Hey, There, Single Gal….

Last night, gf_guruilla and I went to see the musical “I Love You, You’re Perfect, Now Change” at the Repertory East Playhouse in Newhall. For those unfamiliar with this musical, it is a less of a unified plot and more of a series of vignettes about relationships, starting with hesitant dating, moving through marriage, divorce, death, and reentering the dating scene. The songs and sketches trace the evolution of male-female relationships, from caveman days in the prologue to the joys of single life in Act One, and then the rather different joys of married life in Act Two. Some of the songs are just hilarious; my favorites are “Always a Bridesmaid” and “Marriage Tango”. To give you an idea, here are some of the lyrics:

When I look in my closet,
There’s a rainbow deposit
Of gowns so grotesque that I groan
All those husbands are gone,
But those dresses live on,
Even moths seem to leave them alone.
Too many weddings, too many messes
But at least I’ve hung on to my pride.
I’ve lived life alone, but the terms are my own.
Always a bridesmaid, (thank you Lord!)
Never a bride!

This production starred James Flaherty, Erin Rivlin-Sakata, Kelly Meyersfield, and George M. Chavez II. I was particularly entraced by Kelly Meyersfield (what can I say: I like the short, cute, brunette belters… I also like Klea Blackhurst), who is very active in theatre and TV. Other than Meyersfield, the other leads are all local folks with primarily local experience. However, they all did an excellent jobs in their roles, as did the single 16-year old musician, whose keyboard sounded like an entire orchestra. This is pretty good for an 83 seat theatre!

This is the second production we’ve seen from Rep East, and they both have been excellent. It is making us much more interested in their entire season; the next show is “Don’t Dress for Dinner“, and I’m also interested in “proof” later in the year. They will also be doing Shakespeare in the Park during the summer with a production of Hamlet. One of the things that impresses me is the large number of theatre aficionados in the crowd: we always seem to have great discussions. Last night, we had fun talking to the artistic director, Ovington Michael Owston who gave us some good insight into the direction this fledgling company with be taking. It all sounds great.

Next up on the theatre calendar: “Forever Plaid” at Cabrillo Music Theatre and “As You Like It:A California Concoction” at the Pasadena Playhouse. I’m still debating getting tickets for “Barnum” at the NoHo Arts Center, or Sweeny Todd at the East West Players, but I don’t think it will fit in the schedule. Other possibles on the horizon are: “A Funny Thing Happened…” at the Simi Valley Cultural Arts Center, “Oklahoma” at the Canyon Theatre Guild. Alas, working this into the schedule is difficult, around Pesach, So Cal Games Day, and the SoCal Ren Faire (we’re going 4/29). I’m also looking into tickets for Curtains later in the year, but I’ll likely go the Goldstar or HotTix route, as Ahmanson Tickets are just too pricey ($95 orchestra). Full-price is only justified for sell-outs, and I’m not sure this will be one.

[Crossposted to cahwyguy and socal_theatre]

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It’s Fantastic but Possible! Unbelievable but Real!

This afternoon we joined with shutterbug93 and ellipticcurve to see the matinee performance of “It Came From Beyond“. This show is a sendup of all the 1950’s science fiction monster invasion horror moviews, and is wonderful. What’s the plot? Let’s see. LA Splash (which has a lot of great pictures) describes the story as “A nerdy high school bookworm discovers a sci-fi comic book that he thinks contains an awesome secret about life itself, and from there the 5-person cast shifts back and forth between their “real” high school world and the comic-book realm of flying saucers and terror-struck earthlings.” The production notes (quoted in the Playbill review of the New York production) describe the plot as follows:

“It Came From Beyond is set in the 1950s and tells the story of a group of high school kids who go mad for a new comic book called ‘It Came From Beyond.’ But is it just a comic book? Are secrets hidden inside this comic that can change the laws of science? When math wizard Harold sets out to crack the code, he finds himself in the fantasy world of Commie spies and creatures from outer space who threaten the American way of life. Joining Harold in this fight for freedom is the girl he has always longed for, the beautiful Becky. But she has fallen into the clutches of the high school bully Steve. Can Harold overcome his fear and discover the secret in time to save Becky and the world? Just when all appears to be lost, Harold realizes that he must be the hero!”

Me, I describe the plot as pure fun.

The production stars Kevin Earley (production photos) as Harold/The Professor, Heather Marie Marsden as Becky, Todd Fournier as Steve, Stephen Breithaupt at Mr. Fielding/The Colonel, and Ali Spuck as Miss Benson/Jayne. It was written by Cornell Christianson, with music and lyrics by Norman Thalheimer and Stephen Michael Schwartz. Christianson and Thalheimer are known for their new musical Wicked City Blues; Stephen Michael Schwartz is well known for being a member of Parachute Express, doing the music for Jay Jay the Jet Plane, and being a member of Temple Beth Hillel.

