Observations Along the Road

Theatre Writeups, Musings on the News, Rants and Roadkill Along the Information Superhighway

Thoughts on a Theatre Season: The Geffen

Written By: cahwyguy - Tue Apr 14, 2015 @ 7:32 pm PDT

userpic=theatre_musicalsYet another belated post from this weekend: My promised thoughts on the just announced 2015-2016 season at the Westwood Playhouse Geffen Playhouse (I’m sorry, but it’s always the Westwood Playhouse to me). I’ll note that The Geffen Playhouse (FB) is a great theatre — but one I rarely attend. Why? They very rarely discount, and their cheapest prices are often much much more than the cheapest at the Pantages. Thus, a show has to be really compelling for me to go into the $60+ ticket range. The upcoming “Murder for Two” is an example of such a show — in the smaller theatre, with little chance of discount tickets showing up, with the original cast, and something I really want to  see. Other than that, I think the last show I saw there was Kathleen Turner as Molly Ivens. For reference, the Gil Cates space is the larger with 512 seats. The Kenis space has 149 seats. So let’s look at the next season:

  • Thumbs Up THESE PAPER BULLETS! A Modish Ripoff of William Shakespeare’s Much Ado About Nothing. Written by Rolin Jones. Songs by Billie Joe Armstrong. Directed by Jackson Gay. Sept. 8 – Oct. 18, 2015. West Coast Premiere in the Gil Cates Theater at the Geffen Playhouse. This sounds interesting — you have the leads of Green Day in something not from an album, and it is likely to garner discounts being in the larger of the Geffen’s two theatres.
  • Thumbs Down GUARDS AT THE TAJ. Written by Rajiv Joseph. Directed by Giovanna Sardelli. Oct. 6 – Nov. 15, 2015. West Coast Premiere in the Audrey Skirball Kenis Theater at the Geffen Playhouse. A violently beautiful, gruesomely funny comedy from the author of Bengal Tiger. A non-musical comedy, by an author I haven’t heard of, in the smaller theater. This might be interesting if I was a subscriber, but I don’t think it is a sufficiently compelling draw as a standalone.
  • thumbs-side OUTSIDE MULLINGAR. Written by John Patrick Shanley. Directed by Randall Arney. Nov. 10 – Dec. 20, 2015. In the Gil Cates Theater at the Geffen Playhouse.  Modern romantic comedy in the Irish countryside.  The fact that this is John Patrick Shanley makes this intriguing, but not intriguing enough to overcome the price and the fact that it is in a really (theatrically) busy time of year.
  • Thumbs Down BARCELONA. Written by Bess Wohl. Directed by Trip Cullman. Feb. 2 – March 13, 2016. West Coast Premiere in the Gil Cates Theater at the Geffen Playhouse. A seductive look at values and cultural collisions through the backdrop of Gaudi’s beautifully unfinished Sagrada Familia Cathedral. Sorry, but this description doesn’t grab me.
  • Thumbs Down SEX WITH STRANGERS. Written by Laura Eason. Directed by Kimberly Senior. March 1 – April 10, 2016. West Coast Premiere in the Audrey Skirball Kenis Theater at the Geffen Playhouse. Two writers approaching love, sex and literature in comically different ways. Doesn’t grab me at Geffen prices. If it is good, I expect this one will reappear at smaller venues.
  • thumbs-side STAGE KISS. Written by Sarah Ruhl. Directed by Bart DeLorenzo. April 5 – May 15, 2016. In the Gil Cates Theater at the Geffen Playhouse. This new comedy follows former spouses and actors on and off-stage (and script). Could be funny, but not enough to attract me (again) at Geffen prices. Might consider this if there are good discounts and it fits into the Spring schedule (and I remember).
  • Thumbs Down BIG SKY. Written by Alexandra Gersten-Vassilaros. Directed by John Rando. June 7 – July 17, 2016. World Premiere in the Gil Cates Theater at the Geffen Playhouse. Brilliant new family comedy from a Pulitzer nominee. Well that doesn’t say much, does it.

In general, I see some similarities in the programming of The Geffen Playhouse (FB) and The Colony Theatre (FB). I subscribe to the Colony — it is closer, parking is easier, and I believe it is less expensive for subscriptions. Both seem to try for a mix of world premieres and west coast premieres, and both tend to small cast shows as they have to pay Equity contracts.

