Thoughts on a Theatre Season: Pantages Theatre | Tabard Theatre Company

Just before Christmas 2016, I attempted to predict what shows would be presented in the next Pantages and Ahmanson seasons. Today, the Pantages made the announcement about its 2018 season (or most of it; there were no shows announced after September 2018). Curious about how I did? Read on! Additionally, I’d like to share some thoughts on a season announcement for a great Northern California theatre.

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Back in December, I summarized the shows that I thought were going on tour based on the announcements that I had seen, and I predicted the following:

There are numerous other shows currently coming to Broadway that I expect to tour, but I think they would be 2018-2019 at best. So how do I predict the seasons to work out? Here are my predictions:

  • Ahmanson 2017-2018 Season: Deaf West’s Spring Awakening, The Humans, Something Rotten, Waitress, and possibly the Fiddler revival, Allegiance, or a pre-Broadway musical.
  • Pantages 2017-2018 Season: Disney’s Aladdin, School of Rock, Love Never Dies, Bright Star, Matilda, Miss Saigon, Les Miserables, Color Purple, and possibly On Your Feet.

So how did I do? The Pantages announced a six show season. Five of the six were on my Pantages list, one was on my Ahmanson list. So I think I did pretty good. Here’s what was announced for the Pantages season. I’m sure they will have some fill-in shows to announce, but those might be more retreads:

  • Disney’s Aladdin, The Musical. January 10 – March 31, 2018. What is there to say? This is the upsized full-Broadway version. It is clearly a Pantages show that they expect to be a hit, given a 3 month run.
  • Andrew Lloyd Webber’s Love Never Dies. April 3-22, 2018. This is the sequel to Phantom of the Opera, which I wasn’t that crazy about. It has not played Broadway yet. I will admit I’m curious on this one, so I’ll give it a try. I was expecting they might program the long running tour of Phantom before this production, but they barely have time to do the load-out/load-in after Aladdin. They can’t even squeeze it in before Aladdin, as Hamilton ends on December 30, 2017, and Aladdin starts January 10.
  • School of Rock: The Musical. May 3 – 27, 2018. Currently on Broadway, and I enjoy the music quite a bit (and that is even with the knowledge that this is an Andrew Lloyd Webber show).
  • The Color Purple: The Musical. May 29 – June 17, 2018. This is the deconstructed and re-conceived revival that received such good reviews on Broadway; I haven’t listened to the album of this version yet. I’m looking forward to this.
  • On Your Feet: The Emilio and Gloria Estefan Musical. July 6 – 29, 2018. Surely to be a crowd-pleaser in Los Angeles. I’ve heard the music, and this should be good.
  • Waitress. August 2-26, 2018. This is the one show I had predicted for the Ahamanson instead, but I can see why the Pantages grabbed it — given it is the first musical by Sara Bareilles, it will bring in the kids. I’ve heard the music, and I’m looking forward to it.

A few additional notes: The Pantages has left very few holes for fill-in programming — really only the last week of April, and the latter half of June. There will be perhaps some pop-up concerts there, but a three-week run is unlikely. Expect them to add shows from September 2018 on, but that may be in their next season announcement. Regarding my predictions (which I’ll update), I think Bright Star might go to the Ahmanson. Matilda, Miss Saigon, and Les Miserables will likely wait for the 2018-2019 Pantages season instead — the first because it was already at the Ahmanson; the latter two because they are really more Pantages shows (plus Les Miz was already at the Ahmanson).

More details, and information on subscription packages, is here.

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Back in 2014, we saw an excellent production of The Immigrant from Tabard Theatre Company (FB) in San Jose. A few weeks ago, I received their announcement of their 17th season, and all I can say is that if I lived in the area, it would be worthy of subscription. We may even drive up for one of the shows (Adrift in Macao), it’s that good. Here’s their season:

  • PETER AND THE STARCATCHER. September 15 – October 8, 2017. Written by Rick Elice. Music by Wayne Barker. Based on Dave Barry and Ridley Pearson’s novel “Peter and the Starcatchers”. Tony Award-winning play! Featuring a dozen actors portraying more than 100 engaging and unforgettable characters, through this play with music we learn how Peter Pan earned his flight credentials and how a mustachioed pirate became Captain Hook. — We saw the tour of this when it was at the Ahmanson, and it was great. This should be a smaller production, but this is a show well suited to that.
  • MOM’S GIFT. October 27 – November 19, 2017. Written by Phil Olson. Northern California Premiere! In this comedy with a heart, Mom has been dead for 11 months and shows up at her husband’s birthday party as a ghost with a mission. Like Clarence in “It’s A Wonderful Life,” she has to accomplish a task to earn her wings. Only what the task actually is, is a mystery. — We saw the world premiere of this at Group Rep, and it was excellent.
  • HOLIDAY AT THE SAVOY. December 1 – December 17, 2017 Created by Cathy Spielberger Cassetta & Gus Kambeitz. World Premiere! It’s December 1945, New York City — the first post-war holiday season at the famous Savoy ballroom in Harlem where singers, dancers, and musicians put on an exciting floor show filled with the swinging sounds and steps of the day in Savoy style. — I haven’t heard of this, but it sounds quite interesting with good music.
  • EVELYN IN PURGATORY. January 12 – January 28, 2018. Written by Topher Payne. West Coast Premiere! When a complaint is filed against one of the 70,000 teachers in New York’s public schools, they’re sent to a Reassignment Center. There, they sit and wait for their case to be reviewed. Based on real teacher “rubber rooms” in New York City, this surprising and engaging dramatic comedy follows five teachers one school year while they await their hearing. — Sounds like an interesting play. One of the reasons to subscribe to seasons is to see plays you might not normally go to on your own. This sounds like one of those.
  • THE MIRACLE WORKER. February 16 – March 11, 2018. Tony Award winner by William Gibson based on Helen Keller’s biography “The Story of My Life”. 20-year old Annie Sullivan embarked on a journey that would change the life of her charge, Helen Keller, who would, in turn, change the lives of others for generations. The Miracle Worker reveals the power of commitment and strength when the choice is made to reach beyond the understandable and tangible. — This is the play that made Patty Duke’s career. A classic. I haven’t see it in years, but it is a great story.
  • ADRIFT IN MACAO. April 13 – May 6, 2018. Book and Lyrics by Christopher Durang; Music by Peter Melnick. Bay Area Premiere! With a drop-dead funny book and shamefully silly lyrics and lethally catchy music, this fast-paced musical, set in 1952 Macao, China, lovingly parodies the Hollywood film noir classics of the 1940s and ’50s. — I have heard the music from this, and truly want to see the show. It hasn’t been done in LA, at least that I’m aware of. I may work a visit to the Bay Area in my schedule to go see this.

As I noted before, I’d subscribe for this season, it looks that good. They are just too far away for me. But perhaps not for you. Tabard is in San Pedro Square in downtown San Jose. Tabard’s pricing for Early Bird tickets (until May 17, 2017) isn’t that bad: between $69 for students to $205 for their “caberet” seating; $159 is the basic adult ticket, meaning about $26.50 a ticket. Subscription information is here.