🛣 Headlines About California Highways – May 2022

Another month comes to an end, and that means it is time for headlines. But before I jump into the headlines, I want to highlight a few other notable things that have happened over the last month:

  • Tom Fearer of Gribblenation and I have started a podcast on California Highways. It is called California Highways: Route by Route and you can find our first full sample episode at the episode’s page on caroutebyroute.org, on the episode’s page at Anchor.FM; or an almost all major podcast platforms. This sample episode is about Route 105. We hope to start Season 1 sometime in late June.
  • The latest updates to the California Highways web page are up. This includes the review of the SHOPP and the STIP, as well as some interesting upcoming legislation.
  • The primary elections in California are less than two weeks away. I believe in being an informed voter, and so examine every candidate on my sample ballot, and write up a summary. This election, this process took me almost 20 hours to do. You can find my summary here; it links to the other pages where I go through all the candidates that led to my decision. I don’t ask (or expect) you’ll agree with my conclusions, but perhaps my research will help you be better informed. What’s most important, however, is that you VOTE. Voting affects the highways and our state in so many ways, and this is your chance to influence the process.

May has been a tiring and stressful month for me. I’ve been dealing with medical problems for me and the continued recovery of my wife from a fall last November; and I’ve had loads of writing projects (the election, podcast, and highway pages as noted above, plus a number of theatre reviews). I’ve had little time to destress, and my main avenue of de-stressing (listening to music) is impacted by the medical problem (ear issues). Let’s hope things go better in June.

But you don’t care about any of that, do you. You care about the headlines. So here are the headlines about California’s highways for May. The headline list seems to be getting smaller–I’m finding less articles about significant road work (I’m not that interested in simple resurfacing), and more articles about transit and rail. I think that’s the direction things are going currently: increase the number of people per vehicle on current roads (as opposed to capacity for more vehicles), and increase broader transit options. But here’s what I found:

Key

[Ħ Historical information |  Paywalls, $$ really obnoxious paywalls, and  other annoying restrictions. I’m no longer going to list the paper names, as I’m including them in the headlines now. Note: For paywalls, sometimes the only way is incognito mode, grabbing the text before the paywall shows, and pasting into an editor. ]