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What The Hollywood Fringe Festival Needs… A Smart Scheduler

Written By: cahwyguy - Fri Apr 10, 2015 @ 11:12 am PDT

userpic=theatre_ticketsI spent some time yesterday going through the list of shows at the upcoming Hollywood Fringe Festival to figure out how I want to program my weekends in June. Previously, I was only able to hit one or two fringe shows. I’m still only going to be able to hit a small percentage (3.3%) (as I only have weekends available — weeknights — and even Friday night — in Hollywood is an impossibility with my work schedule), but I am going to be able to squeeze in a few more. Doing this, I realized what the HFF really needs: a smart scheduler. This scheduler should:

  1. Permit you to select the shows that are of interest to you, either individual, by category, by company, or any variety of selectors. It would also permit you to rank the shows from “must see” to “like to see” to “don’t schedule”
  2. Indicate the dates and time ranges you are available for shows throughout the festival period.
  3. Indicate the spacing you want between shows to accommodate transit time
  4. Indicating the meal times you want (ranges) and meal durations (so you can get lunch/dinner breaks)

With the above information, and the knowledge of show start times and running times, it would generate for you an optimal schedule that fit as many of the must-sees as possibles, and as many of the “likes to see” in the remaining spaces. After the ticket sales start, it would also have the capability to go out and ticket all the shows for you. The scheduling is a relatively complex CS problem to find the optimum schedule, but I do believe it should be doable. I think a website version would be best — I don’t believe in phone-apps for single-use purposes.

P.S.: Curious as to what shows I’m thinking about? Here’s the list of what I blocked onto my calendar: Clybourne ParkMax and Elsa. No Music. No Children., Wombat Man, Marry Me a Little, Nigerian Spam Scam Scam, Merely Players, Uncle Impossible’s Funtime Variety & Ice Cream Social, Medium Size Me, and Might As Well Live: Stories By Dorothy Parker. I had to work around some previously scheduled or blocked events: Grease (the Movie) at the Colony at 2pm on Sat. 6/6, a MoTAS Jethawks game in Lancaster (killing the entire day of 6/7), a morning Bat Mitzvah on Sat 6/13, a potential evening activity on Sun 6/14, and a drum corps show in Riverside on the last Fringe day, Sun 6/28. Shows that looked interesting, but I couldn’t schedule, were: Alien vs. MusicalBreaking BardNerd Anarchy: A Fantastic New Musical, Sin: A Pop Opera, Adam and Eve… and Steve, Stupid SongsAmelia’s Going DownEnshrouded in an Apocalyptic Mood, … and I’m sure there are others. With 241 shows (go to here and click “search”), so many sound interesting….

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Thoughts on a Theatre Season: Pasadena Playhouse / Theatricum Botanicum

Written By: cahwyguy - Sat Apr 04, 2015 @ 9:47 am PDT

userpic=theatre_musicalsTime for another post looking at theatre season announcements. Today’s post is triggered by the recent announcements of the Pasadena Playhouse (FB) season and the Theatricum Botanicum Seasons.

Pasadena Playhouse

We used to be long-time subscribers at the Pasadena Playhouse (FB). We weren’t treated well during the bankruptcy itself, and choose to move our mid-side theatre subscription to The Colony Theatre (FB) in Burbank. We’ve enjoyed the productions at the Colony, although they are not that adventurous or likely to move on to bigger and better things (you want adventurous productions that may move on, explore LA’s 99 Seat Theatre scene — which is threatened by AEA — learn more at http://ilove99.org). As for the Pasadena Playhouse, we haven’t much liked Sheldon’s programming — and especially the TBA slot. Still, we’re planning on one show this season there. So let’s see what they are proposing:

  • Thumbs Down Real Women Have Curves. Written by Josefina López. Directed by Seema Sueko. September 8 – October 4, 2015. This is taking a movie and moving it onstage. This can work (and draw audiences), but isn’t that particularly exciting to me… especially as a straightforward drama.
  • Thumbs Down Breaking Through. Book by Kirsten Guenther. Music and Lyrics by Cliff Downs and Katie Kahanovitz. Directed by Sheldon Epps. October 27 – November 22, 2015.  A new musical from a team that hasn’t done musicals before. That may or may not be bad — sometimes it works, sometimes it fails miserably. The story is about a young, talented singer/songwriter, as she tries to navigate the treacherous shark-­‐filled waters of the music business with a a compelling journey to find her way back to her authentic self and in the process rediscovers the music that truly makes her alive. Isn’t that Beautiful or any of a myriad of other shows? Not a compelling story.
  • Thumbs Down Peter Pan and Tinkerbell: A Pirate Christmas. By Kris Lythgoe. Directed by Bonnie Lythgoe. Musical Direction by Michael Orland. Choreography by Spencer Liff. December 9, 2015– January 3, 2016. British Christmas Panto. I’m sorry, but I’m generally not into Christmas-specific shows.
  • thumbs-side Fly. By Trey Ellis and Ricardo Khan. Directed by Ricardo Khan. Produced in Association with Crossroads Theatre Company. January 26 – February 21, 2016. Fly tells the story of the first African-­‐ American Army Air Corp fighters known as the Tuskegee Airmen who flew over the skies of Europe and North Africa during World War II. Sigh. This is one of Sheldon’s shows designed to bring in an audience of color. I used to see these every year, and was disappointed that the audience didn’t remain around for other shows (or that the white audience disappeared for these shows). Potentially interesting, but not a must-see. All depends on what else is out around then.
  • Thumbs Up Casa Valentina. By Harvey Fierstein. Directed by David Lee. March 15 – April 10, 2016. Per the description: this moving and insightful play is nestled in the Catskills in 1962 -­‐ land of dirty dancing and borscht belt comedy.  But an inconspicuous bungalow colony is more than a place to escape the sweltering summer heat.  For a group of heterosexual men it is a place to escape something else entirely: being men. Interesting for the director and the playwright. Not sure that it draws me in fully, but this might be good.
  • thumbs-side ARTISTIC DIRECTOR’S CHOICE. To Be Announced. May 31 – June 26, 2015. Otherwise known as the Sheldon CYA slot. I’m not going to commit myself if he can’t.

Not a season that excites me.

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Theatricum Botanicum

We’re not subscribers here, but we tend to see a show here and there, if it is interesting. As Theatricum Botanicum (FB) wrote:

The upcoming ‘Americana’ season includes William Shakespeare’s As You Like It, re-set in the Reconstruction-era South with live music of the period; To Kill A Mockingbird, Christopher Sergel’s stage adaptation of Harper Lee’s Pulitzer Prize-winning novel; August: Osage County, Tracy Letts’ biting portrait of the dysfunctional American family at its finest — and absolute worst; and Green Grow the Lilacs, the play by Lynn Riggs that inspired Rodgers and Hammerstein’s Oklahoma. Finally, what could be more American than an outing to experience Theatricum’s signature production of A Midsummer Night’s Dream, back for the ninth year in a row by popular demand? Audiences flock to this annual family favorite, a beguiling romantic comedy set in Theatricum’s own Topanga forest.

These all run in repertory through the summer. My thoughts:

  • Thumbs Up As You Like It. Seen a number of adaptations of this, including a disasterous one at the Pasadena Playhouse (the only show I’ve walked out on). The era and setting of this sound interesting.
  • Thumbs Down To Kill a Mockingbird. Great play, but I just saw it within the last couple of years at Repertory East. Given how crowded the summer is, I’m not sure it is worth squeezing in.
  • Thumbs Up August: Osage County. A classic play, worth seeing if I can squeeze it in.
  • Thumbs Up Green Grow the Lilacs. This is one I’d really like to see — the basis for Oklahoma. I’ve always heard about it.
  • Thumbs Down A Midsummers Night Dream. This one will be around again, so I’ll skip this time.

They only have seasons subscriptions up, so I’ll either have to remember to put HOLD dates or watch Goldstar.

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Thoughts on a Theatre Season: Ahmanson Theatre 2015-2016

Written By: cahwyguy - Mon Mar 09, 2015 @ 4:00 pm PDT

userpic=ahmansonThe Ahmanson Theatre has just announced its 2015-2016 season. As I did with the Pantages, Cabrillo, and the Colony, here are my thoughts on the season:

  • Thumbs Down The Sound of Music. September 20 through October 31, 2015. This is the start of a new American tour, but I have really no interest in seeing this again.
  • Thumbs Up The Bridges of Madison County. December 8, 2015, through January 17, 2016. This is a new musical by Jason Robert Brown, and guess what… he will be conducting the entire run!
  • Thumbs Up A Gentleman’s Guide to Love & Murder. March 22 through May 1, 2016. This musical won the Tony for best musical (last year, IIRC), and is a must see.
  • Thumbs Up Titanic: The Musical. May 14 through June 26, 2016. Note that this is not the musical version of the Leonard DiCapro movie that won awards; this is a musical from about the same time (1997) with book by Peter Stone and score by Maury Yeston.  I’ve heard the music, but never seen it.

