Wither the P.I.?

One of the things I’ve been doing this weekend is recording TV Themes to my iPod (I’ve got over 300, and I’m thinking about more to add). Doing so got me thinking… What happened to the P.I. on TV? It used to be, in the 1960s through 1990s, that your crime procedurals were all P.I.s. Mannix. Cannon. Kojak. Hardcastle and McCormick. Blue Moon Detectives. Today? Most of your procedurals are government employees. Criminologists working with the police department, Naval investigations, and such. Your only P.I. are psychics… typically working with the police.

So what killed the Private Investigator? Perhaps we should hire a P.I…. if we could find one.

 

Share

Digital Subchannels

Last night, my wife asked me to sit down and watch a program with her. This wasn’t a surprise; she actually likes to sit with me sometimes :-). Nor was it a surprise when it turned out to be “The Trouble with Tribbles”, an episode of the original Star Trek. She likes old TV program. What was a surprise was the channel: 20, ME-TV. Now we have DirecTV, and a channel under 100 is a local channel. I had never heard of ME-TV, nor did I know of any channel 20 in the Los Angeles area. So I started investigating.

Now, we do have some traditional broadcast channels that do “old” shows (where “old” is 90s and earlier, sigh). KPXN, which was UHF channel 30 but is now digital channel 38, was part of the old Paxson group, but is now broadcasting ION (“eye-on”) TV.KDOC, which was UHF channel 56 but is now digital channel 32, also broadcasts old shows. KCET, since it has dropped its PBS affiliation, occasionally does old shows. Of course, the traditional VHF independents and former-independents, KTLA, KCAL, KTTV, and KCOP broadcast syndicated old programs.

But that still leaves the question of ME-TV, and Channel 20. This led me into the whole area of digital subchannels–which I knew nothing about because we use satellite TV, not over-the-air with a digital box. It initially looked like the Me-TV we were seeing was one of the digital subchannels of KDOC (56.3, to be precise). In fact, it turned out the Me-TV was one of a number of new “networks” broadcasting old stuff: there also was Antenna TV (KTLA 5.2), and This TV (KTLA 5.3). (There’s also something called BounceTV, but that doesn’t appear to be in LA). In fact, it looks like there are loads and loads of digital subchannels, when one looks at the full list. Most of the folks who get cable (note: they are carried on some providers) or satellite know nothing about these (I didn’t); they are only available “over the air”. One of the benefits of digital TV.

So that doesn’t answer the question of why it is Channel 20, and why, of all the myriad digital subchannels, only this one is carried by DirecTV. The answer, it turns out, is that DirecTV isn’t carrying the digital subchannel. Actually, they are carrying a local station from Bishop CA, KVME-TV, which is channel 20. Both KVME-TV and KDOC’s 56.3 brand themselves as “Me-TV Hollywood”, and broadcast the same schedule.

Is it worth putting up an antenna just to get these missing digital subchannels? Probably not. I watch little enough TV as is; who needs more channels. There is always the possibility that DirecTV will carry them, but there is limited satellite channel space. I guess DirecTV makes more money carrying the “shilling” channels that live in the 60-90s.

Music: Things to Ruin: The Songs of Joe Iconis (Lance Rubin): The War Song

 

Share

Cleaning out the Links

It’s Friday at lunch, and you know what that means–it is time to clear out the accumulated news chum links from the week that haven’t fit into any theme. There’s a bunch of interesting stuff in here, so read on, McDuff:

Music: Cheapo-Cheapo Productions Present John Sebastian Live (John Sebastian): Waiting for a Train

Share

Some Thoughts on the New TV Season

The new TV season has started, and I’ve watched some of the new programs, as well as some returning favorites. Here are my thoughts. I’d like to hear your thoughts on the season:

Two and a Half Men

This is a show that had started to get tired, irrespect of Charlie Sheen’s real-life problems. One can only be entertained by an alcoholic drug-swilling womanizer for so long before the jokes get tired. So I’m actually finding this season interesting: we still have that character being an adult child succeeding with the women, but for a completely different reason. It will be interesting to see how well the writers handle the character. I’m going to try it for a few more episodes.

Two Broke Girls

I’m actually enjoying this show, although this is another example of the 1970s coming back (this is, after all, Laverne and Shirley under a different name). The actresses work well together and the writing is pretty good. The horse is a gimmick and I’m not sure what they are going to do with it, or whether it is just going to go the way of Ritchie’s older brother. I like the running cash total at the end. This has a feel quite a bit like “How I Met Your Mother”, so it will be interesting to see how it goes.