Highway Headlines

  • I-15 Exit Ramps At Clinton Keith Getting Wrong-Way Driver Prevention (Lake Elsinore, CA Patch). In an effort to prevent wrong-way driver crashes on Inland Empire freeways, Caltrans District 8 has identified priority exit ramps that need attention, and Clinton Keith Road at Interstate 15 in Wildomar is on the list. On Tuesday, the north- and southbound Clinton Keith Road offramps will be closed at I-15 so that Caltrans crews can install wrong-way prevention “enhancements,” according to the state agency.
  • Wildlife Undercrossing In Santa Cruz Breaks Ground (Santa Cruz, CA Patch). A project is now underway that will create a wildlife undercrossing beneath state Highway 17 to provide a route for mountain lions and other wildlife to travel safely between two large areas of habitat — both of which are separated by four lanes of the busy traffic corridor. Groundbreaking took place Friday for the Laurel Curve Wildlife Undercrossing in the Santa Cruz Mountains. It will connect 460 acres of land on both sides of Highway 17 that has been preserved in a conservation easement by the Land Trust of Santa Cruz County.
  • Last two-lane stretches of Highway 70 now being widened to four lanes (Chico Enterprise-Record). When roadwork currently underway on Highway 70 is complete, Chico will no longer be the largest city in California that isn’t accessed by a four-lane highway. While Highway 70 still has to wind through Marysville, the two projects running north and south from the Yuba/Butte county line will wrap up 16 years of work, costing in excess of $500 million. “I’m really glad it’s being done,” said Butte County Supervisor Bill Connelly. “I look forward to getting our people in and out of town and down to Sacramento safely.”
  • California Allocates More Than Half Billion Dollars for Projects (Construction Equipment Guide). Senate Bill (SB) 1, the Road Repair and Accountability Act of 2017, accounts for $317 million, more than half of the funding. “The CTC’s welcome decision to green light more than half a billion dollars to maintain and repair California’s aging transportation infrastructure is not only in keeping with our time-tested “fix-it-first” strategy, but also represents another big step to build and maintain a transportation system that serves all who travel in California, whether by foot, bicycle, bus, train or automobile,” said Steven Keck, acting director of Caltrans. Projects that were recently approved include:
  • Hwy 1 Toro Creek Bridge to be replaced near Morro Bay (San Luis Obispo Tribune). Drivers and cyclists, get ready for another lengthy construction project on busy Highway 1, this one replacing the northbound lanes of the Toro Creek Bridge. The two-span, ocean-view bridge is near the Dog Beach area north of the Morro Bay strand area, and about a half mile south of Old Creek Road. Traffic on the scenic highway will be reduced to a single lane in each direction during the two-phase project, which is expected to continue into the spring of 2023. Signs will notify drivers and cyclists about the changes; detours will be established for bicyclists.
    Pasadena and Caltrans Reach Agreement to Relinquish 710 Freeway Stub to City (Streetsblog Los Angeles). When I worked for the Tri-State Transportation Campaign a decade and a half ago, my boss used to tell me that a proposed freeway project was never really dead; that the best we could do is defund it and make it politically unpalatable to bring back. I learned this lesson the hard way when a New Jersey road project I helped get defunded was presumed “dead,” then was revived and built with funding from the Obama-era American Rescue and Recovery Act. But if the 710 Freeway “gap” project, which Streetsblog readers voted to dub the “Big Dig” over a decade ago may finally be dead enough that it can’t rise and terrorize residents of Los Angeles, Pasadena and South Pasadena. The North 710 Freeway project was slated to spend $6+ billion dollars for tunnels under these cities, until overwhelming opposition led the Metro board to cancel the project back in 2017.

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🛣 Changes to the California Highway Website covering March-April (and a little bit of May) 2022

Whew! In between everything else I’ve been doing, I’ve also been working on updates to the highway pages. The latest batch is done. Here’s the change log:

The original plan was for this update to cover March and April. It stretched mostly into May, due to a variety of factors: a number of backed up theatre reviews, an entire weekend lost to writing my detailed sample ballot analysis, and various caregiving and (of lately) non-COVID health issues. Alas, some of those are still ongoing. What did you say? I couldn’t hear you. Sigh.

One major delaying factor was the podcast. Yes, Tom Fearer and I have started a new podcast series that we’re calling “California Highways: Route by Route“. It will be a joint production of California Highways and Gribblenation. The eventual plan is to have one or more episodes for each numbered highway in the state (just like I do on this site), combining the information here such as legislative changes, highway history, naming history, and major projects with the extensive historical research Tom has done in the archives, and on his trips on the road. The first season will be background, going through the history of California Highways in a broad sense, explaining highway numbering and naming, and explaining the governance and regulatory processes and organizations that bring us highways. The second season will start with the highways proper, with multiple episodes devoted to long or significant route (for example, it looks like Season 2 will focus on Route 1 and Route 2, and there will be entire seasons on Route 99 and US 101. I expect this to be a retirement project for me—I’ve plotted out all the highways, and it looks like there will be at least 35 seasons (12 or so episodes a season, with initially an episode monthly)! Right now, a teaser episode is up and we’ll be putting up a full sample episode by early June, as I get more familiar with the audio editing tools. late June or July will bring the first real episode. So watch for “California Highways: Route by Route” on our anchor.fm site; at its forever home at the California Highways: Route by Route website, or in all the traditional podcast venues (and it better be, as I use the namesake device—an iPod Classic—to listen to my podcasts (no streaming here)).