There is an unnamed fifth production to run at an unspecified date.

I Support 99 Seat Theatre in Los AngelesP.S.: Please remember, if you’re an AEA actor eligible to vote in the upcoming advisory vote on the 99 seat plan, please vote no. The 99 seat plan needs to be changed, but not in the way AEA is proposing. AEA’s proposal is bad for small theatre, bad for actors who are not exclusively live theatre (hint: it will likely lower your unemployment benefits), bad for the local economy, and bad for the audience. Voting YES means you want AEA’s plan as it is proposed; there is no guarantee they will fix it. Voting NO indicates you do not want their specific proposal, you want AEA to sit down with all stakeholders and craft a plan good for all. Visit ilove99.org for more information. Provide financial support to this effort through I Love 99’s Indiegogo page.

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Thoughts on a Theatre Season II: Cabrillo Music Theatre

Written By: cahwyguy - Tue Jan 27, 2015 @ 6:33 pm PDT

Over lunch, I shared my opinions of the Colony and Pantages seasons. This afternoon, Ellen over at Musicals in LA (a great blog) posted the details of the 2015-2016 Cabrillo Music Theatre season.  I was a long time subscriber at Cabrillo Music Theatre’s (FB) since the 2001 production of Anything Goes. However, last season’s selections just failed to excite meMemphis: The Musical (which I had seen during its run at the Pantages and wasn’t particularly eager to see again); Company (which I had seen during its excellent run at Crown City); Oklahoma (which everyone has seen far too many times); and Mary Poppins (which I had seen at the Ahmanson— again, a large theatre). As I would rather spend my theatre dollars on shows I want to see (either because I haven’t seen them, or they are new approaches), I reluctantly let my subscription drop. I still contributed to their annual appeal, however, because I want them to succeed.

So I am pleased to report that Cabrillo Music Theatre’s (FB) has redeemed themselves, and that (presuming the boss agrees) I’ll be contacting them to reestablish our subscription. Here is their line-up for 2015-2016, and my thoughts:

In short, pick the right shows and I’ll be back. Every show doesn’t have to be “new to me”, but the majority have to intrigue me enough (that was the case in the 2013-2014 season, where I liked three of the shows but was meh on Forever Plaid). Kudos to Lewis Wilkenfeld (FB) for his choices, and I hope that future seasons can preserve the mix of popular shows and shows that aren’t done too frequently.

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ETA: When it rains, it pours. I just received the dates for Good People Theatre’s Closer Than Ever (which will be announced tomorrow), and learned from that announcement that the Pasadena Playhouse is doing a new Maltby/Shire musical, Waterfall, at the end of May. My weekends are getting incredibly full, and there are going to be a few of those dreaded two-show weekends. Whew!

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Thoughts on a Theatre Season: Colony and Pantages

Written By: cahwyguy - Tue Jan 27, 2015 @ 11:32 am PDT

userpic=colonyIn the last two weeks, announcements have come out regarding the upcoming seasons at two theatres I frequent. I thought I would share them with you:

** The Colony Theatre, Burbank **

The Colony Theatre (FB) (where we subscribe) is a mid-size house that prides itself on using only Equity actors and paying Equity wages. Colony just sent me their season announcement for 2015-2016:

  • The Fabulous Lipitones by John Markus and Mark St. Germain. Thumbs Up Germain is a favorite playwright at the Colony; I’ve seen a number of his shows there. This one sounds interesting: A barbershop quartet who’s been belting out close harmonies for twenty years suddenly loses its lead singer. The three surviving members must cease their bickering and race to find a replacement. They hear a tenor with a gorgeous voice, but when he shows up he’s a dark-skinned Indian in a turban who is also an illegal immigrant… and one of the quartet is Archie Bunker. West Coast Premiere. July 25 – August 23, 2015.
  • Mrs. A. Lincoln by John Dayton. Thumbs Up Toward the end of her life, Mary Todd Lincoln (Patty Duke) shares her stories and memories with (unseen) reporters. World Premiere. September 19 – October 18, 2015.
  • Humble Boy by Charlotte Jones. Thumbs Up 35-year-old Felix Humble is a bumbling Cambridge astrophysicist who cannot stumble across a garden hose without using it to illustrate the finer points of string theory before twisting it into a noose. He returns home to his bee keeping father’s funeral, only to discover his difficult and domineering mother in the arms of another man. West Coast Premiere. November 7 – December 13, 2015.
  • The Best of Enemies by Mark St. Germain. Thumbs Up Ann, an African-American civil rights activist, and C.P., the Exalted Cyclops of the KKK are forced to work together by the federal government to achieve integration in their small North Carolina town fifteen years after Brown v. Board of Education. West Coast Premiere. February 13 – March 13, 2016.
  • Another Roll of the Dice. Book by Mark Saltzman, Music by Frank Loesser. Thumbs Up Based on the stories by Damon Runyon. A new musical, seemingly in the world of Guys and Dolls. World Premiere. April 16 – May 15, 2016.

