Working Towards a Solution on Violent School Assaults

Over on Facebook, a comment of mine has resulted in a thought provoking discussion between friends on all sides of the political and gun control spectrum — and I thank all the participants for being willing to listen to others and have a civil discussion. There have been some key underlying notions that have emerged that provide some good ground rules for discussion on this issue:

  • The answer is a complex one, and there is no single solution — or to use a bad analogy, no silver bullet. However, there are a number of small things that might work together to reduce risk.
  • The answer is not blanket taking away of guns. The guns are just a symptom of an underlying problem, and if you take them away without doing anything else, people will find another outlet that could be equally deadly.

The following is a collection of ideas and thoughts I’ve had from these various discussions. None are fully worked out, and I’m open to further civil discussion on them. Although they are numbered, that is solely for ease of discussion, and not to indicate any priority or ordering.

  1. Constitutional freedoms are not unlimited. Courts have ruled that there are limits on speech, especially when it goes to the level of harming others. Some rights are limited to citizens; others can be lost with criminal convictions. It is permissible to regulate guns in various ways (“well-regulated” is part of the 2nd amendment) — the question is what is the right way.
  2. In discussions like this, people commonly bring up Benjamin Franklin’s statement about giving up liberty for security not being the answer. That’s true on both ends of the spectrum. Just as giving up the ability to legally own guns doesn’t bring security,  nor do armed guards and bag checks and hardened facilities everywhere. Some levels of both, when warranted in a risk reduction context, are appropriate; however, neither is a complete answer. [ETA: The answer is also not arming the teachers, for the reasons discussed in this subsequent post I made.]
  3. One approach might be to treat more lethal weapons (automatic or semi-automatic weapons, for example) differently. Not to take them away, but to have increased regulation of ownership: regulations for refresher training on how to store such weapons, more frequent health and anger screenings, special permits. Handguns and hunting rifles and such may have easier ownership regulations. In a way, this is similar to what we do with vehicles: motorcycles and commercial vehicles have different training and licensing regulations than passenger automobiles and trucks.
  4. It is increasingly clear that we need to address the root causes of the problem: the stresses that make people turn to guns and such violence as a solution to their problems. Perhaps what we should be discussing is the cost and benefits of a different tradeoff: the tradeoffs of tight gun control or armed protection on one side, vs. the cost of health and societal safety nets on the other. It might ultimately be cheaper — and more preserving of liberty — to have no cost, low cost, or affordable mental and physical health services available so that those facing the stresses can get help before turning to guns; to have living wages and financial support for families in need so that those pressures don’t result in a turn to violence; to have programs that address the inequalities and bullying so that people don’t feel the need to turn to violence. It could be that the cost of providing those things is much less than the cost of arming or taking away things (with the concurrent costs of the regulatory and legal structure). There’s often the comparison to other countries that don’t have those problems. Those countries don’t have the guns, but they also typically have better support systems as well.
  5. We need to address the culture of anger and hate that underlies the violence. We need to teach people that violent assaults are not the proper response to stress and anger. Just as the car chases you see on TV never result in the criminal winning, shooting up innocents has never solved the underlying problem behind the solution. We need to better understand the role our various media — the internets, publishing, music, games — play in this culture of anger and hate; we need to figure out appropriate regulations — but regulations and processes that move away from taking away things (negative) to positive additions. This means emphasizing a different message, and using media to teach other ways to resolve problems.
  6. We need to address the acceptance and glorification of violence in society. When our media celebrates violence; when video games focus more on violence than positive interaction; when guns are used casually and no thought (and no consequences) in movies; when our social media celebrates and amplify violent memes — we’re doing something wrong. We need to replace violence as a solution with a different message.
  7. We need to address dehumanization. When one sees others as “less than” due to various attributes: economic status, skin color, sexual orientation, political stance, religion, gender … then violence against them becomes more acceptable. I have seen — on all sides — views that people of different political stances are not worthy of life … and that’s plain wrong. We need to value everyone, from the lowliest welfare recipient to those with economic success; gay or straight; all shades of skin tones; all religions. We need to address the Internet echo chambers that feed upon and amplify the hatred of the different.
  8. If we are to build a culture that values life, we need to do it at all stages. One can’t be valuing the life of a fetus and then turning a blind eye to the person once born. The entire spectrum needs to be considered. Reasonable regulation of abortion (making it harder to obtain as independent life outside the womb is increasingly viable), as well as social safety nets demonstrating we value  the child once born, and the adult that child grows into. If we value children and adults in everything we do, than it becomes increasingly unacceptable to have violence against those who are valued.
  9. We need leaders that are role models again. When we have leaders that joke about violence to others, that act in ways that dehumanize segments of society, and that who operate through bullying and ridicule, we teach that those values are acceptable. We need to make it clear that such leaders are not leaders to be followed and emulated.
  10. We need to care about and for each other, and that means recognizing that the camel’s back is about to break before it breaks. We need to teach society to recognize the signs that indicate someone is antisocial and about to snap, that someone is dealing with situations they cannot handle. This is not to “take away their guns”, but to intervene with solutions that will help the individual before they turn to violence. The best gun is not one that is taken away, but one that isn’t used out of choice.
  11. While it is reasonable, in a National sense, to restrict certain rights and privileges to citizens (for example, ask yourself if the Second Amendment applies to the undocumented immigrant or the violent felon who has lost certain rights), some solutions may not be acceptable to limit. For example, we don’t restrict vaccines to citizens, because non-citizens can get sick and spread disease. It may be reasonable to extend societal safety nets and other support systems broadly, because even non-citizens and undocumented residents can go crazy, get angry, and grab their weapon of choice to assault others. Weapons don’t work only for citizens. (This, by the way, is a notion similar to why drivers licences should be available to undocumented residents — they still share the roads, and their vehicles can still crash into ours. That doesn’t prevent the license from making clear that the bearer is not documented, which simplifies law enforcement’s job if they do get in an accident.)
  12. There has been much discussion of thoughts and prayers. But I never seem to see the notion that God’s answer to our prayers might be the brains that God has given us. We were made in God’s image, and that includes the ability to answer our own prayers by developing a solution, perhaps with a little divine inspiration. We have been given free will; we have been given the choice of life or death, right or wrong, to act properly or not. The answer to our prayers is not doing nothing, the answer is choosing to do the right thing even when it is difficult to do.
  13. In general, the answer is not to ban and take away things, to be negative. Rather, the answer is to be positive and proactive. Prevent the situation that leads to the violence. Educate people on alternative solutions. Make the necessary help available so that violence and guns are never considered even as a potential solution.

