My dear departed friend Stuart Schaeffer did two outstanding things for me, musically: he introduced me to the music of Big Daddy, and he introduced me to the Austin Lounge Lizards. The Lizards are a satirical bluegrass band out of Texas, and their music is just great. Although described as “bluegrass”, they run the range from acapella choral singing to rock and roll, from the aforementioned bluegrass to country, and pretty much everything in between. Their lyrics skewer people and topics, and are cleverly written. Whenever we learn they are coming to town, we do our best to see them (but, alas, they often conflict with prescheduled theatre).
Luckily, although there was a conflict, it was with a subscription show, and we were able to change our tickets to Sunday. So last night we got together with some friends and went down to Boulevard Music in Culver City to see the current incarnation of the Lizards do their show. The Lizards are down to two of the three founding members (Tom Pittmann having retired, but Hank Card and Conrad Diesler are still there), and have been joined by two original Lizards, Kirk WIlliams and Tim Wilson. For two songs, Corey Simone, who was also a former Lizard and now has a band in the area, joined the group.
To make my life easy, I copied their set list before the show. This show was a little different in that there were a number of non-Lizard rock numbers worked in between the traditional Lizards fare. Here is the set list, with a few comments. I’ve done my best to get the full names of songs (non-Lizard songs in italics):
- Highway Cafe of the Damned
- Ashokan Farewell / War Between the States / War
- We’ve Been Through Some Crappy Times Before
- That God Forsaken Hell-Hole I Call Home
- Grunge Song
- The Dogs, They Really Miss You / Walking the Dog / Iggy
- Boudreaux Was a Nutcase
- Black Helicopters
- Buenos Dios, Budweiser
- Gospel Medley: One True God / Three Sinners / Zen Gospel Singing
- Teenage Immigrant Welfare Mothers on Drugs
- Carazon de Goma (new song)
- Creep / Shallow End of the Gene Pool / People are Strange
- Another Stupid Texas Song
- Strange Noises in the Dark
- Have You Ever Seen the Rain / Irma / Acid Rain Keeps Falling / Beatle
- Jesus Loves Me (But He Doesn’t Like You)
- The Chester Nimitz Oriental Garden
- The Zombie Song / Monster’s Holiday
- Hillbillies in an Haunted House
- (curtain call)
- Old Blevens
- Stop in the Name of Love / Can’t Do / Cornhusker Refugee / My Boyfriend’s Back
I still think they need to combine “Stupid Texas Song” with “I’m Leaving Texas” from Best Little Whorehouse Goes Public.
Alas, they didn’t do a number of my favorites, but that’s the nature of any show. What’d I miss? Saguaro, The Drugs I Need, Rasputin’s HMO, Go Ahead and Die (a great medley trio there), Industrial Strength Tranquilizers, Bust the High School Students, Big Rio Grande River, Half a Man, and Big Tex’s Girl… for a start.
But still, it was a great show, and you can never get all the songs you want.
Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at 5 Star Theatricals (FB), the Hollywood Pantages (FB), Actors Co-op (FB), and the Ahmanson Theatre (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.
Today brings She Loves Me at Actors Co-op (FB) a visit to Stitches So Cal. The second weekend of November is very busy: Dear Even Hansen at the Ahmanson Theatre (FB) and A Bronx Tale at the Hollywood Pantages (FB), as well as A Day Out With Thomas at Orange Empire Railway Museum (OERM) (FB). The third weekend of November brings Beyond Jacobs Ladder from Jewish Woman’s Theatre (FB) at our synagogue on Saturday, and Finks at Rogue Machine Theatre (FB) on Sunday. Thanksgiving weekend has Steambath at the Odyssey Theatre Ensemble (FB) on Saturday and Remembering Boyle Heights at Casa 0101 (FB) in Boyle Heights on Sunday. December starts with the Annual Computer Security Applications Conference (ACSAC), followed by a hold for the Canadian Brass at the Saroya [the venue formerly known as the Valley Performing Arts Center (VPAC)] (FB). Then we may travel up to the Bay Area for Tuck Everlasting at TheatreWorks Silicon Valley (FB) (although that is starting to look less likely).
January is much more open, especially after the postponement of Bat Out of Hell at the Ahmanson Theatre (FB). Right now, all there is is a Nefesh Mountain concert at Temple Judea and a hold for the Colburn Orchestra at the Saroya [nee the Valley Performing Arts Center (VPAC)] (FB) but the rest of the month is currently open (as few shows run in January due to complicated rehearsals over the holidays). We’ll keep our eyes open. February starts with the Cantor’s Concert at Temple Ahavat Shalom (FB), Hello Dolly at the Hollywood Pantages (FB), and Anna Karenena at Actors Co-op (FB). There’s also a HOLD for 1776 at the Saroya [nee the Valley Performing Arts Center (VPAC)] (FB), and Lizzie at the Chance Theatre, but much of February is also open.
As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.