All in all, a pretty exciting season. I’m looking forward to it.

** The Pantages Theatre, Hollywood **

userpic=broadwaylaOn Monday, the Pantages Theatre also announced its upcoming 2015-2016 season. I don’t subscribe to the Pantages (FB), but go when there are particular shows of interest. There wasn’t much in the 2014-2015 season. This one is better:

  • Annie. Thumbs Down This is the new US National Tour of the show. There was some controversy about this production — note that this is not the slightly revised version that was recently on Broadway, but a remounting of the original version with a non-Equity tour cast directed by Charnin. Although I enjoy the show I’ve seen it a number of times, and unless there’s something new and novel, there are better choices for my ticket dollar.  October 13 – November 1, 2015.
  • If/Then. Thumbs Up This is the new Idena Menzel musical that just closed on Broadway. I doubt we’ll get Idina, but I go to a show for the story, not the performer. The music is good and the story is an interesting one about the paths one choses in life (it is not, as its title might imply, a musical about a programmer who falls in love). This is one that I want to see. Written by Brian Yorkey and Tom Kitt. December 8, 2015 – January 3, 2016.
  • Bullets Over Broadway. Thumbs Up This is the musicalization of the Woody Allen film, written by Allen. The score consists of jazz and popular standards of the years between World War I and about 1930 by various songwriters. I’ve heard the music, and I really like it. It didn’t do well on Broadway, possibly because of the association with Allen. January 5 – January 24, 2016.
  • Dirty Dancing — The Classic Story on StageThumbs Down This is the North American Tour of this never-on-Broadway show. It appears to use movie songs and movie choreography. It may be classic, but I have no desire to see it. Footloose: The Musical would have been better. February 2 – February 21, 2016.
  • The Illusionists – Witness the Impossible. Thumbs Down This is billed as  “a mind-blowing spectacular that showcases seven of the most incredible illusionists on earth”. It had a short Broadway run. Doesn’t really excite me. Now, if they were to bring back Stephen Schwartz’ The Magic Show, that would be something different. But then again, who is today’s equivalent of Doug Henning? .  February 23 – March 13, 2016.
  • 42nd Street. Thumbs Down The old chestnut. Saw a great production of this at Cabrillo; no need to see again. This is obviously (because the Pantages only books Tours and Special Events) a non-equity tour. Leave it for the tourists. May 31 – June 19, 2016.
  • Beautiful – The Carole King MusicalThumbs Up This was a big Tony winner. I’ve heard the music on this one and I really like it. It also got great reviews and a thumbs up from Carole King. I’ll see this. June 22 – July 17, 2016.
  • CabaretThumbs Down The Pantages is the wrong venue if they are trying the new revival; most likely, this is a non-equity tour [Correction: This is the new Roundabout Theatre version. Given that version was designed for a much smaller and intimate venue, it is just going to have difficulty connecting in the cavernous Pantages.] What’s the point. Want to see Cabaret? Go to Crown City and see the endless run there. July 19-Aug. 7, 2016.

Note: The Center Theatre Group has not announced its season, but the rumors look promising. I’ve already heard that Little Dancer (Ahrens, Flaherty) is coming to LA. Other rumored shows might be A Gentleman’s Guide to Love and Murder, Bridges of Madison County, or Hedwig and the Angry Inch.

