{"id":267,"date":"2005-09-25T07:44:00","date_gmt":"2005-09-25T14:44:00","guid":{"rendered":"http:\/\/cahighways.org\/wordpress\/?p=267"},"modified":"2005-09-25T07:44:00","modified_gmt":"2005-09-25T14:44:00","slug":"computer-tea-earl-grey-hot-at-0500","status":"publish","type":"post","link":"https:\/\/cahighways.org\/wordpress\/?p=267","title":{"rendered":"Computer. Tea, Earl Grey, Hot, at 0500."},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.pasadenaplayhouse.org\/images\/tea_sm.jpg\" width=94 height=132 align=\"Right\" hspace=5>Last night, we had tickets to see <a href=\"http:\/\/www.totallykate.com\/\" target=\"_blank\">Kate Mulgrew<\/a> in <a href=\"http:\/\/www.totallykate.com\/teafive\/teaindex.html\" target=\"_blank\">Tea at Five<\/a> at the <a href=\"http:\/\/www.pasadenaplayhouse.org\/tea.html\" target=\"_blank\">Pasadena Playhouse<\/a>. Unfortunately, even though <a href=\"http:\/\/www.totallykate.com\/teafive\/pasadena.html\" target=\"_blank\">Kate&#8217;s website doesn&#8217;t indicate it<\/a>, she is not doing Saturday evening performances. We found out about this Wednesday afternoon (as subscribers), but couldn&#8217;t change to another performance with her. Evidently, Kate pulled the change on the box office <i>after<\/i> the play opened, and we&#8217;ve never had an official explanation.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.fva.com\/mtf\/images\/paulaewin.jpg\" width=70 height=100 align=\"Left\" hspace=5>So, we got her talented understaudy, <a href=\"http:\/\/www.29thstreetrep.com\/mob-paula.html\" target=\"_blank\">Paula Ewin<\/a> (click <a href=\"http:\/\/www.totallykate.com\/teafive\/teaparty.html\" target=\"_blank\">here<\/a> for an image of her with Kate), who evidently has been understudying <strike>Janeway<\/strike> Mulgrew for a long time. Ewin is a founding member of the <a href=\"http:\/\/www.29thstreetrep.com\/index2.html\" target=\"_blank\">29th Street Rep<\/a>, and recently appeared as Nora in <i><a href=\"http:\/\/www.curtainup.com\/boldgirls.html\" target=\"_blank\">Bold Girls<\/a><\/i> and as Ruthie in <i><a href=\"http:\/\/www.curtainup.com\/southofnonorth.html\" target=\"_blank\">High Priest of California<\/a><\/i> She is producer and co-director of <i><a href=\"http:\/\/www.fva.com\/mtf\/filmmakers.html#paula\" target=\"_blank\">Look Here! A Portrait of Sylvia Sleigh<\/a><\/i>. Guess what? We didn&#8217;t even miss the good captain.<\/p>\n<p>For those unfamiliar with the play (which was written by Matthew Lombardo), it tells the story of an actress, a Miss <a href=\"http:\/\/en.wikipedia.org\/wiki\/Katharine_Hepburn\" target=\"_blank\">Katherine Hepburn<\/a>, a film actress who, when we meet here, has just come off a string of <a href=\"http:\/\/www.imdb.com\/name\/nm0000031\/\" target=\"_blank\">seven flops<\/a> (including Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937) and Bringing Up Baby (1938)). She&#8217;s back at home recovering, and hoping for her next role as Scarlett O&#8217;Hara in <i>Gone with the Wind<\/i> (yes, she was a leading candidate for the role). The first act concerns this low time of her life, when she was dealing with career failure, a label as &#8220;box office poison&#8221;, a disasterous run in <i>The Lake<\/i> on Broadway (in 1934) where she was panned by critics and deserted by her audience. The act ends with her being offered a role on Broadway in <i>The Philadelphia Story<\/i> (which she would later buy to make into a movie).<\/p>\n<p>The second act takes place in 1983, when Kate is at home with a broken ankle. She provides some stories about her relationship with &#8220;<a href=\"http:\/\/www.imdb.com\/name\/nm0000075\/\" target=\"_blank\">Spence<\/a>&#8220;, and tells the story of how she found the body of her brother Tom after he died attempting a rope trick at the age of 15. This latter incident completely changed her life. She also relates how she played Coco Chanel on Broadway, and had a run-in with Stephen Sondheim. At the end of the act, she finally agrees to do some project with Warren Beatty. This was the film <i><a href=\"http:\/\/www.imdb.com\/title\/tt0110391\/\" target=\"_blank\">Love Affair<\/a><\/i> made in 1994, her last film appearance. This is odd to be discussing in 1983, as she did a number of TV movies post 1983, including the well received <a href=\"http:\/\/www.imdb.com\/title\/tt0091567\/\" target=\"_blank\">Mrs. Delafield Wants To Marry<\/a> in 1986.