 

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Thoughts on a Theatre Season – 5-Star Theatricals, Theatreworks, and a little bit more

It’s season announcement time, and I’ve gotten a few more in the mail. What am I interested in and what will I attend? What should you consider? Read on, McDuff!

🎭 5 Star Theatricals (FB) 🎭

This is the company that was formerly known as Cabrillo Music Theatre. They operate out of a large regional theatre in Thousand Oaks, doing locally-cast musicals with a mix of Equity performers, non-Equity professionals, and up and coming artists. They have announced three shows for the 2018-2019 season (currently remaining in the 2017-0218 season are The Hunchback of Notre Dame (April 20-29) and Beauty and the Beast (July 20-29)):

  • Shrek. 👍 Oct. 19-28, 2018. This is the first time 5-Star/Cabrillo is doing Shrek (Music by Jeanine Tesori and lyrics by David Lindsay-Abaire), although it has been done regionally before (notably at Simi ARTS back in 2014). We last saw this back in 2009 at the Pantages; it should be nice to see a good regional production of the show.
  • Matilda the Musical 👍 March 22-31, 2019. Book by Dennis Kelly and Music and Lyrics by Tim Minchin (FB) based on the novel by Roald Dahl (FB). This is the regional theatre premier for the region. We last saw this back in 2015 at the Ahmanson.  5-Star should do a good job with this.
  • West Side Story. 👍 July 26-Aug. 4, 2018. A classic show, with score by Leonard Bernstein and lyrics by Stephen Sondheim. Very appropriate in this year celebrating Leonard Bernstein. We last saw it at Cabrillo back in 2004.