Updates were made to the following highways, based on my reading of the (virtual) papers in March and April 2022 (which are posted to the roadgeeking category at the “Observations Along The Road” and to the California Highways Facebook group) as well as any backed up email changes. I also reviewed the the AAroads forum (Ꜳ). This resulted in changes on the following routes, with credit as indicated [my research(ℱ), contributions of information or leads (via direct mail or ꜲRoads) from ConcreteBob(2), Tom Fearer(3), Cameron Kaiser(4)kernals12(5)Plutonic Panda(6)rschen7754(7), Dale Sanderson(8): Route 1(ℱ), Route 4(ℱ), I-5(3), Route 7(3), I-10(6), Route 19(3), Route 20(ℱ), Route 25(ℱ), Route 26(ℱ,3), Route 33(3), Route 38(3), US 40(3), Route 41(ℱ), LRN 43(3), Route 46(ℱ), Route 47(ℱ,3), US 50(ℱ), Route 58(ℱ), Route 60(3,4), Route 67(ℱ),  Route 70(3), Route 76(ℱ,3), Route 78(3,7), I-80(ℱ),  Route 86(ℱ), Route 99(ℱ,3), US 101(ℱ), Route 103(ℱ,3), Route 107(3), I-110(ℱ,3), Route 111(ℱ), Route 126(5), Route 135(ℱ), Route 145(ℱ), Route 148 (Capitol Southeast Connector)(2), Route 152(ℱ), Route 164(3), Route 187(3), Route 188(3), Route 213(3), LRN 231(ℱ,3), Route 243(3), US 466(8), I-710(ℱ).
(Source: private email, Highway headline posts through the April Headline post, AARoads through May 27, 2022)

Update the state highway numbering page based on observations from Tom Fearer. Put in a new header logo, courtesy of the graphic skills of J. Scott Hayden, moderator of the California Roads, Signs, and Maps: A Collection of Old & New Facebook Group.

Added a link to Gribblenation’s Oahu Highways page. As a reminder: If you have a regional page (state, country), please let me know so I can add it to the links directory. Yes, this is old-fashioned in these days of search engines, but it still does serve to increase the visibility and ranking of all sites.

Reviewed the Pending Legislation page, based on the California Legislature site. As usual, I recommend to every Californian that they visit the legislative website regularly and see what their legis-critters are doing. As many people are unfamiliar with how the legislature operates (and why there are so many “non-substantive changes” and “gut and amend” bills), I’ve added the legislative calendar to the end of the Pending Legislation page. No bills were passed during this review period (although one naming resolution, SCR 39, was sent to the Governor). A number of Assembly Bills had their non-substantial contents replaced with something substantial—most notable was a bill that will authorize relinquishment of Route 107 in Redondo Beach. Also notable was a new resolution to remove the designation of the Christopher Columbus Transcontinental Highway (including removal of all signs).

Reviewed the online agenda of the California Coastal Commission. I reviewed the March, April, and May agendas for the Coastal Commission meetings. No actions rose to the level of Highway Page significance.

As the March 2022 CTC approved the newest iteration of the SHOPP and the STIP, after processing the CTC agenda items, I went through the SHOPP and STIP to ensure that any new items that rose to the level of interest were captured in the pages. From the SHOPP, updates were made to: Route 4, Route 14, Route 24, Route 49, Route 96, Route 99, Route 110, and Route 246. The updates to the STIP give a lot less detail (for example, there are no postmiles nor detailed descriptions of the changes)—you’re lucky to get a title, county, route, and project number. Based on what I could figure out from the STIP, updates were made to I-10, Route 57, US 395, I-680. Note that a number of line items appeared to reference a postmile, but never indicated the route. My guess is that the STIP items will eventually make their way into the SHOPP (especially as they have PPNOs).

