Believing in Untruths

userpic=obama-supermanEarlier today, I wrote about a fundraising event for REP that occurred in response to an incident that happened earlier in June. In this event, a version of a story was spread that was exaggerated in ways to make people believe an untruth — in this case, they believed this untruth because it fit their conception of what likely happened, not what really happened. As someone who tries to look at things neutrally (although I have progressive leanings), I see this all the time. I especially see it on Facebook, where rabid partisans on both sides of the political spectrum spread their untruths about the other side in order to support their views. Yes, I said both. I see some of my very liberal friends constantly making fun of the conservatives; and I see conservatives spreading untruths about the liberal side.

The latest example of this flew across Facebook a little earlier today: a link to an article titled “This “Top 10 Reasons To Vote Democrat” List From Allen West Is One Of The Best Things On The Internet“, posted at The Federalist Papers.org. But when you look at this list from the perspective of the truth, you discover that each one of these things is actually based on a false belief about Democrats. Let’s look, shall we?

  • I’ll vote Democrat because I can’t wait for college football season to be delayed or cancelled because the student athletes are union employees.” When you think about it, unions are actually a pretty Tea Party concept: individuals deciding to dictate their own future instead of letting the government do it. Individuals collectively bargaining for better conditions, better wages, a better future. They are not depending on the government to achieve this goal: they are doing it themselves. So this builds on the misconception that unions are bad things. It also builds on the misconception that the Democrats specifically made student athletes union employees. This was a specific legal decision by a in a specific case interpreting law; it was based on a number of factors, including the time students devote to football (as many as 50 hours some weeks), the control exerted by coaches and their scholarships, which were equivalent to a contract for compensation.
  • I’ll vote Democrat because I believe oil company’s profits of 4% on a gallon of gas are obscene, but the government taxing the same gallon of gas at 15% isn’t.” This plays on the conception of evil government taxing. But is this true. Companies are entitled to reasonable levels of profits; the usual assumption is that many of those profits will be returned to shareholders or into research and development. When profits go for other purposes — like insane executive salaries — people get upset. But more significantly, where does that government tax dollar go? It goes to pay for all those roads people drive upon. The gas companies pay nothing for the infrastructure upon which they depend. The 15% tax on fuel is not obscene.
  • I’ll vote Democrat because I believe the government will do a better job of spending the money I earn than I would.” This is a common belief. The problem is that people would not spend money on common good. If you kept more of your tax dollar, would you pay for roads? Would you pay for the lighthouses? Would you pay for the air traffic controllers? Would you pay for the coast guard? Would you pay for the national clocks? Would you pay for the organizations that establish neutral and accurate national standards? In truth, in many areas, the government does do a better job at spending money than you do. One other note: Although you might spend money better, do you believe that is true for everyone?
  • I’ll vote Democrat because Freedom of Speech is fine as long as nobody is offended by it.” What’s funny here is that it is the Democrats that are usually at the forefront of defending the rights to free speech through the ACLU. On the other hand, who has attempted to limit magazines and subjects that they felt were offensive? Who has attempted to limit the presentation of non-Judeo-Christian religious views and symbols?
  • I’ll vote Democrat because I’m way too irresponsible to own a gun, and I know that my local police are all I need to protect me from murderers and thieves. I am also thankful that we have a 911 service that get police to your home in order to identify your body after a home invasion.” So many things here. First, it is not *you* owning a gun that is worrisome; it is that depressed psycho neighbor of yours. You’re fine. Second, the statement about the local police creates the implication that people use their personal firearms to protect themselves from murderers and thieves — which in really does not occur. Name 10 recent incidents where a murder or theft was stopped due to a local person using a handgun? As for 911, identification of the body is not done by first responders. The first responders are there to find the person who did the murder, and start collecting evidence. Don’t you watch CSI:?
  • I’ll vote Democrat because I’m not concerned about millions of babies being aborted so long as we keep all death row inmates alive and comfy.” Again, multiple issues here. No one is in favor of abortion; no one believes it should occur willy-nilly. The belief is that a woman should have the right to choose what happens to her body; if the conservative side is so in favor of a small government that doesn’t restrict them, they should be in favor of keeping the government out of telling women what they can or cannot do with their bodies. As for the death row inmates: the concern here is the same as with abortion: loss of innocent life. Mistakes happen, people lie or misinterpret evidence, and innocent people do land on death row. Why is it right to not kill an innocent when they are a baby, but OK when they are an adult. As for alive and comfy, you obviously haven’t been in prison — but there is also this little thing called the constitution that prohibits cruel and unusual punishment.
  • I’ll vote Democrat because I think illegal aliens have a right to free health care, education, and Social Security benefits, and we should take away the Social Security from those who paid into it.” Actually, the Democrats don’t believe illegal aliens have a right to free health care, education, and Social Security Benefits. They do believe they have a right to some health care, because if they are infectuous they can infect a citizen just as well as a non-citizen. Some of the rights that have been extended have been done by courts — consisting of both liberal and conservative judges — interpreting the law of the land. As for Social Security, you’ll find that it is the Democrats that have been defending Social Security against attempt to put it in the risky stock market and other investments.
  • I’ll vote Democrat because I believe that businesses should NOT be allowed to make profits for themselves. They need to break even and give the rest away to the government for redistribution as the Democrats see fit.” Democrats believe businesses should be able to make profits. They also believe — just like everyone else — that businesses should pay their fair share of taxes.
  • I’ll vote Democrat because I believe liberal judges need to rewrite the Constitution every few days to suit some fringe kooks who would never get their agendas past the voters.” Except, of course, when it is the conservative judges that rewrite the constitution through decisions such as Bush v. Gore and Citizens United. Fringe Kooks exist on both sides, boys and girls.
  • I’ll vote Democrat because I think that it’s better to pay billions for oil to people who hate us, but not drill our own because it might upset some endangered beetle, gopher, fish or frog.” Oil is a limited resource. It is best to use as little as possible, irrespective of where we get it, because we cannot make more. But in reality, the oil companies go where the profits are. If it was cheaper to sell domestic oil at the same price, they would. Imported oil is cheaper. Environmental protection is only one part of that. As for the endangered species (which were protected by a Republican administration), we never know what we might learn — what new scientific or health discoveries might be made from them. But more importantly, the reality is that endangered species don’t stop most oil drilling — it is people wanting to protect their water, their air, or their community from the pollution that comes with oil drilling — or the risk of an oil spill, which we all know never happens (and when it does, is cleaned up with nary a trace). Sometimes the easiest way to get a legal hook to stop the action is… you guessed it… the endangered species act.

