Thoughts on a Theatre Season: La Mirada, Antaeus, Theatricum, Pasadena Playhouse, and Ahmanson

As I continue to clear out the news chum: My RSS feeds and emails have brought me a number of theatre season announcements, so it’s time for another episode in: Thoughts on a Theatre Season.

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The La Mirada Theatre for the Performing Arts (FB) is a great musical theatre venue at the southern edge of LA County. They have recently announced their 2017/2018 season:

  • AIN’T MISBEHAVIN’. September 15 – October 8, 2017 (Press Opening September 16). Music by Thomas “Fats” Waller. Conceived by Richard Maltby, Jr. and Murray Horwitz. Choreography by Jeffrey Polk. Directed by Broadway’s Original Cast Member Ken Page. With Frencie Davis. One of the first, and arguably, one of the best, jukebox musicals. It might be fun to see this again.
  • END OF THE RAINBOW. October 27 – November 12, 2017 (Press Opening October 28). Written by Peter Quilter. Directed by Michael Matthews. I saw this at the Ahmanson; no strong desire to see it again.
  • CABARET. January 19 – February 11, 2018 (Press Opening January 20). Music by John Kander. Lyrics by Fred Ebb. I’ve seen this a few times; I don’t think it is worth the drive for what is likely to be a good production.
  • TO BE ANNOUNCED! A Rodgers & Hammerstein CLASSIC! April 20 – May 13, 2018 (Press Opening April 21) Music by Richard Rodgers. Lyrics by Oscar Hammerstein II. As they wrote: “This will be an evening our audiences and subscribers will surely be enchanted by!”, this is South Pacific. Further, given that VPAC is doing South Pacific, this is likely the VPAC show moving to La Mirada. I’ll see it in Northridge, thank you.
  • NEWSIES. June 1- June 24, 2018 (Press Opening June 2). Book by Harvey Fierstein. Music by Alan Menken. Lyrics by Jack Feldman. Another great show. However, having seen it recently at the Pantages, I don’t have a strong desire to make the drive to see it again.

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The Antaeus Theatre Company (FB) is a classic theatre company, formerly of North Hollywood, in new digs in Glendale. Their season has also just been announced:

  • Les Liaisons Dangereuses, adapted by Christopher Hampton from the novel by Choderlos de Laclos, directed by Robin Larsen. (Previews Oct. 19 through Oct. 25, runs Oct. 26 through Dec. 10, 2017). This story of seduction and intrigue set in the decadence of pre-revolutionary France isn’t just a battle between the sexes — it’s war. A classic of potential interest.
  • The Hothouse by Harold Pinter. A wild, impudent and blisteringly funny look at a government-run mental institution in which the wardens may be madder than the inmates. (Previews Jan. 18 through Jan. 24, runs Jan. 25 through March 11, 2018). Again, potentially of interest — it also has dates that are normally are empty because no one schedules in January.
  • Native Son, adapted by Nambi E. Kelley from the novel by Richard Wright and directed by Andi Chapman. Richard Wright’s iconic novel about oppression, freedom, and justice (Previews April 12 through April 18, runs April 19 through June 3, 2018). Doesn’t sound that interesting to me.
  • Three Days in the Country by Patrick Marber, a version of Turgenev‘s A Month in the Country directed by Andrew Paul. In this passionate and comedic update of Turgenev’s classic, a handsome new tutor brings reckless, romantic desire to an eccentric household. (Previews July 5 through July 11, runs July 12 through Aug. 26, 2018) Another “ehhh”.

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Theatricum Botanticum (FB) in Topanga has at least one show of interest this summer:

  • Starting June 3: William Shakespeare’s The Merchant of Venice, directed by Ellen Geer. Not one of my favorite Shakespeare plays. I’ll pass.
  • Starting June 4: Shakespeare’s A Midsummer Night’s Dream. Director Melora Marshall. A regular production at Theatricum. I’ll pass — June is already pretty full.
  • Starting June 17, Sir Peter Hall’s stage adaptation of George Orwell’s Animal Farm, featuring music by Richard Peaslee and lyrics by Adrian Mitchell. Very timely, and not often done. Color me interested.
  • Starting July 8: Jon Robin Baitz’s Other Desert Cities. We saw this recently at the Mark Taper Forum. Given the crowded summer, we’ll pass
  • Starting July 29: Alice Childress’ Trouble In MindNot really interested; besides, given our summer schedule, there is no room.

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Many years ago, we used to subscribe at the Pasadena Playhouse (FB). They have a new artistic director, and have announced their new season:

  • Thornton Wilder’s Our Town, a joint production with Deaf West (FB), starring Jane Kaczmarek. September 26–October 22, 2017. Potentially interesting, if we hadn’t just seen it in Actor’s Co-op last season.
  • Mike Bartlett’s King Charles III, which played a hit run on Broadway in 2015. The play imagines the future of the British royal family after the Queen’s passing. November 7–December 3, 2017. This one is potentially interesting for the subject matter alone.
  • Chicago company The Hypocrites’ immersive adaptation of Pirates of Penzance, directed by Sean Graney (January 23 – February 18, 2018), which is also set to play Off-Broadway. Not that interesting.
  • Culture Clash’s Bordertown Now, a reimagined and revisited take on the group’s 1997 show Bordertown (May 29–June 24, 2018). Potentially interesting for Culture Clash and the likely reference to Los Angeles, but I seem to recall that time is already pretty booked.
  • An additional play will be announced at a later date. Not a great surprise for the Playhouse.

