Two Big Problems in a Political Summer

userpic=political-flakesThis political summer, there are two big problems that I’ve seen. No, I’m not talking about the candidates themselves. I happen to be a strong Clinton supporter, but for those who aren’t, well, please heed the words of PJ O’Roarke.

No, the problems that I see are (a) the Trump supporters; and (b) a failure at the DNC.

The problem with the Trump supporters is that they have been so convinced by the Republican media-machine of the guilt of Hillary Clinton that they can no longer think critically and reason for themselves. They can’t see the flaws in their candidate. They are so angry at the political establishment that they would rather blow it up. They are, essentially, political terrorists, playing into the hands of terrorist leaders and demagogues. It is not good for our country, but they have been wound up so tightly with hate that they don’t care. This is the same thing that ISIS does with hatred for the west, and it may very well produce the same level of carnage in this country if it succeeds. More significantly, their minds are so closed they can’t see the bill of goods they have been sold. Not only is their candidate much much worse than he has been portrayed, but the Democratic candidate does not have the level of corruption and deceit that the Trump-supporting media has been stating. Independent assessors have actually pointed out that she is the most honest candidate, and all of the “corruption” investigations — including the email message — are more smoke than substance.

On the other side, the DNC failed to address the above. Oh, they addressed the problems with Trump. What they needed, however, was to have Clinton come out and straightforwardly address all the lies that have been circulated about her, demonstrating that there is nothing there. Bengazi — nothing. Email scandal — nothing. Clinton Foundation — nothing. Cronyism — nothing. But by not directly addressing the issues, they permit the rumors to live. No, they won’t be able to convince the Trump stalwarts. But they might be able to convince the Sanders supporters and the third-party supporters that Clinton isn’t the corrupt politician she’s been made out to be. They might be able to reach the folks that would vote for her, “if she wasn’t so corrupt.”

This election is one where much of our problems can be placed squarely on the media and its obsession for eyeballs. Trump may be a horrible candidate, one of the worst presidential candidates ever — but he is entertaining and draws the eyeballs to the media. This improves ratings, and helps the media companies. Clinton? She’s never been an exciting candidate or a moving speaker, and is very cautious — and so doesn’t make the mistakes and gaffes that get into the news. Why cover her strengths?

We need to figure out a way for people to think critically. To look at what Trump is doing and his history critically. What is in his tax returns? Why have all his businesses failed? What does his notion of having Ben Carson and Sarah Palin as his foreign policy advisors say about his judgement?

On the other side, for those so upset at Clinton’s emails, ask yourself this: If she was sending classified information against State Dept policy, then why didn’t the recipient’s report receiving the mails? That’s a requirement as well. The answer is that it wasn’t a problem — it was normal practice at the State Department, which does things differently than the DOD. If there was something clearly at the level of prosecution, it would have been prosecuted by now. The evidence of anything other than occasional poor judgement is just not there.

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A Los Angeles Tradition: Summer Evenings at the Bowl

Hollywood Bowl (Weird Al / Copland)userpic=theatre_ticketsI’ve been remiss in writing up live performances of late — vacation and other issues have gotten in the way. Further, they have been less traditional theatre and more in the category of concerts or other oddities. But that’s no excuse, so let’s catch up a bit…

In the past two weeks, I’ve been out to the Hollywood Bowl (FB) twice: once for the Weird Al Yankovic Mandatory World Tour on Saturday, July 23, and for the LA Philharmonic “Copland and Marsalis” program on Thursday, July 28th.

The Weird Al show was not “Weird Al: A Man and his Accordion”. Instead, it was a collection of costume numbers interspersed with  video presentations either related to the songs, or showing Weird Al mentions in various media.

The setlist (taken from setlist.fm) was:

  1. Tacky
  2. Now That’s What I Call Polka!
  3. Foil
  4. Perform This Way
  5. Dare to Be Stupid
  6. Fat
  7. Smells Like Nirvana
  8. Eat It / I Lost on Jeopardy / I Love Rocky Road / Like a Surgeon
  9. White and Nerdy
  10. Word Crimes
  11. Amish Paradise

Encores:

  1. We All Have Cell Phones
  2. The Saga Begins
  3. Yoda (with Yoda Chant)

In general, the show was a mix of songs the old-timers (like me) would recognize, and new stuff that was parodies of things we had never heard of. But it was all fun, and the audience was into it.

The Thursday show was completely different. It was far from a sellout, and the crowd was much more of a classical audience. The “setlist” consisted of:

  1. Copland: An Outdoor Overture
  2. Marsalis: Violin Concerto (LA Phil co-commission, West Coast premiere)
  3. Copland: Symphony No. 3

This was a relaxed show: an evening for listening to beautiful music and watching the environment around us (of course, that was impacted a bit when a women near us got quite sick and required medical attention, including a bit of worshiping at the porcelain goddess, without the goddess).