I do this not to pick on the conservative side, but to urge people to look at partisan statements — from either side — neutrally. Find out the facts — don’t believe the sensational lies you read from either side. Get your news from multiple sources, and listen and attempt to understand — even if you don’t agree — from friends of all ilks.

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Out on a Limb to Help a Friend

Solopalooza (REP)userpic=repeastExperimental theatre. If you have been reading our theatre adventures, you know this is something that we don’t normally attend. But when a fundraiser was announced for the Repertory East Playhouse (REP) after the recent debacle, I was in—no questions asked. So last night we were back at REP for “Solo-Palooza“, which was a collection of 10-20 minute monologues by theatre students from College of the Canyons that left me astounded at the level of talent and the passion of the students, as well as being pleased that REP was coming out of this stronger, with a greater commitment to do great theatre from both the staff and the community.

Let’s start with the REP aspect first. For those unfamiliar with the story, during the run of REP’s previous show, Cat on a Hot Tin Roof, a patron got inebriated and started making audible anti-gay slurs during the second act. The actor playing Big Daddy reacted to these jeers not by requesting action from management, but by going into the audience and physically confronting the patron. The patron was ejected, the actor was fired (for creating legal risk for the theatre), another actor quit in support, the remainder of the run was cancelled due to the loss of actors, the issue hit the news and went viral on the Internet with a version of the story tilted towards the actor, and the theatre took a financial and publicity hit. Within a week of the incident, the show showed up with a benefit performance at another venue, with most of the actors, directed by the fellow in the audience who took the story to the media. Supporters of the theatre began speaking up when staff couldn’t, and fundraisers were organized to make up for the loss of ticket income from the production. Such is the love that this theatre engenders in the local community and the community of the people that know the theatre that they want this institution to survive. T-Shirts were sold, and two shows were organized to provide support. One of those shows was this show; the next is a stand-up comedy night next week. Of course, the best way to ensure the survival of the REP is to introduce new audiences to their quality and integrity. When you buy a ticket to their next show, Return to the Forbidden Planet, buy an extra ticket and bring a friend to the theatre.

Next, let’s turn to the show itself. What is Solo-Palooza? Solo-Palooza is a product of the “Theatre 195: Solo Performance” class at the College of the Canyons. In this program, students from the class present original solo performance pieces that have been curated with COC theatre instructor and Solopalooza director Susan Hinshaw (FB) to be both socially provocative and highly entertaining. Over the years, Solo-Palooza has been performed at both COC and at REP; REP has been a strong supporter of the program. The most recent Solo-Palooza before this one was in early June at COC, and featured shows about “broken families, drug addiction, bullies, cheerleaders, being an outsider, being a twin, and an obsessive compulsive”.  It was mentioned at the beginning of last night’s show that COC wanted to return the support to REP, and they proposed this special Solo-Palooza performance, with all the proceeds going to REP.