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Lastly, , the Ahmanson Theatre (FB) has announced their one unspecified show: Five-time Tony Award® winner Susan Stroman (Show Boat, Contact, The Producers) returns to direct and choreograph an all-new production of the acclaimed musical comedy that launched her Broadway career — Crazy for YouThis is potentially interesting, and always a fun show. However, it doesn’t make it worth a season pass, as I can get $25 tickets once they go on sale, and the cheapest season seats are $33.

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HFF17 – Current Schedule Plans

userpic=fringeThe Hollywood Fringe Festival (FB) schedule is starting to gel. I’ve done some further planning over lunch, and here is how June stands. We are ticketing in two groups: this weekend (¹), and right after June 1st (²), to split the charges.

Saturday, June 3:

⇒ Unavailable to Fringe

Sunday, June 4:

⇒ Until 4p – Annual Gluten Free Expo | [K/R]
⇒ 6p – Hey Hollywood! My Hustle has ADHD | [D/K/R¹]
⇒ 8p – Robot Monster the Musical | [D/K/R¹]
⇒ 930p – Buffy Kills Edward: The Musical | [D/K/R¹]

Saturday, June 10:

⇒ 3p – The Heart Change – Ink Theatre | [D²/K²]
⇒ 5:30p – 86’d | [D/K]
⇒ 7p – Insuppressible: The Unauthorized Leah Remini Story | [D²/K²]

Sunday, June 11:

⇒ 3p – Five Guys Named Moe @ Ebony Rep | [D]

Saturday, June 17:

⇒ 1p – Pretty, Witty Nell | [D²/K²] (Poss. Canc.)
⇒ 3:30p – Zombie Clown Trump | [D/K]
⇒ 5:30p – Conversations ‘Bout The Girls | [D/K]
⇒ 7:30p – Inversion | [D/K]

Sunday, June 18

Fathers Day – Open

Saturday, June 24:

⇒ 11:30a – Hello Again, The Songs of Allan Sherman [D²/K²/R²]  (Maybe)
⇒ 3p – Slightly Off Broadway (Chromolume) | [D²/K²/R²]
⇒ 5:30p – Trump in Space | [D/K/R²]
⇒ 7p – The ABCs | [D/K/R²]
⇒ 9p – Reasons to be Pretty / Maxwelton | [D/K/R²]

Sunday, June 25:

⇒ 2p – Transition | [D/K]
⇒ 4p – Khant Hotel | [D²/K²]
⇒ 5:30p – Bachelorette by Leslye Headland | [D²/K²]

Note:

  • To see the full Fringe guide, click here.
  • There are those out there that I’ve bamboozled into thinking I’m a reviewer‡, and who want me to see their shows. In order to do so, (a) it would have to fit in the schedule above (including transit times between theatres), and (b) be agreeable to the boss (K), and if applicable, the pseudo-daughter (R). Ethics rules from work are ingrained in me: I do not take free tickets, but will gladly do half price or some other discount.

‡: I’m just a cybersecurity specialist who loves attending live performance, being an audience member, and telling my friends and others who read my blog about what I see, so they might see it as well.

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Hollywood Fringe Festival – Downselect Help Needed

userpic=fringe

I need your help in planning my Fringe schedule. The following was in my most recent theatre writeup about my plans for the Hollywood Fringe Festival (FB). I’m working on the schedule now. The shows of interest are as follows — however, the total for tickets is over $700, which is way too high. I need help paring down this list. Not all of these are currently in our schedule (¤ unscheduled as of now). If you know of any discounts for these shows, or have recommendations / disrecommendations, please let us know. Note that I’m generally restricted to Fringing on the weekends (living in the valley and working full-time).

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Theatrical Planning News

My last post dealt with some season announcements I was mailed. Here is some other theatrical news I’ve seen of late:

  • Allegiance. The George Takei musical Allegiance is coming to Los Angeles. I say George Takei, but he really didn’t write it: The show music and lyrics by Jay Kuo and a book by Kuo, Marc Acito and Lorenzo Thione. It was inspired, however by Takei.  It is coming to the East West Theatre: “Allegiance” is scheduled to run from Feb. 21 to April 1, 2018, at the Aratani Theatre in Little Tokyo.
  • Spamilton. Perhaps you couldn’t get — or couldn’t afford — tickets to Hamilton. Don’t worry. You can go to Spamilton instead. Spamilton is starting its National Tour at the Kirk Douglas Theatre, Nov. 5 through Dec. 31. Tickets will be $25 to $75, subject to change. Single tickets are not on sale yet.
  • A Noise Within. Pasadena’s A Noise Within has announced their 2017-2018 season. A lot of classics and good shows, but nothing that is strongly enticing to me. But it might interest you. The season is: A Tail of Two Cities; The Madwoman of Chaillot; Mrs. Warren’s Profession; A Christmas Carol; Henry V; A Raisin in the Sun; and Noises Off.
  • The Tour List. Two shows that got shut out of major — or any — Tony glory have announced tours: Willy Wonka and the Chocolate Factory, and Anastasia. These are both shows that would expect to show up in the Pantages 2018-2019 season.
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Thoughts on a Theatre Season: Actors Co-Op / VPAC

As I have received some more season announcements (this time, to theatres to which I subscribe), it’s time for another installment of season reviews.

