Unclear on the Concept

As I often do on the weekends, I’m recording LPs to my iPod. Yesterday, in the thrift store, I picked up the album “Rhymes and Reasons“, John Denver’s 1969 debut album. On this song are two very political songs: (1) “The Ballad of Spiro Agnew” by Tom Paxton, which is simply “I’ll sing of Spiro Agnew, and all the things he’s done.” (and the song ends)… and (2) “The Ballad of Richard Nixon”, which is just 5 seconds of silence. But this doesn’t deter Amazon or others. Amazon is willing to sell you a 5-second silent track for 99c. Do a search for it, and you’ll find sites willing to let you download the track as a ring-tone (I don’t imagine it would be very effective), or that purport to be the lyrics to the song.

My quandry: Should I be an ideological purist and put the track on my iPod?

Music: Rhymes and Reasons (John Denver): (You Dun Stomped) On My Heart

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Oh This Shiny New Computer / There Just Isn’t Nothin’ Cuter…

Today’s lunchtime news chum brings a few articles related to the arts:

Music: Country Pickin’ (Chet Atkins): The Bells of St. Mary’s

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The Worst Beatles Song

[A lunchtime question…] Yesterday, I started recording a bunch of albums from my uncle, and use the opportunity to purchase two digital albums. One of them, “Boots” by Nancy Sinatra, has one of my most hated Beatles songs: “Run for Your Life“. Nancy’s version is particularly cringeworthy, becoming “You better run for your life if you can, little boy”, but the original is pretty bad as well. I cannot even imagine a song like that being done today by a mainstream group. Consider the words: “Well I’d rather see you dead, little girl / Than to be with another man / You better keep your head, little girl / Or you won’t know where I am /
You better run for your life if you can, little girl / Hide your head in the sand little girl / Catch you with another man / That’s the end’a little girl”. Simply put: “If you ever cheat on me, I will hunt you down and kill you.” Well, it might be done by gangsta rap, but I wouldn’t know, as I don’t listen to that. Every time I hear that song, I go “Why?”

So, that prompts me to ask you this question: What do you think is the absolute worst Beatles (Lennon/McCartney) song?

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Drawbacks of Digital Downloads

One of the drawbacks of digital downloads is that it is harder to repair a song when there is an error in the MP3. I just purchased a few albums from Amazon last night, and one song has what sounds like a skip 1:45 into the song. If I had recorded it from CD or LP, I could just rerip/rerecord the album. With a digital download, I have to contact Amazon, get a refund, and then either take my chance replacing the song from a competing service (such as CDBaby or iTunes), or order the physical CD (which means I end up spending more money).

As an aside, the iPod is up to 25191 songs.

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That’s Entertainment

Continuing with the process of clearing out the lunchtime news chum links… here are three items related to entertainment:

  • Gershwin. What would you do if you were tuning and cleaning George Gershwin’s piano, and found a slip of paper that was stuck between the keys? Stick it in your pocket to throw away later? That’s what happened to Bruce Lloyd Kates, only he discovered it contained a few notes on it… and he later composed a song from those notes. So did he write the lyrics to an unknown Gershwin melody? The world will never know.
  • Stallone. They seem to be trying to turn almost any film property into a musical these days (although this actually isn’t anything new, if you read books on musical flops). Some succeed. Most don’t. Playbill brings a report of yet another attempt: This time, producers are working to turn “Rocky” into a musical. This one, surprisingly, has a better chance than most, as it has the composer team of Lynn Ahrens and Stephen Flaherty and a libretto by Tony winner Thomas Meehan. Supposedly it will show up on Broadway in 2013.
  • Mitchell. Gone With The Wind” is turning 75, and it has made Atlanta crowded with all the celebrations. In particular, the Atlanta History Center, which operates the Margaret Mitchell House, is celebrating with an exhibit, Atlanta’s Book: The Lost ‘Gone With the Wind’ Manuscript (running Saturday through Sept. 5). The exhibit includes four of the novel’s original chapters, among them the last, which Mitchell actually wrote first. Pages will be enlarged and displayed on the wall, including Scarlett’s famous parting words: “After all, tomorrow is another day.” Perhaps we should try to visit when we are in Atlanta in a few weeks. It’s actually amazing that the book became so popular. Mitchell never went on a book tour, refused to give speeches and gave only a few interviews. Mitchell’s attitude? “In a weak moment I have written a book.”
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And The Music They Listen To These Days… It’s Just Noise

I didn’t get a chance to post yesterday: I was busy at work, as well as trying to figure out the logistics related to a funeral today (my uncle died). So consider this yesterday’s post :-). Today I’m working from home, and it’s a brief morning break.

There’s an interesting article in the SF Chronicle about Rebecca Black and her pop single, “Friday”. Actually, the article is less about Black and more about the company behind the video and music: Ark Music Factory. Now I’d heard about this song being the “worst thing ever”, so I took a listen.

No, it’s not the worse thing ever. Trust me.

It’s actually not bad. Although her voice is weird (thank you, auto-tune… oh, G-d, give me real voices!) and her face vapid, the music itself is catchy and can be an instant earworm. The reason, of course, is that it was engineered that way—it was designed to be “Feather-light, nutrition-free ear candy that, with repeat exposure, becomes hypnotically addictive.”

And guess what? It’s not new. There has been equally bad pop music throughout the years (even Sinatra was once in that category!). From the “bubble-gum music” of the 60s, to the early days of the Jackson 5, to the engineered music of Boyce and Hart, the writers behind the Monkees and the Partridge Family, to all the teen and boy bands… to event the Spice Girls… every generation has such music. Listening to it is a guilty pleasure—it can serve as high energy drive music or something equally useless. Further, we’ll become nostalgic for it in 30 years!

This is noted in the article: “Indeed, stripped of its classically bad lyrics and unintentionally hilarious video, or when consumed in the standard mode of its target audience — as half-heard background music while IM’ing — it’s no more horrible than the standard tweenpop fare one is subjected to on Radio Disney.” As the author of the song said, perfect pop music isn’t about depth, poetry or content; it’s “whatever makes you feel good.” “If it makes you tap your feet, if it makes you hum, that’s what’s important.”

So what’s your guilty pleasure in “pop” music from your generation? What music do you listen to that would make your friends go “ugh!”. I know I’ve got such music on my iPod (although I haven’t brought myself to record my Partridge Family albums yet). I’ve got Spice Girls. I’ve got the Monkees and Cherry People. Much much more. So what’s yours?

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