I checked California Transportation Commission page for the results of the March and April 2022 meetings of the California Transportation Commission (although April was a one-day meeting and had no items of interest as the focus was rail and transit). As always, note that I tend not to track items that do not impact these pages — i.e., pavement rehabilitation or replacement, landscaping, drainage, culverts, roadside facilities, charging stations, or other things that do not impact the routing or history, unless they are really significant. As such, the following items were of interest:

[ Note: ° indicates items that were below the level of detail for updating the specific route pages; ♠ is an indicator used to keep track of what has been added to the pages; ❧ indicates the results from the meeting, if the meeting minutes were available. ]

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🗳️ June 2022 Primary Election Ballot Analysis (V): Summary

Here in California (and in Los Angeles in particular), we have an election coming up. For months, one of the wealthiest candidates has been blanketing the airwaves, together with ads from the Native-American Casino Lobby, fighting against a ballot initiative that isn’t even on this ballot. Now that both the sample ballots and the real ballots* have been mailed, the political advertising has increased by an order of magnitude. That’s where I come in. Every election, I do a detailed ballot analysis of my sample ballot. This is where I examine each candidate and share my conclusions, and invite you to convince me to vote for the other jerk.
————————————————-
* California gives all registered voters the option to vote by mail and to vote early.

Because this is a long ballot, I’m splitting it into a few chunks:

  1. National Offices** (including US Congress)
  2. Local Offices*** (excluding US Congress and State Assembly)
  3. Judicial Offices
  4. California Statewide Offices*** (including State Assembly)
  5. Summary

** Bucking the convention of my sample ballot, however, I’m including our Congressional Representative in this section.
*** Bucking the convention of my sample ballot, I’m including state legislative officers with the Statewide officers. In my case, that is my Assemblycritter, as we have no State Senator running for office this election.

This part provides a summary of my ballot analysis results. Please read the full explanation of why I chose who I chose in the links above.

(I) National Offices (including US Congress)

US Senator – Full Term (Jan 2023 through Jan 2029) Alex Padilla (D) Inc
US Senator – Short Term (ending Jan 2023) Alex Padilla (D) Inc
US House of Representatives, 32nd District Brad Sherman (D) Inc

(II) County and Local Offices

City of Los Angeles  
Mayor Karen Ruth Bass
City Attorney Faisal M. Gill
Controller Kenneth Mejia
Measure BB ⚫ Yes on BB
County of Los Angeles  
Supervisor 3rd District Lindsey Horvath
Sheriff Robert Luna
Assessor Jeffrey Prang Inc

(III) Judicial Offices

Office № 3 ⚫ Tim Reuben
Office № 60 ⚫ Sharon Ransom
Office № 67 Fernanda Maria Barreto
Office № 70 Holly L. Hancock
Office № 90  Melissa Lyons
Office № 116  David B. Gelfound Inc
Office № 118  Klint McKay
Office № 151 Patrick Hare
Office № 156 Carol Elswick Inc

(IV) California Statewide Offices (including State Assembly)

California Legislature
Member of the State Assembly, 40th District Annie E. Cho (D)
California Executive Branch  
Governor Gavin Newsom (D) Inc
Lieutenant Governor Eleni Kounalakis (D) Inc
Secretary of State Shirley N. Weber (D) Appointed Inc
Controller Ron Galperin (D)
Treasurer
Fiona Ma (D) Inc
Attorney General
Rob Bonta (D) Appointed Inc
Insurance Commissioner Marc Levine (D)
State Board of Equalization, 3rd District Tony Vazquez (D) Inc
Superintendent of Public Instruction Tony K. Thurmond Inc
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🗳️ June 2022 Primary Election Ballot Analysis (IV): State-wide Officers

Here in California (and in Los Angeles in particular), we have an election coming up. For months, one of the wealthiest candidates has been blanketing the airwaves, together with ads from the Native-American Casino Lobby, fighting against a ballot initiative that isn’t even on this ballot. Now that both the sample ballots and the real ballots* have been mailed, the political advertising has increased by an order of magnitude. That’s where I come in. Every election, I do a detailed ballot analysis of my sample ballot. This is where I examine each candidate and share my conclusions, and invite you to convince me to vote for the other jerk.
————————————————-
* California gives all registered voters the option to vote by mail and to vote early.

