This is another in my ongoing series of news chum posts about things that are going away. In doing this, I’ve come to realize another connection between the items: they are emblematic of an era that has also passed:
- The 747. Production of the Boeing 747 — an iconic jetliner of the 1970s and 1980s — is slowing and may soon die. Right now, the fate of continued production is in the hands of a Moscow firm: specifically, a Russian freight company that promises to buy 18 over the next few years. If that pledge falls through, and finding financing won’t be easy, Boeing faces a tough choice: End production and take a financial hit, or try to limp along until a cargo rebound yields more sales. For now, Boeing’s backlog is enough to keep building 747s only through mid-2017. Boeing would really like to keep production limping along at least under Congress orders a new Air Force 1: the current AF1 is a 747-200 that is over 20 years old. What’s killing the 747? On the passenger side, it is size: most routes are not economical for the capacity of the plane. Overall, it is pure economics: a four-engine plane guzzles a lot more expensive jet fuel than a two-engine plane. Both of these work to kill the demand. The death of the 747 is the death of an era: the era when flying was glamorous, of piano bars and lounges in the sky. We’re left with an Air Bus.
- The Vegas Showgirl. The MGM Grand in Vegas has posted a closing date for Jubilee, the last hotel-produced Vegas-showgirl spectacular. At one time, the Vegas showgirl was in every hotel. Hotels produced their own entertainment, and each show featured long-leggy girls, often topless, in a very Vegas-styled entertainment. Today, most shows are four-walled: the hotel rents the room to the promoter, who handles everything else. This results in very different entertainment than in the 1960s-1980s. Jubilee was a relic from that era, and — like the 747 — was no longer economical or the draw.
- The Physical Camera Store. Bel Air Camera in Westwood has closed as of yesterday. At one time, camera stores were everywhere. There were at least three that I recall in Westwood, all feeding off the neighboring community and college kids with cameras. Now there are none (just like there are no more record stores in Westwood, when once there were at least 3). This, again, is the passing of two eras. The first is the continued decline of Westwood as a college town for UCLA; it is not what it was when Star Wars first premiered at the AVCO. The second is the passing of the film camera. What was once expensive photographic equipment is almost worthless — I know I have expensive film cameras and lenses from my dad that I’m not sure I could give away. We’ve gone to digital, and thus all the infrastructure devoted to lenses, lens effects, developing, mounting, etc. has all been rendered, if not obsolete, than rarely used.
- LA Chinatown. A few months back, I wrote about the reopening of Empress Pavillion, a long-time dim-sum palace in Chinatown. While it was closed, the business had to shift to Monterey Park — which is where the Chinese community had moved as well. A move, by the way, similar to the migration of Jews from Boyle Heights to the Westside. This week confirms that shift: that Chinatown is perhaps in name only, and is more of a tourist Chinatown than a true home for that culture. The confirmation: Empress Pavillion has closed again as a restaurant and will only be used for banquets and events. Chinatown — your era has passed.
- Curvy Women. Some of us are old enough to remember the days of the pin-up calendar. Think LeRoy Neiman, and the nudes he would draw for Playboy. An article this week reminds us of one pin-up heroine that has been forgotten: Hilda. Hilda was the creation of illustrator Duane Bryers. She was one of pin-up art’s best kept secrets: voluptuous in all the right places, a little clumsy but not at all shy about her figure. I actually think she’s a lot sexier than the stick-figures society is obsessed with today.
- Soviet Era Buildings. This one is just creepy. Here’s a collection of photos of abandoned Soviet era buildings. They are reflective of an era and of an artistic style that has (thankfully) all but disappeared.