Continuing the process of cleaning out the accumulated links, as themed link three-sets form like hurricanes in the Central Pacific…. This collection all relates to upcoming theatre productions that don’t leave me with a good anticipatory feeling:
- Jordanian Adaptation of Oliver!. Lionel Bart’s musical, Oliver!, is a well known adaptation of Charles Dicken’s “Oliver Twist“. One of the more problematic features of Oliver Twist (a story I happen to like) is the potentially antisemitic portray of Fagin, the old man who runs the gang of thieves. The musical version made a distinct attempt to tone down the antisemitism (especially when it came to Broadway — if you contrast the original version from the West End). So naturally, hearing that this show will be done in an Arab country — an area where antisemitism isn’t only common but encouraged — doesn’t bode well. Adding to the fear is the following note from the article: “Working with a local community center in the Jordanian capital, the story has been updated to a modern Arab city.” Let’s see: Lovable Jewish merchants running a gang of thieves in a modern Arab city. What could possibly go wrong?
- K-Pop Adaption of In The Heights. Lin Manual Miranda’s musical In The Heights, was a hit when it reached Broadway in 2008. It brought a hispanic flavor to inner-city hip-hop with a language that theatre hasn’t seen before. Theatremania is reporting that the show is soon to open in Seoul Korea, with some footage already available. The musical will play the Blue Square Samsung Card Hall in Hannam-dong beginning September 4, with a cast led by several K-pop stars including Key of SHINee and Jang Dong-woo of INFINITE sharing the role of Usnavi. Mixing K-Pop stars and hip-hop. What could possibly go wrong?
- I Can’t Hear You. There are loads and loads of shows planning to open on Broadway., from Andrew Lloyd Weber’s School of Rock to a musical version of American Psycho. But the mind boggles when it hears about another production planning for the Great White Way: The SpongeBox SquarePants Musical. Yup, and no, this isn’t a kids theatre show. Nickelodeon will make its Broadway debut as a producer on the musical, with a score provided by a mixture of classic and contemporary rockers. The full list of composers was announced Aug. 31: Steven Tyler and Joe Perry of the band Aerosmith, Tony winner Cyndi Lauper, They Might Be Giants, Jonathan Coulton, Dirty Projectors, The Flaming Lips, John Legend, Lady Antebellum, Panic! At the Disco, Plain White T’s, and T.I., with an additional song by David Bowie and additional lyrics by Jonathan Coulton. The plot is as follows: “The end is near. Only one sponge can save the day. But he’s going to need help from some of the greatest songwriters in rock and pop music history.” Again, what could possibly go wrong?
P.S.: I can’t resist adding a non-theatre item that also strikes fear in my heart. In Los Angeles, Metrolink has indicated they are purchasing some state-of-the-art locomotives to replace their well worn engines. These Tier 4 locomotives are powerful, fuel-efficient vehicles designed to slash potentially harmful releases of nitrogen oxide and fine particles of diesel exhaust. They also have never been used in passenger service — and heavy service — before. Metrolink officials say the Tier 4 engines have up to 1,700 more horsepower, use less fuel, have longer service lives and are more reliable than rebuilt engines. However, Paul Dyson, president of the Rail Passenger Assn. of California, was concerned the new engines could have “plenty of teething problems” as they go into service, as they are so new they don’t have any service history for passenger use. Some Tier 4 engines are being tested for freight service at Union Pacific Corp. and the Burlington Northern Santa Fe Railway Co., two of the nation’s largest carriers. Lena Kent, a spokesperson for BNSF, said the railroad’s prototypes have “experienced operating issues,” but she declined to elaborate.
Here’s where I get worried. McCarthy, Metrolink’s deputy chief, disagreed with Dyson, saying all Tier 4 components have been tested successfully. “We are not concerned,” he added. “It’s a tried-and-true locomotive.” This reminds me of the High Assurance Brake Job; in particular, the process people. They may never have done a brake job before, but: “Well, no, but we’ve done other mechanic-type work before, and our processes are designed to be adaptable to all situations. We’ve got processes for making sure bolts and stuff are loosened and then tightened later. We’ve got processes to check that we don’t have left over parts when we’re done with the job. We got processes for…”
They’ve never run the locomotive in passenger service before, but all the components have been tested successfully. What could possibly go wrong?