This was clearly a musical where everyone is having fun. You can see it in the actors: they just enjoy doing this. I’d single one out, but they were all equally excellent! The writing is witty, and clearly was meant to appeal to all (there are lots of little nuances that went by too fast to catch). The music is upbeat; I only noticed one song that smacked of Parachute Express (“Daddy’s Girl”). I also noticed how clever the lyrics were. . I’m looking forward to a CD.

What didn’t I like? The background music is prerecorded given the size of the venue, and the actors are miked (which I didn’t think was necessary, but it could be testing for the DVD they are recording this evening). If this moves to a larger venue (and it should, with the same cast), it will need some restaging to bring in real musicians and background singers. I think it could be successful in a larger house with the right restaging.

So, if you get a chance, go see it. You’ll really enjoy it.

What’s next on the show calendar. The next ticketed show is “As You Like It” at the Pasadena Playhouse in April. I’m also keeping my eye out for tickets for “I Love You, You’re Perfect, Now Change” at the Santa Clarita Rep East, “Oklahoma” at the Canyon Theatre Guild, and “Barnum” at the NoHoArts Center.

[Crossposted to cahwyguy and socal_theatre]

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One Diva Can Ruin A Show

Last night, we went to go see Diva at the Pasadena Playhouse.

In one word: Ehhhh.

Diva tells the story of Deanna Denninger (Annie Potts), a washed up film star needing a comeback vehicle (if you think Cybill Shepherd just before her sitcom, you’ve got it just about right). Deanna, who has the reputation for being a demanding diva, has not only fucked up her career, but has fucked or otherwise had sexual relations with everyone famous and her brother (and she doesn’t forget to remind you of this). Deanna, at the time the play starts, is starting her second year in the Emmy-winning show Deanna, written by Isaac Brooks (Todd Waring) and co-starring Ezra Twain (Ian Lithgow) as the gay character who gets all the jokes. Both Deanna and Isaac are managed by Barry Joshua (Patrick Fabian), although Isaac had him as manager first (it is unclear if Deanna ever had him). Kurt Fast (Richard Kline) is the… well they never make it clear, but he is sort of a network executive without portfolio. Petey (Robert Farrior) plays Deanna’s current boy-toy/fiancee/hunk/doormat. The play was written by Howard Michael Gould, a writer for FM, Home Improvement, The Jeff Foxworthy Show, Mr. 3000… and most importantly for this play, former Executive Producer for Cybil. It was directed by David Lee.

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2B | ~2B

Tonight, we (ussuns plus ellipticcurve) went to go see “The Complete Works of William Shakespeare (Abridged)” at the Repertory East Playhouse in Newhall CA (part of Santa Clarita, for those unfamiliar with the area). This play, which starred Jason Goldberg, Bill Quinn, and Doug Stuart, had it start in the early days of the Renaissance Faire, and has since gone professional (well, if you can call it that). Although it still shows its traces of the Renfaire origins, we found it delightfully funny. The first acts covered all of Shakespeare’s works except Hamlet, including Romeo and Juliet, Troilus and Cressida done as a cooking show, 16 of Shakespeare’s comedies collapsed into one, the Histories (plus King Lear) collapsed into a football game, Othello done in rap, the Scottish Play done in a scottish accent, and the others collapsed somehow. The second half consisted of four performances of Hamlet. Funny, funny, funny. It should be noted that Rep East will be doing free Shakespeare in the Park during June, with Hamlet, the Prince of Denmark.

We discovered this playhouse through Goldstar Events, which offers half price tickets. We’ll be going back there again. Other plays in the Rep East’s 2006 season are:

· I Love You, You’re Perfect, Now Change (March 10-April 16)
· Don’t Dress for Dinner (May 12-June 17)
· Project Footlights (July 14-16)
· Black Comedy | The Real Inspector Hound (July 28-September 2)
· {proof} (September 22-October 28)
· Santaland Diaries & Seasons Greetings (November 17-December 23)

I’m particularly interested in “I Love You…” and “{proof}”.

Down the street from Rep East is the Canyon Theatre Guild. They also have an interesting season, including “To Kill A Mockingbird” (1/27-2/25), Charlie and the Chocolate Factory (1/28-2/25), Oklahoma! (3/24-4/30), Arsenic & Old Lace (6/2-7/2), The World of Beauty and the Beast (6/3-7/2). We may try one of these shows to see what they are like; alas, they aren’t on Goldstar.

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