Because this is a long ballot, I’m splitting it into a few chunks (note: links may not be available until all segments are posted):

  1. National Offices** (including US Congress)
  2. Local Offices*** (excluding US Congress and State Assembly)
  3. Judicial Offices
  4. California Statewide Offices*** (including State Assembly)
  5. Summary

** Bucking the convention of my sample ballot, however, I’m including our Congressional Representative in this section.
*** Bucking the convention of my sample ballot, I’m including state legislative officers with the Statewide officers. In my case, that is my Assemblycritter, as we have no State Senator running for office this election.

This part covers the California State offices:

  • Local: Member of the State Assembly, 40th District
  • Statewide: Governor ❦ Lt. Governor ❦ Secretary of State ❦ Controller ❦ Treasurer ❦ Attorney General ❦ Insurance Commissioner ❦ Board of Equalization, 3rd District ❦ Supt. of Public Instruction

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🗳️ June 2022 Primary Election Ballot Analysis (III): Judges

Here in California (and in Los Angeles in particular), we have an election coming up. For months, one of the wealthiest candidates has been blanketing the airwaves, together with ads from the Native-American Casino Lobby, fighting against a ballot initiative that isn’t even on this ballot. Now that both the sample ballots and the real ballots* have been mailed, the political advertising has increased by an order of magnitude. That’s where I come in. Every election, I do a detailed ballot analysis of my sample ballot. This is where I examine each candidate and share my conclusions, and invite you to convince me to vote for the other jerk.
————————————————-
* California gives all registered voters the option to vote by mail and to vote early.

Because this is a long ballot, I’m splitting it into a few chunks (note: links may not be available until all segments are posted):

  1. National Offices** (including US Congress)
  2. Local Offices*** (excluding US Congress and State Assembly)
  3. Judicial Offices
  4. California Statewide Offices*** (including State Assembly)
  5. Summary

** Bucking the convention of my sample ballot, however, I’m including our Congressional Representative in this section.
*** Bucking the convention of my sample ballot, I’m including state legislative officers with the Statewide officers. In my case, that is my Assemblycritter, as we have no State Senator running for office this election.

This part covers the Judgeships:

  • Judge of the Superior Court: Office № 3 ❦ № 60 ❦  № 67 ❦  № 70 ❦  № 90 ❦  № 116 ❦ № 118 ❦ № 151 ❦  № 156

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🗳️ June 2022 Primary Election Ballot Analysis (II): City and County

Here in California (and in Los Angeles in particular), we have an election coming up. For months, one of the wealthiest candidates has been blanketing the airwaves, together with ads from the Native-American Casino Lobby, fighting against a ballot initiative that isn’t even on this ballot. Now that both the sample ballots and the real ballots* have been mailed, the political advertising has increased by an order of magnitude. That’s where I come in. Every election, I do a detailed ballot analysis of my sample ballot. This is where I examine each candidate and share my conclusions, and invite you to convince me to vote for the other jerk.
————————————————-
* California gives all registered voters the option to vote by mail and to vote early.

Because this is a long ballot, I’m splitting it into a few chunks (note: links may not be available until all segments are posted):

  1. National Offices** (including US Congress)
  2. Local Offices*** (excluding US Congress and State Assembly)
  3. Judicial Offices
  4. California Statewide Offices*** (including State Assembly)
  5. Summary

** Bucking the convention of my sample ballot, however, I’m including our Congressional Representative in this section.
*** Bucking the convention of my sample ballot, I’m including state legislative officers with the Statewide officers. In my case, that is my Assemblycritter, as we have no State Senator running for office this election.

This part covers the Local Offices (excluding US Congress and State Assembly)

  • City of Los Angeles: Mayor ❦ City Attorney ❦ Controller ❦ Measure BB
  • County of Los Angeles: Supervisor 3rd District ❦ Sheriff ❦ Assessor

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🗳️ June 2022 Primary Election Ballot Analysis (I): Introduction & Federal

Here in California (and in Los Angeles in particular), we have an election coming up. For months, one of the wealthiest candidates has been blanketing the airwaves, together with ads from the Native-American Casino Lobby, fighting against a ballot initiative that isn’t even on this ballot. Now that both the sample ballots and the real ballots* have been mailed, the political advertising has increased by an order of magnitude. That’s where I come in. Every election, I do a detailed ballot analysis of my sample ballot. This is where I examine each candidate and share my conclusions, and invite you to convince me to vote for the other jerk.
————————————————-
* California gives all registered voters the option to vote by mail and to vote early.

