ryan G. Dunkin (FB) as Cal, the manager of the diner. Also in the diner is Larry Marshall as Joe, who is just marvelous as a cantankerous old man, with quite the erotic history, who just seems to enjoy making trouble … and eating Jenna’s pie.

Moving out of the diner, there are the men who intersect with the women in the diner. There’s Nick Bailey (FB) as Earl, Jenna’s husband and father of her baby, who now forms the abusive center of Jenna’s life. There’s Bryan Fenkart (★FB, FB) as Dr. Pomatter, the new Ob/Gyn in touch who rapidly falls in lust with Jenna’s pie (and yes, the double entendre there is intentional). Lastly, there’s Jeremy Morse (FB) as Ogie, who meets Dawn online and rapidly become her love interest — their numbers together are just hilarous.

Most of the remaining cast members serve as the ensemble in the background in the diner, as well as portraying other named characters in the show, as indicated: Grace Stockdale (FB[Mother, ◊], Jim Hogan (FB[Father, ♥, ♦, ⊗], Majesha McQueen (★FB, FB[Nurse Norma, ♠]; Kyra Kennedy (FB[Francine, ◊, ♣], Mark Christine (★FB[⊗, Θ], Max Kumangai [Dance Captain, ⊕], and Gerianne Pérez (FB[♣]. Swings were Chante Carmel (★FB, FB[♠], David Hughey [⊕, Θ], Emily Koch (★FB, FB[◊, ♣], and Brad Standley (FB[♥, ♦]. For understudies: ◊ Jenna; ♠ Becky; ♣ Dawn; ♥ Dr. Pomatter; ♦ Earl; ⊕ Joe; ⊗ Ogie; Θ Cal.

The remaining two cast members were Elizabeth and Catherine Last, who play Jenna’s daughter, Lulu, in the last scene. They alternate the role; we had Elizabeth at our performance. Their main job is to come on stage and be cute, and that they do.

Continuing the theme of women-power was the on-stage band, led by Lilli Wosk (★FB, FB[Conductor, Piano]. Working with her were Ryan Cantwell (FB[Music Director, Keyboard]; Elena Bonomo (FB[Drums]; Lexi Bodick (FB[Bass]; Nick Anton (FB[Cello/Guitar]; and Ed Hamilton (FB[Guitar]. Other music team members were: John Miller (FB[Music Coordinator]Alby Potts (FB[Keyboard Sub]; Brian Miler [Local Contractor]; Nadia DiGiallonardo [Music Supervision and Arrangements]; and Sara Bareilles and the Watress Band [Orchestrations].

Next, turning to the production and creative credits, we start with the most important, which were buried in the back: Prop Pies by KSM Creations; and perishable pies (misspelled in the program as “perichables”) by Whole Foods. Sara Lee® is the official pie partner for pies used on stage in the production.

Moving past the pies — if one can — we have the rest of the production and creative credits: Scott Pask did the scenic design, which worked quite well with the diner set, the projection of the road in the back, and the wonderful integration of the metro baking racks and movements. It also integrated well with Ken Billington‘s Lighting Design. I’m also pleased to say that Jonathan Deans‘ Sound Design was very clear for the Pantages (a remarkable feat), modulo the couple two rows behind us that used a hearing aid with an assisted listening device, which as Barbara Beckley often pointed out, means that you’re loudly broadcasting to everyone around you without you realizing it. For shame! Suttirat Anne Larlarb‘s costumes, and Richard Mawbey‘s hair and makeup design worked well to give that diner look everyone expects. Other production credits: Thomas Schall [Movement Coordinator]; Jason Juenker [Production Management]; Nicole Olson [Production Stage Manager]; Sarah Garrett [Stage Manager]; Raynelle Wright (FB[Asst. Stage Manager]; Telsey + Company [Casting]; B. J. Holt [General Manager]; Nancy Harrington [Assoc. Director]; Susanna Wolk [Asst. Director]; and Abbey O’Brien [Assoc. Choreographer]. As usual these days, there were loads of producers and executive producers.

Waitress continues at the Hollywood Pantage through August 26, 2018. I truly enjoyed it and found it well worth seeing. Tickets are available through the Pantages; discount tickets may be available on Goldstar.

***

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at 5 Star Theatricals (FB), the Hollywood Pantages (FB), Actors Co-op (FB), and the Ahmanson Theatre (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows:

Today we had the the Actors Co-Op Too! production of Always Andrews: A Musical Tribute to the Andrews Sisters at Actors Co-op (FB); writeup sometime during the week. Next weekend brings the last Actors Co-Op Too! production, Twelfth Night, or What You Will at Actors Co-op (FB). The third weekend of August will be Merrily We Roll Along, a guest production at the Colony Theatre (FB).

Looking forward to September: The first weekend of September is currently open. The second has a hold date for I Dig Rock and Roll Music at the Rubicon in Ventura. The third weekend has Ain’t Too Proud at the Ahmanson Theatre (FB) on Friday, followed by Paradise – A Divine Bluegrass Musical Comedy at the Ruskin Theatre (FB) on Saturday. The fourth weekend has Rope at Actors Co-op (FB), and the fifth brings Bark: The Musical at Theatre Palisades (FB). October is still open, with only two weekends currently booked, and one with a hold date.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-LemonsMusicals in LA@ This StageFootlights, as well as productions I see on GoldstarLA Stage TixPlays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

 

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