New Girl

I gave this a try on Tuesday night. It has potential, and has already been picked up for a full season order. Zooey Deschanel is cute and has a quirky quality to her that makes her a joy to watch. I’m curious to see where this goes.

CSI

I’ve watched one episode of CSI in the Ted Danson era (I’ll watch the other tonight), and so far, I’m impressed. Danson brings a new and different vibe to the show. A vibe that is more family and less driven, which is quite a change from the old era of either Billy Peterson or Larry Fishburne. I think it will be interesting to see the character develop.

Survivor

This is still my guilty pleasure. The cast is interesting this season. I do wish Jeff would go back to writing a blog after each show.

And one other note….

Lastly, I read with interest the LA Times review of “South Street” at the Pasadena Playhouse. They ripped that show a new one, including statements such as “Philadelphia’s famed tourist district is the setting of “South Street,” … Alas, it might as well be Sesame Street.” and “Sadly, the variety-show sound and arthritically lame narrative are beyond repair. Pray that the City of Brotherly Love doesn’t sue for defamation of musical character.”. This is echoed in the Bitter Lemons review summary: the essence is that the acting is good, but everything else sucks. This makes me really glad we opted not to renew our Pasadena Playhouse subscription.

Share

Television News Chum

A quickie lunchtime news chum before I head out to an awards lunch:

Share

Entertaining Issues

A few items of saved news chum, all having to do with various types of entertainment:

  • What Is Opera? No, I’m not referring to the web browser. Rather, I’m referring to the question of what the difference is between opera and a sung-through musical. I was thinking about this last week at Les Misérables, which is essentially sung through. Why is Les Misérables or Evita or Rent… or for that matter, even Porgy and Bess, considered to be musicals, whereas something like The Marriage of Figaro considered to be an opera? An article in the New York Times explores the difference, looking at “Séance on a Wet Afternoon”, the new opera by Stephen Schwartz, as the focus of the question. Their conclusion: words have the upper hand in musical theatre, but music is foremost in opera. I’m not sure I see the difference. For Les Miz, which is more important, the soaring music or the words of Valjean?
  • Melodrama on the Small Screen. Back in the 1980s, there was a television of operatic melodrama, without the music (except for a wonderful theme). Dallas. The story of JR and Sue Ellen and Bobby and all these other folks you knew instantly by first name. Yes, it was campy and melodramatic, but the audience ate it up. TNT is bringing it back… with JR (Hagman), Sue Ellen (Grey), and Bobby (Duffy) (TNT Site). I may have another guily pleasure, depending on how well they execute it.
  • Moon Over Orange County. One thing for which Dallas is remembered is the famous scene where Pam discovered Bobby in the shower. I mention this because of the risk of a bare butt, and butts were on display yesterday in Orange County. That’s because it was the 32nd mooning of the Amtrack (although there were fewer participants due to a police crackdown). Local legend sets the origins of the event inside Hutchinson’s bar. In 1979, a patron celebrating his birthday said he would buy a round of beer for anyone who mooned the Amtrak train across the street. Some did, and when the man’s birthday came a year later, a friend reminded him of his previous deal. In the last few years, however, participation has decreased. From a high of 8,000 to 10,000 in 2008, the event dropped to about 400 people in 2009, around 100 in 2010. Saturday’s event featured no more than 50 bare bums at any given time. Just remember, friends, this is how they have fun in Orange County!
Share

You Can’t Make This Stuff Up

From an article I’m reading:

“The Governator is going to be a great superhero, but he’ll also be Arnold Schwarzenegger,” Lee says of the semi-fictional character. “We’re using all the personal elements of Arnold’s life. We’re using his wife [Maria Shriver]. We’re using his kids. We’re using the fact that he used to be governor. Only after he leaves the governor’s office, Arnold decides to become a crime fighter and builds a secret high-tech crime-fighting center under his house in Brentwood.”

There will be an Arnold Cave, a closet full of Super Suits that allow him to fly and perofrm other stunts and a team of colorful sidekicks….

No, this isn’t my April Fools post. According to USA Today, “The Governator” is a new comic book and animated TV show being developed by Stan Lee.

Share

Nothing Else To Complain About?

In its never ending quest for truth, justice, and the American way (or a reasonable facsimile thereof), Fox News is complaining that Wonder Woman’s new costume isn’t patriotic enough. What new costume, you ask? Well, David E. Kelly is doing a new version of the Wonder Woman TV series, and has released pictures of Adrianne Palicki in the new costume.

So what do you think? The picture below shows the new costume on the left, and Lynda Carter, the 1970s TV Wonder Woman on the right.

Share