Last night’s performance featured nine selections from longer solo performance pieces. All were great; the weakest one in my eyes was at the 90% level, and the weakness was due less to the performance and more due to the resonance of the subject matter. The performances were at a level very different than I seen in normal scripted shows. I don’t mean this in a bad way: these performances were uniformly excellent and creative, drawing the audience to see multiple characters and multiple personas in a single individual with minimal props. This is why I referred to experimental theatre above — this was true “acting” from the heart and soul. It was remarkable. Let’s look at my remembrances of the individual pieces in the show:

  • Copy and Paste” (Ashley Rasch/FB). This was a story about a girl growing up with her identical twin sister. I was astounded with the enthusiasm and energy Rasch brought to the piece — she was flying everywhere and becoming different characters and ages, and was just astounding and funny and delightful to watch.
  • On the Outside Looking In” (Tyler Menjivar/FB). This was a story about growing up gay and trying to find your way as an outsider. One of the most interesting portions of the piece had to do with messages that we send–Menjivar related about hearing his parents talk about the fact that it was perfectly fine to be gay…. as long it wasn’t a friend, neighbor, or a family member. I was impressed by the emotion behind this story, and the physicality of the piece (Menjivar was pushed by … himself … on to the floor hard a number of times).
  • Nine Dresses” (Renee Poignard/FB). This was ultimately a story about a girls relationship to her mother who passed away too soon, and how that relationship was triggered by memories, odors, and actions. A touching and humorous piece.
  • Wrong Channel” (Jordan Haro (FB)). This was the piece that resonated with me the least. It was about a young man who learned his life lessons from television. There was a lot of patter about shows — especially kids cartoons — and the lessons they teach. Many of these were kids shows from the late 1990s that I never watched, and so the connections and in-jokes just missed me. The audience did appreciate, however, his performance of the theme from Speed Racer.
  • Fat Bottomed Girl” (Heather Frame (FB)). This was perhaps the piece that resonated the most with us — it was a monologue about a woman and her struggle with weight, with an addition to eating and of using food for comfort and nurture. This is something that my wife has struggled with, and even I’m having trouble with it (I’m finding it hard to lose weight). A really good and well-performed piece from the heart.
  • My Girl” (Joe Prata/FB). This was a piece I wasn’t sure I was going to like — it was a (hopefully fictional) talk by a man who murdered his wife with malace aforethought, after murdering her lover, and going on to kill more. At its heart, though, it was a story about a man’s relationship with his daughter, and the aftermath of a bad divorce. Although the presentation only gave one side of the story (part of the problem that was there in the original REP incident), it provided an odd understanding of an evil act. Very well performed.
  • Straight Lines, Full Circle” (Clare Tompkins-Cook/FB). Another piece about growing up, this time from the young lady who was serving as the host for the evening’s performances. It was about a girl’s hatred of pain and blood, and how the pain of her life and fighting at home led her to cutting — experiencing pain to awakeness from the numbness that life had brought to her. Tompkins-Cook portrayed a number of characters and emotions, and was just fascinating to watch.
  • Silence is Loud” (Kelsey Kosskove/FB). This was a story about a young woman dealing with the draw of silence on her life. Kosskove had a dancer’s body and dancer’s moves, and these highlighted this interesting piece. This was the piece that connected with my wife the least, for whatever reason.
  • Three Men” (Judge Boothby/FB). Boothby protrayed three angry men: a janitor talking to a student, a son talking to his father, and a third one I can’t remember. What I found interesting here — even more than the strong performances themselves — was the reaction to them from the other actors on the side of the stage. I also loved how Boothby just inhabited and transformed into each difference character. It was remarkable to see.

The production was produced by Clare Tompkins-Cook/FB and Erin Cholakian/FB, with REP regular Taylor Kozlowski/FB serving as house manager, lighting, and sound tech. David Stears/FB was the event coordinator.

There was only one performance of this piece. You shoulda been there supporting the REP. You’ll just have to come to their next show.

[Ob. Disclaimer: I am not a trained theatre critic; I am, however, a regular theatre audience. I’ve been attending live theatre in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.]

Upcoming Theatre and Concerts:  Tonight sees us back at our old haunt, the Pasadena Playhouse (FB), for “Stoneface: The Rise and Fall of Buster Keaton”. We finish off June with “I’m Not Just a Comic Genius” at Secret Rose (FB) on June 27. July will be busy: “Ghost” at the Pantages (FB) on 7/5, “Return to the Forbidden Planet” at REP East (FB) the weekend of 7/12, “Once” at the Pantages (FB) on 7/19, “Bye Bye Birdie” at Cabrillo Music Theatre (FB) on 7/26, and “Family Planning” at The Colony Theatre (FB) on 8/2. August then remains quiet as we work around vacations and such (but I’m eyeing a number of productions in Escondido, including Two Gentlemen of Verona” at the Old Globe, and Pageant” at the Cygnet in Old Town. What they have at the Welk (“Oklahoma“), Patio Theatre (“Fiddler on the Roof“), and Moonlight Stage (“My Fair Lady“) are all retreads. Things start to get busy again in September and October, with “The Great Gatsby” at REP, “What I Learned in Paris” at the Colony, and “Pippin” at the Pantages. More on that later. As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Bitter-Lemons, and Musicals in LA, as well as productions I see on Goldstar, LA Stage Tix, Plays411.

 

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