** Other Upcoming Shows of Interest **

userpic=theatre_ticketsEllen Dostal’s Musicals in LA highlighted one additional upcoming musical of interest:

The critically acclaimed Off-Broadway musical Inside Out will celebrate its 20-year anniversary at the Grove Theatre Center (FB) in Burbank, Feb. 12 – March 22 (opening night Feb. 14). Bruce Kimmel will direct the musical written by Doug Haverty (book & lyrics) and Adryan Russ (lyrics & music). A women’s therapy group, headed by group leader, Grace (Cynthia Ferrer), is transformed forever when former singing star Dena (Leslie Stevens) joins the group and winds up being a catalyst for change in the lives of Sage (Adrienne Visnic), a flower child; Liz (Sandy Bainum), a powerful businesswoman who has problems balancing work and home; Chlo (Stephanie Fredricks), a gay bank employee and single mom; and Molly (Dana Mellor), a mother of two young children who is dealing with weight and work issues. A portion of proceeds from the production will go to the 1983-founded Dr. Susan Love Research Foundation; an “army of women” dedicated to finding a cure for breast cancer and how to stop it before it starts. www.dslrf.org. Tickets: (323) 960-1055 or www.plays411.com/insideout. This was partially funded by an Indiegogo campaign.

This one I may look into, especially as  Chavez Ravine at the Kirk Douglas seems to be sold out on Goldstar and Hottix, and I’m looking for something for Saturday, February 21. Additionally, this page makes it appear as if discount tickets will be available from the usual sources.

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Is It Worth It?

Written By: cahwyguy - Wed Apr 30, 2014 @ 9:15 pm PDT

userpic=theatre_ticketsI’ve been doing some theatre planning for the upcoming months/trips. There are some shows I’m interested in seeing, but I can’t decide the best approach to take, given the cost. Here’s what I’m exploring: opinions are welcome.

  • Stoneface at the Pasadena Playhouse. Tickets are $34 to $39 on Goldstar, but have a service charge of $7.50 each. I’m not sure if the Pasadena Playhouse is worth $42-$45 per ticket (I don’t pay that much for tours at the Pantages). Still, it is French Stewart as Buster Keaton…
  • Evil Dead – The Musical at V Theatre, Las Vegas. Tickets are $29.95 for Saturday at 11:30pm, or $32.95 for Tuesday at 10:00pm, which is reasonable. However, they want to add service charges of $6-$8 per ticket. I’m not sure I want to pay that much for what is a parody show (even if it is funny). I’m wondering if I can get the tickets at one of the discount booths on the strip for a lower service charge.
  • Blue Man Group at Monte Carlo. Here I’ve found a deal for $59 a ticket… which is a good price. But they take you to the Monte Carlo box office (good), which uses Ticketmaster (bad)… meaning there are likely surcharges on the order of $10 per ticket. Again, I’m normally not in that ticket price range. Is it worth it?

 

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Saturday (ummm) Gruel: Sex, Judaism, Surviving, and Carrie

Written By: cahwyguy - Sat Apr 26, 2014 @ 6:18 am PDT

Observation StewThis has been an even busier week than usual — I’ve barely had time to keep up with my RSS feeds and skim the LA Times. So I’ve only got a few items for you this week:

  • Not Tonight, Dear, I have a headache. In a scientific survey destined to end up on “Wait Wait”, scientists have shown that headaches impact a woman’s sexual desire much more than they impact the desire of men. Specifically, new research has shown that for female mice, bodily pain puts a serious damper on sexual desire, but pain-reduction can help restore libido squelched by physical discomfort. However, for men, the desire to have sex wasn’t dampened even if you kick them in the nuts. But is this really news?
  • It’s your shul on line 1… Here’s an article that every synagogue (and probably church) board member should read: What if your synagogue called and didn’t ask for money? The answer, not surprisingly, is that people are much more receptive. This goes to what a number of URJ leaders are saying these days: focus on building the relationship, and not getting the donations. When the relationship is strong, the donations will show up. Will temple boards listen, however, and pay this more than lip service?
  • Connections. Every week the Jewish Journal highlights a holocaust survivor (and I’ll note that this weekend is Yom Hashoah). This week, it was Frank Schiller. I’m not sure if I ever met Frank, but I did go to both camp and temple with Frank’s children, Gary and Vicky. Haven’t seen them in years, but I’d love to get back in touch.
  • La Mirada Season. Lastly, the La Mirada Theatre has announced their 2014-2015 season. It consists of “Good People“, “Late Nite Catechism Las Vegas: Sister Rolls the Dice“, “Billy Elliot” (the musical), a musical version of “Pride and Prejudice“, “Mary Poppins” (the musical), two special events (“Dancing with a Twist” and an Amy Grant concert), and the musical “Carrie“. Of these, “Carrie” is unique enough to get me to travel down to La Mirada. Already blocking it off on my calendar.

 

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