We should be renewing our subscription when the packet arrives.

 🎭 Silicon Valley Theatreworks (FB) 🎭

I recently received the announcement of Theatreworks next season. Theatreworks is in the San Jose/Palo Alto area, about 300 miles away, but for the right show I might drive up, plus I have friends who live in that area. Here is their next season:

  • HOLD THESE TRUTHS. By Jeanne Sakata. REGIONAL PREMIERE. Palo Alto: July 11–Aug 5, 2018. An unsung American hero, Gordon Hirabayashi, fought passionately for the Constitution against an unexpected adversary: his own country. During World War II, he refused to report to a relocation camp with thousands of families of Japanese descent, launching a 50-year journey from college to courtroom, and eventually to a Presidential Medal of Freedom.
  • NATIVE GARDENS. By Karen Zacarias. REGIONAL PREMIERE.  Mountain View: Aug 22–Sept 16, 2018. In this cutting edge suburban comedy from America’s hottest new playwright, gardens and cultures clash, turning well-intentioned neighbors into ecological adversaries. When an up-and-coming Latino couple purchases a home beside the prize-winning garden of a prominent Washington D.C. family, conflicts over fences and flora spiral into an uproarious clash of cultures, exposing both couples’ notions of race, taste, class, and privilege.
  • FUN HOME. Music by Jeanine Tesori. Book & Lyrics by Lisa Kron.  Mountain View: Oct 3–28, 2018. [They don’t say it, but I think this is a premiere at the regional level.]  Welcome to Fun Home, the blazingly honest memoir of Alison, a graphic novelist exploring her youth in a loving, dysfunctional family whose secrets of sexual identity echo her own. Winner of every Best Musical award of 2015, this tragicomic tale is told with enormous emotion and sensitivity, its haunting yet amusing score illuminating one of the most extraordinary and original musicals of our times.
  • TUCK EVERLASTING. Book by Claudia Shear & Tim Federle. Music by Chris Miller. Lyrics by Nathan Tysen. REGIONAL PREMIERE. Palo Alto: Nov 28–Dec 23, 2018. An enchanting bestseller springs to life in this 1890s tale of Winnie Foster, a free-spirited girl whose search for adventure leads to the Tucks, a close-knit family that has discovered the secret to everlasting life. With a rousing score and a wealth of warm-hearted humor, this whimsical Broadway musical offers Winnie the choice of a lifetime: return to everyday life, or join the Tucks on their infinite, irreversible voyage through time.
  • FROST/NIXON. By Peter Morgan. Mountain View: Jan 16–Feb 10, 2019. Richard Nixon has resigned. David Frost has been canceled. With America caught in the riptides of Watergate and Vietnam, the former leader of the free world and the lightweight British talk-show host clash in a legendary series of TV interviews that will determine the President’s legacy forever. In a riveting political prizefight unseen again until today, the cameras roll, the truth spins, and it becomes clear that he who controls the medium controls the message.
  • MARIE AND ROSETTA. By George Brant. WEST COAST PREMIERE. Palo Alto: March 6–31, 2019. Stirring churches in the morning and the Cotton Club at night, Sister Rosetta Tharpe became a musical legend. With competition growing on the 1940s Gospel Circuit, she auditions a new partner, a beauty with a voice made in heaven. Will they blend, break, or find harmony at last? Don’t miss this roof-raising musical hit from our New Works Festival, the saga of the woman who inspired Elvis, Ray Charles, and more on her way to the Rock and Roll Hall of Fame.
  • Hershey Felder: A PARIS LOVE STORY. Featuring the music of Claude Debussy. Written and Performed by Hershey Felder. WORLD PREMIERE. Mountain View: April 3–28, 2019. Virtuoso Hershey Felder takes us on his own personal journey as he explores the life and music of Impressionist composer Claude Debussy. For decades Felder’s “Great Composer Series” has celebrated the brilliance of Beethoven, Berlin, Tchaikovsky, and more. In this glorious series finale, he brings to life a visionary who proclaimed nature his religion and romance his milieu, creating music of ravishing beauty, color, and compassion. From the sweeping La mer and evocative L’après-midi d’un faune to the mystical Clair de lune, this soaring tribute will never be forgotten.
  • ARCHDUKE. By Rajiv Joseph. NORTHERN CALIFORNIA PREMIERE. Mountain View: June 5–30, 2019. Can one man, one moment, derail a century? Pulitzer Prize finalist Rajiv Joseph explores the present by focusing on the past: the assassination of Archduke Franz Ferdinand in Sarajevo, 1914—the flash that ignited World War I. On a darkly comic quest for immortality, three hapless insurgents prove that little has changed from then to now. This New Works Festival sensation is from the author of Broadway’s Bengal Tiger at the Baghdad Zoo.