First up, Actors Co-Op (FB), which has announced their 2017-2018 season, as well as this summer’s Co-op Too! series (which is included with subscriptions). Here is Actor’s Co-Op’s next season:

  • The 39 Steps (Sept 22 – Oct 29, 2017).  Adapted by Patrick Barlow from the novel by John Buchan and film by Alfred Hitchcock. And it is with those words, playwright Patrick Barlow has crafted a crazy, over-the-top spy novel-type mystery that will have you laughing and giggling and aha-ing! in your seat. This six-time Tony Award nominee comes to life with flashes of Hitchcock movies, sprinkles of Monty Python humor, and a good dose of romance to boot. We saw this back when it was on tour after winning the Tony at the Ahmanson. It will be interesting to see a small stage production of it.
  •  The Man Who Came To Dinner. (Nov 3 – Dec 17, 2017). By Moss Hart and George S. Kaufman.  Get in the Christmas spirit with this comedy classic of the nightmare holiday guest who never leaves—or so it seems. Ex-convicts in the dining room, penguins in the library, and thousands of cockroaches in the kitchen, are just a few of the fallouts from the visitor who outstayed his welcome. I’ve heard about this show, and heard the musical that was developed from it, but haven’t actually seen this.
  • A Walk In The Woods.  (Feb 9 – Mar 18, 2018).  By Lee Blessing. From beloved playwright Lee Blessing, comes a story of relationship between two arms negotiators and what happens when they step out of the war room and into the woods. A Walk in the Woods, produced in 1988, played on Broadway, and Time magazine called it one of the best dramas to hit the stage that year. I have a recollection of seeing this at the Pasadena Playhouse, but can’t confirm it.
  • A Man for All Seasons. (Apr 13 – May 20, 2018). By Robert Bolt. A man of remarkable integrity, Sir Thomas More placed ethics before power. To stand up to his country’s sovereign authority cost him everything, but today it offers us one of the most inspiring stories ever staged. Although I’ve heard of this play, I haven’t seen it.
  • Violet. (May 11 – June 17, 2018). Music by Jeanine Tesori, Book & Lyrics by Brian Crawley. Beginning in 1964 North Carolina, Violet rides a bus through the segregated South, to a TV evangelist in Oklahoma. She is convinced he can heal her scar, which was the result of a traumatic childhood accident. From American roots to folk to gospel, VIOLET is a powerhouse of music and theatre that will have you tapping your toes, slapping your knees, and wiping your eyes. We saw this as a minimalist Kelrick Productions a couple of years ago at the El Portal; it will be interesting to see how Actor’s Co-Op does it.

A season like this demonstrates why someone subscribes to a theatre: to see shows you might not normally purchase tickets for. Given my druthers, as you probably noticed, I tend to pick musicals. Season subscriptions — back at Rep East, Pasadena Playhouse, or The Colony Theatre in the day, or at Actors Co-Op now, gives the depth to the season to balance my personal breadth. Of course, it doesn’t hurt that the season prices are fantastic: $85 for 5 shows for “Early Bird” (in the first three weeks), or $110 for regular subscriptions. Here’s how to subscribe.

Oh, and it turns out the seasons include the Actors Co-op Too! Summer productions… meaning we get three more shows for our subscription dollar. Here are this summer’s shows:

  • The Voysey Inheritance. (June 23 – July 1, 2017). by Harley Granville-Barker, Adapted by David Mamet. Edward Voysey’s highly principled world upturns when he discovers the family business he is inheriting has been defrauding its clients for years. To compound matters, he quickly discovers his, scandal-fearing family knew of the crime but allowed it to continue rather than face the shame of public disclosure. Haven’t seen this; sounds interesting.
  • Ruthie And Me.  (July 14-16, 2017). Book and Lyrics by Karen Westcott, Music by Marylou Dunn. A musical comedy about a love story between a man and a woman, a mother-in-law and daughter-and-law, and a people and their God. Based on the story of Ruth and Naomi. Sounds interesting.
  • The Last Five Years. (July 28 – Aug 5, 2017). Written and Composed by Jason Robert Brown.Jason Robert Brown’s Drama Desk winning musical THE LAST FIVE YEARS ingeniously chronicles the five year-life of a marriage, from meeting to break-up and from break-up to meeting, showing the emotional struggle and deconstruction of a love affair. Seen this far too many times (Pasadena Playhouse, Rep East, ACT San Francisco), but it will be interesting to see yet another take on it.

In many ways, this is like REP’s 81 Series: Short run specialty pies. Should be Good.