Because this is a long ballot, I’m splitting it into a few chunks (note: links may not be available until all segments are posted):

  1. National Offices** (including US Congress)
  2. Local Offices*** (excluding US Congress and State Assembly)
  3. Judicial Offices
  4. California Statewide Offices*** (including State Assembly)
  5. Summary

** Bucking the convention of my sample ballot, however, I’m including our Congressional Representative in this section.
*** Bucking the convention of my sample ballot, I’m including state legislative officers with the Statewide officers. In my case, that is my Assemblycritter, as we have no State Senator running for office this election.

This part covers the National Offices (i.e., the US Legislative Branch):

  • Federal: US Senate (two elections) ❦ US Representative, 32nd District

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🎭 The Road to Hell is Quite Entertaining | “Hadestown” @ Ahmanson

Hadestown (CTG / Ahmanson Theatre)There has been a trend in the theatre of late to — shall we say — play it safe. Revive that remarkably successful old chestnut with a bit name star (never mind the problematic undertone)*. Take that very successful movie property and bring it to the stage and hope that people come out of nostalgia**. Although these often make money (especially on tour, playing to the crowds in Podunk USA), they often aren’t the best musicals. The best productions are often original stories or stories adapted from unexpected sources. Their originality wins the audience over: they get to see something they’ve never seen before, instead of the same old same old.
*: e.g., Music Man. **: e.g., Tootsie, Pretty Woman, Beetlejuice, Mrs. Doubtfire, …

Hadestown, which we saw last Sunday at  the Ahmanson Theatre (FB), is one of those original shows. It is based on the Greek myths of Orpheus and Eurydice, which is connected to the story of Hades and Persephone. It featured music, lyrics, and book by a non-theatre artist: Anaïs Mitchell; after a few staged performances, she released the music as a song concept album in 2010, and it was workshopped and grew from there.  The music style is not your typical Broadway musical: it is bluesy and jazzy and has that hit of New Orleans to it. It is a seedy bar joint, at times joyous and at times dark. It is light and dark. It is, well, Persephone and Hades.

The basic myth is this: Persephone was the daughter of Demeter, the Goddess of nature. She is the bringer of spring and summer, the bringer of the bounty of the Earth.  Hades is King of the Underworld. Hades fell in love with Persephone and kidnapped her (although this isn’t in the play). They fall in love and marry, and agree that for six months out of the year she will live with him in the Underworld. During that time we have fall and winter. She returns for six months, bringing Spring and Summer. But Hades is a jealous and possessive man, and doesn’t want her away from him. He starts keeping her longer and longer, with predictable effect  in the world above.

Orpheus was the son of Apollo and the muse Calliope. He had a gift of song and writing. He is guided by Hermes, who has the responsibility of conducting souls to the Underground. Hermes takes Orpheus under his wing. Orpheus is writing a song; a song so powerful it will bring Persephone back to the upper world, and bring back spring. Enter Eurydice, a woman of grace, who is tired of the endless winter. Orpheus falls in love with Eurydice, and she falls in love with his melodies. This is especially true when Persephone returns. But she always must return, and when she does, Eurydice despairs (especially as Orpheus ignores her as he writes his song). She is enticed by Hades to go to the Underworld (and pay the price those who take the trip must take). When Orpheus learns of this, he travels to the Underworld to rescue her.