An excellent season. If I lived in Northern California, I’d subscribe both to TheatreWorks and to Tabard, whose season I already mentioned in my review of A Walk in the Woods:

  • The Tabard Theatre Company (FB) in San Jose has an interesting season coming up: Another Roll of the Dice / Sep 14 – Oct 7, 2018; The Explorer’s Club / Oct 26 – Nov 18, 2018; Uptown Holiday Swing / Nov 30 – Dec 16, 2018; Snapshots: A Musical Scrapbook (featuring songs from the Stephen Schwartz catalog)/ Jan 11 – Feb 3, 2019; Beau Jest / Feb 15 – Mar 10, 2019; and Queen of the Mist / Apr 5-28, 2019.  If they weren’t 300 miles away, we’d consider subscribing; still, we may drive up for Queen of the Mist. If you’re in the southern Bay Area, you should consider subscribing in our stead.

Looking at the TheatreWorks season, I’m really interested in Tuck Everlasting. This failed on Broadway, so it is unlikely that Los Angeles will see a tour. This means I’m dependent on a theatre company down here to do it, which isn’t that likely given our companies (I could see Chance giving it a try, or MTW. But anyone else? It might be a while). Yet I loved the music and the premise of the show. That might make it worth the drive for either Thanksgiving weekend or after the ACSAC conference.

 🎭  Chromolume Theatre (FB) 🎭

Chromolume just announced their Hollywood Fringe Festival production, and I’m excited. Here’s what they wrote:

We are happy to announce that our 2018 Hollywood Fringe Festival production will be the one-act musical, The Story of My Life! We are also excited to announce we will be performing at the The Hobgoblin Playhouse. We are excited to bring this story to you…coming in June! Click on the link below to find out more!

http://crtheatre.com/story.html

And for those of you who don’t know, if you purchase your season subscription before our current production ends, you will get free tickets to see this production!

We last saw Story of My Life back in 2009, right after the death of our dear friend Lauren. The story touched me in special ways; it is just a beautiful and meaningful show. Here’s one verse from a song in the show:

“You’re a butterfly my friend,
Powerful and strong
And I’m grateful for the way
You’ve always hurried me along.
When you flap your wings to stretch yourself
It might seem small to you
But you change the world
With everything you do.”

I’m really, really, excited for this show. We’re season subscribers. You should subscribe as well: $60 for Dessa RoseJane Eyre The Musical, and Sondheim’s Passion, as well as the Fringe show. Support a wonderful small theatre.

 🎭  Ahmanson Theatre (FB 🎭

Lastly, an update on the Ahmanson. They’ve been announcing their season in pieces, with the first chunk here, with an additional show I discussed with the Pantages season. There are two shows left to announce, and when I asked, CTG replied:

So, in two weeks, I hopefully should be able to make the final subscription (and see if I got my predictions right).

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