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This brings us to our next season: The Valley Performing Arts Center (FB). They, too, have announced their 2017-2018 season. We typically do a mini-season with them: 5-8 shows out of the entire season. Here is their season, and whether I am likely to ticket:

  • Sat 9/16 | 7PM. AMADEUS LIVE. Richard Kaufman, Conductor. Los Angeles Chamber Orchestra. Members of the LA Opera Chorus.
  • Thu 10/12 | 8PM. Academy of St Martin in the Fields Chamber Ensemble. Korngold – Sextet for Strings in D Major. Shostakovich – Prelude and Scherzo for String Octet. Mendelssohn – Octet for Strings in Eb Major
  • Sat 10/14 | 8PM. Upright Citizens Brigade All-Stars.
  • Thu 10/19 | 8PM. To Ray with Love, Starring Maceo Parker Featuring The Ray Charles Orchestra & The Raelettes
  • Thu 11/2 | 8PM. Moscow State Symphony Orchestra. Pavel Kogan, Conductor. Dmitry Masleev, Piano. Rachmaninov – The Rock. Tchaikovsky – Piano Concerto No. 1. Scriabin – Symphony No. 2.
  • Sat 11/4 | 8PM. Flamenco Legends by Javier Limón: The Paco de Lucía Project
  • Sat 11/11 | 7PM. DIAVOLO: 25-Year Anniversary Marathon. Signature works from the company’s Past, Present, and Future.
  • Tue 11/14 | 8PM. The Sachal Ensemble. Song of Lahore.
  • Fri 11/17 | 8PM. Bernstein on Stage. John Mauceri, Conductor. New West Symphony .
  • Sat 11/18 | 8PM. iLe. Special Guest Gaby Moreno.
  • Sun 11/19 | 3PM. Imago Theatre. La Belle, Lost in the World of the Automaton
  • Thu 11/30 | 8PM. Anat Cohen Tentet. Musical Director, Oded Lev-Ari
  • Sun 12/3 | 3PM. Hansel & Gretel: A Wickedly Delicious Musical Treat. Musical by Justin Roberts & Ernie Nolan. Fairy Tale by The Grimm Brothers. Animation Director: Micah Chambers-Goldberg. Directed by Michael Matthews.
  • Wed 12/6 | 8PM. Eliot Fisk. J.S. Bach – Cello Suites
  • Fri 12/8 | 8PM. Michael Feinstein Holiday Celebration.
  • Sat 12/9 | 7PM. Fiesta Mexicana: Feliz Navidad.
  • Sun 12/10 3PM. Colburn Orchestra.
  • Sat 12/16 | 8PM. The Klezmatics. Happy Joyous Hanukkah.
  • Fri 1/19 | 8PM. Juan de Marcos and the Afro-Cuban All-Stars with Harold López-Nussa Trio
  • Sun 1/21 | 7:30PM. Leilah Broukhim. Dejando Huellas (Traces).
  • Thu 1/25 | 8PM. Cheech Marin Hosts an Evening of Comedy. 3rd Annual CSUN Alumni Performance.
  • Fri 1/26 | 8PM. The Royal Philharmonic Orchestra of London. Charles Dutoit, Artistic Director and Principal Conductor. Debussy – Petite Suite. Haydn – Cello Concerto No. 1 in C Major. Stravinsky – The Firebird.
  • Sat 2/3 | 8PM. KEIGWIN + COMPANY Celebrates Bernstein.
  • Fri 2/9 | 8PM. Step Afrika! Migration: Reflections on Jacob Lawrence.
  • Sun 2/11 | 3PM. MUMMENSCHANZ: you & me.
  • Fri 2/16 | 8PM / Sat 2/17 | 8PM. Cruzar la Cara de la Luna. Featuring Mariachi Vargas de Tecalitlán.
  • Wed 2/21 | 8PM. Danish String Quartet.
  • Sat 2/24 | 8PM. On the Waterfront, Film with Live Orchestra.
  • Sun 2/25 | 3PM. Dublin Irish Dance. Stepping Out
  • Thu 3/1 | 8PM. Miles Electric Band.
  • Sat 3/3 | 8PM. The Ten Tenors.
  • Sun 3/11 | 3PM. Yamato—The Drummers of Japan. Chousensha – The Challengers.
  • Thu 3/15 | 8PM. Academy of St Martin in the Fields. Joshua Bell, Director & Violin. A New Commission by Edgar Meyer.
  • Sun 3/18 | 3PM. Manual Cinema. The Magic City.
  • Fri 3/23 | 8PM. Billy Porter. The Soul of Richard Rodgers.
  • Thu 3/29 | 8PM. Kathleen Battle. Underground Railroad: A Spiritual Journey.
  • Thu 4/5 | 8PM. The Clayton-Hamilton Jazz Orchestra.
  • Sat 4/7 | 8PM. Aspen Santa Fe Ballet.
  • Fri 4/13 | 8PM , Sat 4/14 | 3 & 8PM, Sun 4/15 | 3PM | Rodgers & Hammerstein’s South Pacific. McCoy Rigby Entertainment & La Mirada Theatre.
  • Wed 4/18 | 8PM, Thu 4/19 | 8PM. Cécile McLorin Salvant.
  • Sat 4/21 | 8PM. ¡La Nueva Cuba! The Next Generation. Roberto Fonseca. Daymé Arocena. Pedrito Martinez Group.
  • Thu 4/26 | 8PM. Amir ElSar’s Two Rivers Ensemble.
  • Sat 4/28 | 3PM. LA Opera presents Great Opera Choruses.
  • Tue 5/1 | 8PM , Wed 5/2 | 8PM. Terence Blanchard. Breathless featuring The E-Collective.
  • Sat 5/5 | 8PM. Quetzal with Mariachi Flor de Toloache.
  • Sat 5/12 | 8PM. An Evening with David Sedaris.