That’s the basic story (sans the ending). As staged, there are layers upon layers of metaphor. The most obvious one is the intimation of climate change: we have been destroying the world by driving away Spring, and we must take action to bring it back. I also detected allegories of anti-immigrant phobia, concerns about poverty making the world ugly, and even intimations of Trump and his wall, although this long predates Trump. What would you think when you hear lines like: Why do we build the wall? We build the wall to keep us free, we build the wall to keep out the enemy, the enemy is poverty. There are the workers, who toil and toil and never get anywhere — until they decide to hear each other and come together. There are deep messages in this show, folks.

As I noted earlier, the music is different than most shows. There are truly joyous songs. There are haunting songs. There are dark and scary songs. There are earworms (“Way down, Hadestown, Way down under the ground”) or “Now That the Chips Are Down”. I’ve picked up three versions of the music to this show: the concept album, the off-Broadway version, and the Broadway version. All are excellent and slightly different.

The direction of the show is also atypical. The show was developed with and directed by Rachel Chavkin. Chavkin is best known for Natasha Pierre and the Great Comet of 1812, which is another very different musical. This is a different theatre sensibility, and is unlike the typical fare one sees on the stage. I can imagine the impact of the show would be much greater in a smaller venue, but touring theatres are not small venues (and don’t work well on the thrust stage, eliminating the Taper from consideration).

The performances were also strong. Let’s start with the glue that holds the show together, provides the exposition, and moves the story along: Hermes (Levi Kreis). Let’s start off by saying that Kreis is not Andre de Shields, who won a Tony for this role. de Shields is one of a kind, and you can’t duplicate that. But Kreis works well and brings a different take to the role. More soul, and less Wiz. I enjoyed his voice and his interactions, and he was fun to watch off on the side in the small moments.

The protagonist couple, who are the center of the story, is Orpheus (Nicholas Barasch) and Eurydice (normally Morgan Siobhan Green, but…).  I say “but….” because we had a substitution at our show (which started late, so I’m guessing there was a last minute substitution). We had Sydney Parra as Eurydice, who swung up from her normal role as a worker. Barasch had a beautiful lilting high tenor (at least I think that’s the right term), and expressed a lovely naivete and lightness of character. As for Parra, you would never have known she was an understudy. She deftly handled the role. She captured a lovely tenuousness and had a great voice; it was also interesting to see her come to life in the underworld. I also applaud her for not bowing to convention on stage — she was distinctly herself, and it was great to see her self confidence. Those who saw her performance will know what I’m referencing.

Our other couple were Persephone (Kimberly Marable) and Hades (Kevyn Morrow).  Again, don’t expect the Broadway actors to be cloned — no one can clone Patrick Page. But Morrow does have the baratone, but not quite the malevolence. Marable is clearly a jazz singer by trade, and she brings that joy and light to her performance. Again, these actors  embody the archetypes of their Greek counterparts: Morrow is dark, Marable is light and joy.

Directing the action somewhat and guiding things along are the three Fates: Belen Moyano, Bex Odorisio, and Shea Renne. They sang beautifully, and even brought some instruments to the stage (accordion, fiddle).

Rounding out the production was the worker’s chorus. As we had some swings, I’m indicating the performers we saw by putting the names in bold, normal swings are indicated with §: Lindsey Hailes, Chibueze Ihuoma, Will Mann, Sydney Parra, Jamari Johnson Williams, Tyla Collier§, Ian Coulter-Buford§, Alex Lugo§, Eddie Noel Rodriguez§, J. Antonio Rodriguez§.  In other words: Out of the normal five workers, three were swings. You would have never known from the performances we saw, which were all strong. I particularly noticed the chorus in the scenes Underground: Why We Build the Wall, or the various chants.

Also on stage — essentially as part of the performers — were the musicians: Nathan Koci Conductor/Piano; Jacob Yates Cello / Asst. Conductor; Maria Im Violin; Michiko Egger Guitar; Audrey Ochoa Trombone / Glockenspiel; Calvin Jones Double Bass; and Anthony Ty Johnson Drums / Percussion. Of these folks, I’d like to single out Ochoa on Trombone. She was playful on stage and brought some wonderful jazz licks to the piece. But this entire ensemble was just great.