<\/p>\n<p>We found the production to be very good, and it has gotten good reviews elsewhere.  Yet most of the reviews (<a href=\"http:\/\/www.calendarlive.com\/stage\/cl-et-tea2sep02,0,227235.story?coll=cl-stage\" target=\"_blank\">Los Angeles Times<\/a>, <a href=\"http:\/\/www.variety.com\/review\/VE1117928026?categoryid=33&#038;cs=1\" target=\"_blank\">Variety<\/a>, <a href=\"http:\/\/www.ocregister.com\/ocregister\/entertainment\/arts\/outsideoc\/article_662438.php\" target=\"_blank\">Orange County Register<\/a>) concentrate more on Mulgrew&#8217;s performance (OCRegister: &#8220;Starfleet Capt. Janeway was Katharine Hepburn in a maroon uniform.&#8221;). They seem to uniformally feel the script was shallow (LA Times: &#8220;Playwright Lombardo fudges the timing of incidents, puts words in other people&#8217;s mouths and distorts who was present at certain events. That&#8217;s bad enough. But what&#8217;s truly disappointing is that &#8220;Tea at Five&#8221; is more outline than play \u2014 a mere recitation of names and incidents, with little inherent drama.&#8221;)<\/p>\n<p>I think they are right. The story itself is shallow. I can&#8217;t speak to the inaccuracies, but Miss Hepburn was a recluse about her private life, so the shallowness is understandable. Still, we enjoyed it.<\/p>\n<p>Next up on the theatre schedule: <i>Oliver!<\/i> at the <a href=\"http:\/\/www.cabrillomusictheatre.com\/\" target=\"_blank\">Cabrillo Music Theatre<\/a>, the first production of the 2005-2006 season (the other productions are <i>Forever Plaid<\/i> and <i>The Music Man<\/i> (which replaced the previously announced <i>Seussical<\/i> (drat!). This will be in early November, to be followed by <a href=\"http:\/\/www.pasadenaplayhouse.org\/window.html\" target=\"_blank\">Open Window<\/a> at the Pasadena Playhouse, a joint production with <a href=\"http:\/\/www.deafwest.org\/\" target=\"_blank\"><i>Deaf West<\/i><\/a>. We&#8217;re also planning to get tickets for <i><a href=\"http:\/\/www.sanfernandovalleyplayhouse.com\/pumpboys.htm\" target=\"_blank\">Pump Boys and Dinettes<\/a><\/i> at the San Fernando Valley Playhouse, and I&#8217;ve toyed with the idea of getting tickets to <a href=\"http:\/\/www.colonytheatre.org\/currentseason.shtml\" target=\"_blank\">The Grand Tour<\/a> at <a href=\"http:\/\/www.colonytheatre.org\/\" target=\"_blank\">The Colony Theatre<\/a> in Burbank.<\/p>\n<p><font size=\"-2\">[Crossposted to <a href=\"http:\/\/cahwyguy.livejournal.com\/\" class=\"lj-user\">cahwyguy<\/a> and <a href=\"http:\/\/socal_theatre.livejournal.com\/\" class=\"lj-user\">socal_theatre<\/a>]<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last night, we had tickets to see Kate Mulgrew in Tea at Five at the Pasadena Playhouse. Unfortunately, even though Kate&#8217;s website doesn&#8217;t indicate it, she is not doing Saturday evening performances. We found out about this Wednesday afternoon (as subscribers), but couldn&#8217;t change to another performance with her. Evidently, Kate pulled the change on <a class=\"more-link\" href=\"https:\/\/cahighways.org\/wordpress\/?p=267\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,28,1],"tags":[447,50,29],"class_list":["post-267","post","type-post","status-publish","format-standard","hentry","category-reviews","category-theatre","category-lj-xfer","tag-pasadena-playhouse","tag-reviews-2005","tag-theatre-2005"],"_links":{"self":[{"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=267"}],"version-history":[{"count":0,"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/267\/revisions"}],"wp:attachment":[{"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cahighways.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}