Note that some of the shows we may opt not to ticket, if the total gets too high, and we might decide to include some of the shows.

 

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Thoughts on a Theatre Season: The Ahmanson Theatre

Just before Christmas 2016, I attempted to predict what shows would be presented in the next Pantages and Ahmanson seasons. At the beginning of February, the Pantages made their announcement about their 2017-2018 season (or at least what is left of it after Hamilton presents), and I gave my thoughts on it and assessed my predictions. Today, the Ahmanson Theatre (FB) gave a rough announcement of their season (with more details in the Playbill version), so let’s see what I think and how I did.

☛ 🎱 ☚

Back in December, I summarized the shows that I thought were going on tour based on the announcements that I had seen, and I predicted the following:

There are numerous other shows currently coming to Broadway that I expect to tour, but I think they would be 2018-2019 at best. So how do I predict the seasons to work out? Here are my predictions:

  • Ahmanson 2017-2018 Season: Deaf West’s Spring Awakening, The Humans, Something Rotten, Waitress, and possibly the Fiddler revival, Allegiance, or a pre-Broadway musical.
  • Pantages 2017-2018 Season: Disney’s Aladdin, School of Rock, Love Never Dies, Bright Star, Matilda, Miss Saigon, Les Miserables, Color Purple, and possibly On Your Feet.

☛ 🎱 ☚

So how did I do? The Pantages announced a six show season. Five of the six were on my Pantages list, one was on my Ahmanson list: Aladdin, School of Rock, Love Never Dies, The Color Purple, On Your Feet, and Waitress. So lets see how I did for the Ahmanson, based on what the Times has as their announcement:

  • Matthew Bourne’s The Red Shoes. September 15 – October 1, 2017.  An American premiere. Based on the Hans Christian Andersen tale that was adapted into the 1948 film and best picture Oscar nominee of the same name, “The Red Shoes” will be Bourne’s ninth project to come to the Ahmanson. Not on my list at all. I’m not a big ballet fan, nor a fan of Matthew Bourne.
  • Bright Star. October 11–November 19, 2017.  The folksy Steve Martin and Edie Brickell musical. I predicted this for the Pantages, but it balances Waitress which I predicted for the Ahmanson. This is something I want to see.
  • Something Rotten! November 21–December 31, 2017. The witty, giddy backstage crowd-pleaser set in Shakespeare’s time earned 10 Tony nominations in 2015, including best musical. Predicted for the Ahmanson. This is something I want to see.
  • Soft Power. May 3–June 10, 2018. A world premiere David Henry Hwang that work takes the form of a Chinese musical about present-day America. Originally commissioned for the Mark Taper Forum. Jeanine Tesori will join the creative team for this production, which starts as a contemporary play and time-shifts into a musical 100 years in the future.  I predicted a pre-Broadway musical. This may be it. Unsure based on the subject, but Tesori’s involvement makes it interesting.
  • The Humans. June 19–July 29, 2018. Stephen Karam’s one-act that won four Tony Awards last year including best play. I correctly predicted this for the Ahmanson. Not sure yet if I want to see it.

One production will be announced later (obviously, in the January 1, 2018 through April 30, 2018 time period, although that period could easily support two shows — so why it is dark for so long is unknown and uncharacteristic of the Ahmanson. I am disappointed that the Ahmanson is not mounting Allegiance, but perhaps they are in negotiation for the TBA slot. Spring Awakening is less likely for that slot, given it was at the Wallis Annenberg just before Broadway.

 

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Thoughts on a Theatre/Concert Season: Hollywood Bowl, Segerstrom Center, Theatreworks

Today was a day for a number of season announcements. I thought I would share my thoughts on them with you.

The Hollywood Bowl

I’m not going to go through the entire list of the Bowl season. But I am going to mention the shows of possible interest to me:

Segerstrom Center, Costa Mesa

This theatre is a bit far for us to travel to and subscribe, but for those in Orange County, it looks like a great season:

Broadway Series

  • Something Rotten!” Nov. 7-19, 2017. Set in the late 1500s, two brother playwrights are trying to write a hit play but their rival, the rock star writer Shakespeare, keeps getting all the attention. Thus, the concept of a musical was born.
    🎩 This hasn’t been in LA yet; given the Pantages has announced their season, I expect this at the Ahmanson.
  • Rodgers and Hammerstein’sThe King and I,” Feb. 27-March 11, 2018: The Tony Award-winning musical presents some of Broadway’s greatest numbers, including “Getting to Know You,” “I Whistle a Happy Tune,” and “Something Wonderful.”
    🎩 This played the Pantages in December 2016
  • Love Never Dies,” April 24 – May 5, 2018: Andrew Lloyd Webber’s sequel to the iconic “The Phantom of the Opera” tells the story of the Phantom and his new life in New York City.
    🎩 This is in the Pantages’ 2017-2018 Season, playing April 3-22, 2018
  • Hamilton,” May 8 – 27, 2018: Based on Ron Chernow’s biography of founding father Alexander Hamilton, the musical provides insight into the life of the West Indies immigrant who became George Washington’s right-hand man during the Revolutionary War. The hip-hop, jazz, and R&B score gives the musical a modern twist.
    🎩  This plays the Pantages from August 11 – December 30, 2017
  • School of Rock,” July 24 – Aug. 5, 2018: Featuring 14 songs by Andrew Lloyd Webber, the rock-and-roll musical tells the story of a wannabe rock star who poses as a substitute teacher and creates a band of his own with the music prodigies in his class.
    🎩 This is in the Pantages 2017-2018 Season, playing May 3 – 27, 2018
  • On Your Feet,” Aug. 21 – Sept. 2, 2018: From Cuba to America, Gloria and Emilio Estefan broke through barriers in the pop music world with hits songs like “Rhythm is Gonna Get You,” “Conga” and “Don’t Wanna Lose You Now.” The musical tells the story of the groundbreaking couple’s musical sensation journey.
    🎩 This is in the Pantages 2017-2018 Season, playing July 6 – 29, 2018