Before we turn to the scenic and other production aspects, let’s finish off the music and the movement. The production was choreographed by David Neumann, with help from Katie Rose McLaughlin Associate Director / Choreographer.  The movement was very jazz oriented and fit the piece well; this wasn’t your typical chorus line. Rounding out the music team was Liam Robinson Music Supervisor and Vocal Arrangements; Michael Chorney Arrangements and Orchestrations; Todd Sickafoose Arrangements and Orchestrations; Nathan Koci Music Director.  Note that none of the music team are your typical Broadway music types. Assisting in the direction was Chika V. Ike Associate Director.

The scenic design was interesting. A New Orleans type blues pub was at the center (with a small turntable); on the sides were the musicians and high-boy tables. On a balcony in the back was space for Hades and Persephone to watch. There was a circular staircase, and the back opened to be a train. This tour design was by Rachel Hauck Scenic Design. It was supported by the other design aspects: Michael Krass Costume Design; Bradley King Lighting Design; Nevin Steinberg Sound Design; Jessica Paz Sound Design; and Jennifer Mullins Hair Design. All these pieces combine to establish the mood and the characters well.  Rounding out the production team were: Ken Cerniglia Dramaturg; Stewart/Whitley Casting; Joel Rosen Production Stage Manager; Annelise Castleberry Stage Manager; Zachry J. Bailey Assistant Stage Manager; Denny Daniello Company Manager; Aurora Productions Production Management.

Hadestown is well worth seeing; we thoroughly enjoyed it.  It continues at the Ahmanson Theatre (FB) through May 29, 2022. Tickets are available through the Ahmanson box office. Discount tickets may be available through Goldstar or through TodayTix.

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member (modulo the COVID break). I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted (or I’ll make a donation to the theatre, in lieu of payment). I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Actors Co-op (FB), 5 Star Theatricals (FB), Broadway in Hollywood (FB), the Ahmanson Theatre (FB), and we have a membership at The Pasadena Playhouse (FB). We were subscribing at the Musical Theatre Guild (FB) prior to COVID; they have not yet resumed productions. We have also been subscribers at the Soraya/VPAC (FB), although we are waiting a year before we pick that up again. Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals). I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups. Note to publicists or producers reading this: here’s my policy on taking comp tickets. Bottom-Line: Only for things of nominal value, like Fringe.

Upcoming Shows:

For right now, we’re pretty much sticking with shows that come as part of our subscriptions or are of interest through our memberships. That may change later in 2022. Looking further into 2022: We’re done with our May shows. June will see Come From Away at the Ahmanson Theatre (FB) and Pretty Woman at Broadway in Hollywood (FB), as well as Tom Paxon at McCabes plus as much of the Hollywood Fringe Festival as we have the energy for. July brings Moulin Rouge at Broadway in Hollywood (FB) [Pantages], Dear Evan Hansen at the Ahmanson Theatre (FB), Newsies at 5 Star Theatricals (FB), and Freestyle Love Supreme back at The Pasadena Playhouse (FB). August is quieter, with just The Prom at the Ahmanson Theatre (FB). Lastly (for this look ahead), September brings Oklahoma the Ahmanson Theatre (FB) and Jagged Little Pill at Broadway in Hollywood (FB), although they are on the same day so I’ll be shifting one show. September may also bring Andrew Lippa’s version of The Wild Party at the Morgan Wixson Theatre. This was a show I had been planning to see before the COVID shutdown, so I’m putting it in the “part of our subscriptions” list. There may also be some Hollywood Bowl stuff, depending on how my wife is doing.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-LemonsFootlights, as well as productions I see on GoldstarOn Stage 411 or that are sent to me by publicists or the venues themselves. Want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget (although I know it is outdated and need to update it). Want to learn about all the great theatre in Southern California? Read my post on how Los Angeles (and its environs) is the best area for theatre in the Country (again, I need to review this for the post-COVID theatre landscape)!

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