I’ll get a writeup of the Sunday, July 24 show (Operaworks (FB) Opera Re-Constructed at CSUN) up in a bit.

* * *

Ob. Disclaimer: I am not a trained theatre critic; I am, however, a regular theatre audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), and I plan to renew my mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Past subscriptions have included  The Colony Theatre (FB) (which went dormant in 2016), and Repertory East Playhouse (“REP”) (FB) in Newhall (which entered radio silence in 2016). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows:  August is a bit more open in terms of theatre. The first weekend just has a Jethawks game on Sunday; the second weekend has a Bar Mitzvah.  The third weekend brings another event from the wonderful counter-cultural orchestra, Muse/ique (FB) — American/Rhapsody — a celebration of George Gershwin. Late August sees us looking at shows down San Diego/Escondido for one weekend. The best of the shows available — or at least the most interesting — is Titanic from Moonlight Stages. September returns to conventional theatre. The first weekend has a HOLD for Calendar Girls at The Group Rep (FB). The second weekend may be another Muse/ique (FB) event — Summer/Time, a reimagined retelling of Porgy and Bess. The third weekend has a HOLD for Ma Rainey’s Black Bottom at the Mark Taper Forum (FB). The last weekend is The Hunchback of Notre Dame at The La Mirada Theatre for the Performing Arts (FB).

Continuing the look ahead: October is a bit more booked. The first weekend brings Dear World at the Valley Performing Arts Center (VPAC) (FB) and Our Town at Actors Co-op (FB), as well as the start of the High Holy Days. The second weekend has another Valley Performing Arts Center (VPAC) (FB) event: this time for Jazz at Lincoln Center Orchestra with Wynton Marsalis. The third weekend has yet another VPAC event: An Evening with Kelli O’Hara on Friday, as well as tickets for Evita at Cabrillo Music Theatre (FB) on Saturday. The following weekend brings Turn of the Screw at Actors Co-op (FB) on October 22 and the new Tumbleweed Festival (FB) on October 23. The last weekend of October brings Linden Waddell’s Hello Again, The Songs of Allen Sherman at Temple Ahavat Shalom (a joint fundraiser for MoTAS and Sisterhood). Oh, and if that wasn’t enough, October is also the North Hollywood Fringe Festival (FB), and it looks like a theatre in Pasadena will be presenting the musical Funny Girl. November is still in the planning stages, but we know it will include Hedwig and the Angry Inch at  the Hollywood Pantages (FB); a Day Out With Thomas at Orange Empire Railway Museum (FB) [excuse me, “Southern California Railway Museum”]; the Nottingham Festival (FB); and possibly Little Women at the Chance Theatre (FB) in Anaheim. As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Bitter-Lemons, and Musicals in LA, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves.

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California Highway Headlines for July 2016

userpic=roadgeekingJuly. The hot summer. While you are hopefully staying cool, here are some headlines related to California Highways that I noticed:

  • Getting the roundabout from the state. Sometime next year or a little bit later, the intersection of Valley Center Road & Hwy 76 will get be converted into a roundabout. The total cost of the project will be $17.5 million, which includes approximately $9 million in construction capital and $3.5 million in right-of-way capital. According to the Cal Trans website the goal of the project is “Reduce the number and severity of accidents at SR-76 and Valley Center Road and realign the curves just east of the intersection.” Design of the preferred alternative is tentatively scheduled for completion in 2016, with construction to be done in 2017.
  • VTA scales back toll lane plans. A controversial plan to construct toll lanes in the Highway 85 median could be abandoned, after city leaders made clear that the undeveloped strip of land dividing the congested highway ought to be reserved for transit rather than solo drivers in the increasingly crowded Santa Clara Valley. In June, the Santa Clara Valley Transportation Authority (VTA) board of directors agreed to put a half-cent sales tax measure on the November ballot. If passed, the tax would generate $6.5 billion over 30 years, and would help to pay for myriad transportation projects throughout the region.
  • Supervisors approve land exchange with Caltrans for 76 widening . The widening of State Route 76 from two lanes to four between South Mission Road and Interstate 15 requires the California Department of Transportation (Caltrans) to acquire land from the County of San Diego, but the county was willing to sell land and grant easements to Caltrans in exchange for cash and Caltrans remnant parcels. The San Diego County Board of Supervisors voted 4-0 June 22, with Greg Cox in Sacramento, to approve the sale of 6.94 acres of county-owned land and the granting of 2.98 acres of easements in exchange for $143,599 in cash and three Caltrans remnant parcels valued at $155,800. The Caltrans remnant parcels total 112,415 square feet, or 2.58 acres.

Read More …

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