Curtain Call Series

  • Motown,” Dec. 19 – 24, 2017: The true American story about Motown founder Berry Gordy and his journey in the music world as he launched the careers of music sensations Diana Ross, Michael Jackson, Smokey Robinson and more. The pop musical features hits like “My Girl,” “Ain’t No Mountain High Enough” and “Dancing in the Street.”
    🎩 This played the Pantages January 31 – February 12, 2017
  • Kinky Boots,” Feb. 6 – 11, 2018: The multi-Tony Award-winning musical tells the story of Charlie Price, the owner of a small shoe factory, who meets Lola, an extraordinary performer who introduces him to new, creative ideas in the world of fashion and shoes.
    🎩 This played the Pantages April 13 – 24, 2016
  • The Color Purple,” June 19 – 24, 2018: The Tony Award-winning musical presents a soul, jazz, ragtime and blues score to the story of a young woman’s journey in love and triumph in the American South.
    🎩 This is in the Pantages 2017-2018 Season, playing May 29 – June 17, 2018

Bonus events

  • Jersey Boys,” Jan. 19-21, 2018: The Tony, Grammy and Olivier Award-winning musical about rock and roll hall of famers The Four Seasons and their rise in pop music history. The show presents hits like “Big Girls Don’t Cry,” “Rag Doll,” “Oh What a Night” and “Can’t Take My Eyes Off of You.”
    🎩 This plays the Ahmanson May 16 – June 24, 2017
  • The Book of Mormon,” March 20-25, 2018: South Park creators Matt Stone and Trey Parker’s Tony Award-winning musical comedy tells the story about two mismatched missionaries sent across the seas to share their scriptures with a Ugandan village.
    🎩 This plays the Pantages May 30 – July 9, 2017

All in all, a very good season. More information is on the Segerstrom website.

Palo Alto/Mountain View TheatreWorks

For those up in the Bay Area, I just received the TheatreWorks Season Announcement:

  • The Four Immigrants: An American Musical Manga. Jul 12–Aug 6, 2017, Lucie Stern Theatre, Palo Alto. Book, Music, & Lyrics by Min Kahng. Based on Manga Yonin Shosei by Henry Yoshitaka Kiyama. Translated as The Four Immigrants by Frederik L. Schodt. Directed by Leslie Martinson. WORLD PREMIERE. From a tumultuous earthquake to an exhilarating world’s fair, this broadly comic new musical chronicles the adventures of four endearing Japanese immigrants in a world of possibility and prejudice: turn-of-the-twentieth-century San Francisco. Driven by an infectious vaudeville and ragtime score, the quartet pursues their American Dream despite limited options in the land of opportunity. Don’t miss this runaway hit of our 2016 New Works Festival.
    🎩 This sounds potentially interesting — if I was up there, I’d go see it.
  • Constellations. Aug 23–Sept 17, 2017, Mountain View Center for the Performing Arts. By Nick Payne. Directed by Robert Kelley. London Evening Standard Award Best Play 2012. REGIONAL PREMIERE. A time-bending romantic drama spun out of string theory, this unconventional Broadway and West End sensation explores the infinite possibilities of “boy meets girl” with intelligence, heart, and humor. A charming beekeeper and a Cambridge cosmologist are nerds in love, for better and for worse, their relationship an ever-changing mystery of “what ifs.” Who knew that honey and higher physics could be so touching—or so sexy?
    🎩 C’mon, string theory in a play. Sounds good.
  • The Prince of Egypt. Oct 6–Nov 5, 2017, Mountain View Center for the Performing Arts. Music and Lyrics by Stephen Schwartz. Book by Philip LaZebnik. Directed by Scott Schwartz. WORLD PREMIERE in collaboration with Fredericia Teater, Denmark. A soaring celebration of the human spirit, The Prince of Egypt features a dazzling, multi-ethnic cast in one of the greatest stories ever told: the saga of Moses and Ramses, his Pharaoh brother, and the indomitable people who changed them both forever. Inspired by the beloved DreamWorks Animation film and featuring a score that includes the Academy Award-winning “When You Believe” by the composer and lyricist of Wicked, this breathtaking journey of faith and family is the must-see event of the season.
    🎩 A new Stephen Schwartz musical — could be good, although I’d be curious how he expanded the score.
  • Around the World in 80 Days. Nov 29–Dec 23, 2017, Lucie Stern Theatre, Palo Alto. Adapted by Mark Brown. From the novel by Jules Verne. Directed by Robert Kelley. Stampeding elephants! Raging typhoons! Runaway trains! Join fearless adventurer Phileas Fogg and his faithful valet in the original “Great Race,” circling the globe in an 1870s alive with danger, romance, and comic surprises at every turn. In the hilariously theatrical style of The 39 Steps, five actors portray dozens of characters in a thrilling race against time and treachery. Grab your family, and your passport, for an ingenious, imaginative expedition around the world!
    🎩 This is an oldie, but should be good.
  • Our Great Tchaikovsky. Jan 10–Feb 4, 2018, Mountain View Center for the Performing Arts. Music by Piotr Ilyich Tchaikovsky. Written and Performed by Hershey Felder. Directed by Trevor Hay. REGIONAL PREMIERE. Brilliant composer Piotr Ilyich Tchaikovsky springs to life through the hands and insight of piano virtuoso Hershey Felder, whose time-bending tale of culture and repression explores the mystery surrounding some of the greatest music ever written. From the unforgettable ballets Swan Lake, Sleeping Beauty, and The Nutcracker, to the outrageous 1812 Overture and the brilliant symphonic works, this powerful musical tribute travels to Czarist times to ponder the inevitable enigma of genius. From the creator and performer of Hershey Felder as Irving Berlin and Beethoven.
    🎩 Others might like this; I haven’t gotten into all the Hershey Felder shows.
  • Skeleton Crew. Mar 7–Apr 1, 2018, Lucie Stern Theatre, Palo Alto. By Dominique Morisseau. Directed by Giovanna Sardelli. A Coproduction with Marin Theatre Company. CALIFORNIA PREMIERE. A makeshift family of autoworkers navigates the recession in this funny, tough, and tender American drama. Will their Detroit plant survive? Ambitious dreams and corporate deception interweave, pushing friendships to the limit. When the line between blue collar and white begins to blur, how far over the lines is each of them willing to step?
    🎩 Sounds somewhat interesting.
  • The Bridges of Madison County. Apr 4–29, 2018, Mountain View Center for the Performing Arts. Book by Marsha Norman. Music and Lyrics by Jason Robert Brown. Based on the novel by Robert James Waller. Directed by Robert Kelley. 2014 Tony Award Best Score. REGIONAL PREMIERE. This sweeping musical romance about the roads we travel and the bridges we dare to cross recalls the unexpected affair of a devoted Italian-born housewife and a roving National Geographic photographer—four sensual, heart-stirring days that would never be forgotten. Set amidst the cornfields of Iowa in 1965, it is an intimate remembrance of love both lost and found, brilliantly adapted by a Pulitzer Prize-winning playwright and Tony Award-winning composer from one of America’s favorite novels.
    🎩 I saw the tour of this when it was at the Ahmanson, and I was very surprised at how much I liked it. TheatreWorks should do a good job with it.
  • FINKS. Jun 6–Jul 1, 2018, Mountain View Center for the Performing Arts. By Joe Gilford. Directed by Giovanna Sardelli. Drama Desk Award Best Play Nominee. CALIFORNIA PREMIERE. With the 1950s Red Scare in full swing, the House Un-American Activities Committee attacks “subversion” in the arts. When a romance blossoms between a rising comic and a firebrand actress, they face being blacklisted along with their friends and fellow artists. Will they lose their careers or betray each other and be branded forever as “finks”? Based on the true story of comedian/actor Jack Gilford, this stunning comic drama is written by his son.
    🎩 The story of Jack Gilford — should be interesting.

The season sounds interesting enough that if I was in the area, I might subscribe. Subscription information is on the TheatreWorks website.

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Thoughts on a Theatre Season: Pantages Theatre | Tabard Theatre Company

Just before Christmas 2016, I attempted to predict what shows would be presented in the next Pantages and Ahmanson seasons. Today, the Pantages made the announcement about its 2018 season (or most of it; there were no shows announced after September 2018). Curious about how I did? Read on! Additionally, I’d like to share some thoughts on a season announcement for a great Northern California theatre.

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Back in December, I summarized the shows that I thought were going on tour based on the announcements that I had seen, and I predicted the following:

There are numerous other shows currently coming to Broadway that I expect to tour, but I think they would be 2018-2019 at best. So how do I predict the seasons to work out? Here are my predictions:

  • Ahmanson 2017-2018 Season: Deaf West’s Spring Awakening, The Humans, Something Rotten, Waitress, and possibly the Fiddler revival, Allegiance, or a pre-Broadway musical.
  • Pantages 2017-2018 Season: Disney’s Aladdin, School of Rock, Love Never Dies, Bright Star, Matilda, Miss Saigon, Les Miserables, Color Purple, and possibly On Your Feet.

So how did I do? The Pantages announced a six show season. Five of the six were on my Pantages list, one was on my Ahmanson list. So I think I did pretty good. Here’s what was announced for the Pantages season. I’m sure they will have some fill-in shows to announce, but those might be more retreads:

  • Disney’s Aladdin, The Musical. January 10 – March 31, 2018. What is there to say? This is the upsized full-Broadway version. It is clearly a Pantages show that they expect to be a hit, given a 3 month run.
  • Andrew Lloyd Webber’s Love Never Dies. April 3-22, 2018. This is the sequel to Phantom of the Opera, which I wasn’t that crazy about. It has not played Broadway yet. I will admit I’m curious on this one, so I’ll give it a try. I was expecting they might program the long running tour of Phantom before this production, but they barely have time to do the load-out/load-in after Aladdin. They can’t even squeeze it in before Aladdin, as Hamilton ends on December 30, 2017, and Aladdin starts January 10.
  • School of Rock: The Musical. May 3 – 27, 2018. Currently on Broadway, and I enjoy the music quite a bit (and that is even with the knowledge that this is an Andrew Lloyd Webber show).
  • The Color Purple: The Musical. May 29 – June 17, 2018. This is the deconstructed and re-conceived revival that received such good reviews on Broadway; I haven’t listened to the album of this version yet. I’m looking forward to this.
  • On Your Feet: The Emilio and Gloria Estefan Musical. July 6 – 29, 2018. Surely to be a crowd-pleaser in Los Angeles. I’ve heard the music, and this should be good.
  • Waitress. August 2-26, 2018. This is the one show I had predicted for the Ahamanson instead, but I can see why the Pantages grabbed it — given it is the first musical by Sara Bareilles, it will bring in the kids. I’ve heard the music, and I’m looking forward to it.

A few additional notes: The Pantages has left very few holes for fill-in programming — really only the last week of April, and the latter half of June. There will be perhaps some pop-up concerts there, but a three-week run is unlikely. Expect them to add shows from September 2018 on, but that may be in their next season announcement. Regarding my predictions (which I’ll update), I think Bright Star might go to the Ahmanson. Matilda, Miss Saigon, and Les Miserables will likely wait for the 2018-2019 Pantages season instead — the first because it was already at the Ahmanson; the latter two because they are really more Pantages shows (plus Les Miz was already at the Ahmanson).

More details, and information on subscription packages, is here.

☛ 🎱 ☚

Back in 2014, we saw an excellent production of The Immigrant from Tabard Theatre Company (FB) in San Jose. A few weeks ago, I received their announcement of their 17th season, and all I can say is that if I lived in the area, it would be worthy of subscription. We may even drive up for one of the shows (Adrift in Macao), it’s that good. Here’s their season:

  • PETER AND THE STARCATCHER. September 15 – October 8, 2017. Written by Rick Elice. Music by Wayne Barker. Based on Dave Barry and Ridley Pearson’s novel “Peter and the Starcatchers”. Tony Award-winning play! Featuring a dozen actors portraying more than 100 engaging and unforgettable characters, through this play with music we learn how Peter Pan earned his flight credentials and how a mustachioed pirate became Captain Hook. — We saw the tour of this when it was at the Ahmanson, and it was great. This should be a smaller production, but this is a show well suited to that.
  • MOM’S GIFT. October 27 – November 19, 2017. Written by Phil Olson. Northern California Premiere! In this comedy with a heart, Mom has been dead for 11 months and shows up at her husband’s birthday party as a ghost with a mission. Like Clarence in “It’s A Wonderful Life,” she has to accomplish a task to earn her wings. Only what the task actually is, is a mystery. — We saw the world premiere of this at Group Rep, and it was excellent.
  • HOLIDAY AT THE SAVOY. December 1 – December 17, 2017 Created by Cathy Spielberger Cassetta & Gus Kambeitz. World Premiere! It’s December 1945, New York City — the first post-war holiday season at the famous Savoy ballroom in Harlem where singers, dancers, and musicians put on an exciting floor show filled with the swinging sounds and steps of the day in Savoy style. — I haven’t heard of this, but it sounds quite interesting with good music.
  • EVELYN IN PURGATORY. January 12 – January 28, 2018. Written by Topher Payne. West Coast Premiere! When a complaint is filed against one of the 70,000 teachers in New York’s public schools, they’re sent to a Reassignment Center. There, they sit and wait for their case to be reviewed. Based on real teacher “rubber rooms” in New York City, this surprising and engaging dramatic comedy follows five teachers one school year while they await their hearing. — Sounds like an interesting play. One of the reasons to subscribe to seasons is to see plays you might not normally go to on your own. This sounds like one of those.
  • THE MIRACLE WORKER. February 16 – March 11, 2018. Tony Award winner by William Gibson based on Helen Keller’s biography “The Story of My Life”. 20-year old Annie Sullivan embarked on a journey that would change the life of her charge, Helen Keller, who would, in turn, change the lives of others for generations. The Miracle Worker reveals the power of commitment and strength when the choice is made to reach beyond the understandable and tangible. — This is the play that made Patty Duke’s career. A classic. I haven’t see it in years, but it is a great story.
  • ADRIFT IN MACAO. April 13 – May 6, 2018. Book and Lyrics by Christopher Durang; Music by Peter Melnick. Bay Area Premiere! With a drop-dead funny book and shamefully silly lyrics and lethally catchy music, this fast-paced musical, set in 1952 Macao, China, lovingly parodies the Hollywood film noir classics of the 1940s and ’50s. — I have heard the music from this, and truly want to see the show. It hasn’t been done in LA, at least that I’m aware of. I may work a visit to the Bay Area in my schedule to go see this.

As I noted before, I’d subscribe for this season, it looks that good. They are just too far away for me. But perhaps not for you. Tabard is in San Pedro Square in downtown San Jose. Tabard’s pricing for Early Bird tickets (until May 17, 2017) isn’t that bad: between $69 for students to $205 for their “caberet” seating; $159 is the basic adult ticket, meaning about $26.50 a ticket. Subscription information is here.

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