Observations Along the Road

Theatre Writeups, Musings on the News, Rants and Roadkill Along the Information Superhighway

Helllllo Nurse! | “Animaniacs Live” @ La Mirada

Written By: cahwyguy - Sun Apr 16, 2017 @ 8:27 am PDT

Animaniacs Life (La Mirada)One of my fondest memories of my college days was an event the UCLA Computer Club organized (I have no idea how) when we brought Bill Scott and June Foray in to speak about Bullwinkle. So almost a year ago, when we saw that the La Mirada Performing Arts Center (FB) was bringing in Animaniacs Live, we were sold (and a good thing, because the show did sell out). Last night was the show, and we had a blast.

For those unfamiliar with the series, Animaniacs was part of the resurgence of Warner Brothers animation on TV in the early 1990s, much of it the brainchild of Tom Ruegger (FB). This resurgence started with Tiny Toon Adventures, and continued with the spinoff Pinky and the Brain (a personal favorite) and Freakazoid!.

The new stage show, Animaniacs Live, consists primarily of Randy Rogel (FB) and Rob Paulson (FB) telling stories about the making of the show, and singing songs from the show, backed by a large orchestra (in the show we saw, the La Mirada Symphony Orchestra (FB)).  Rogel was one of the main composers (music, lyrics) of songs on the show; Paulson voice Yakko, Dr. ScratchandSniff, and numerous other characters. Depending on availability, they bring in other principals and voice talent from the show. In the La Mirada shows, this included Jess Harnell (FB) who voiced Wakko, and Tress MacNeille who voiced Dot¹. Also featured were Steve Bernstein (FB) and Julie Bernstein, who were involved in the original scoring of the show and some of the music numbers (Steve conducted the orchestra for a few songs, and Julie provided some background vocals), as well as someone whose name I don’t remember in the orchestra. Additionally, it turned out the both creator Tom Ruegger (FB) and director Andrea Romano were in the audience for our performance.

[¹: When Rogel introduced MacNeille, he said she was the most prolific female voice actor and was behind the most characters. I do beg to differ on that one: I think June Foray was, but I’ll give MacNeille second 🙂 ]

The show consisted of two acts, followed by a question and answer session. During the two acts, Rogel and Paulson sang songs from the show (occasionally along to animated clips), with Harnell and MacNeille occasionally joining them. These four exhibited very different personalities. Rogel and Paulson were as reasonable and normal as anyone associated with animation would be 🙂 — in other words, normal suits, normal personalities, great stories, wonderful rapport with both the audience and each other. This likely befits their nature as actors first. Harnell had an outsized adult personality like a rock musican, coming out in a different glitter suit each time. MacNeille seemed a lot more shy on stage — seeming to prefer her characters more than letting the real Tress out.

I did not keep a full set list, but here’s what I recall. This is certainly not in order:

  • Yakko’s World
  • Yakko’s Universe
  • Wakko’s America
  • I’m Mad
  • The Planets
  • I’m Cute
  • La Dot
  • L.A. Dot
  • History of War
  • A Quake! A Quake!
  • There’s Only One Of You
  • Hello Nurse!
  • Variety Speak
  • Noel
  • Pepper in the Pot (History of the Spice Trade)
  • All the Plays of Shakespeare
  • Animaniacs

One last thing that cracked me up: During the Q&A, Paulson was asked about his favorite thing from the show, and he related Pinky’s non-sequitur reponses. He then asked the questioner to ask him what his was pondering. His response: “If Susan B. Anthony and Ann B. Davis, then who Bea Arthur?”

Still cracks me up.

All in all, a wonderful show. If you get a chance to catch it in your city, do so.

 🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Next weekend brings Sister Act at Cabrillo Music Theatre (FB). The last weekend of April brings the Renaissance Pleasure Faire on Saturday, and the new musical The Theory of Relativity at Harter Hall/Charles Stuart Howard Playhouse (FB) on Sunday. Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB), and hopefully Five Guys Named Moe at Ebony Repertory Theatre (FB).  As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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A Swinging Good Time | Doc Severinsen at VPAC

Written By: cahwyguy - Sat Apr 15, 2017 @ 7:31 am PDT

Doc Severinsen and his Big Band (VPAC)If you haven’t figured it out by now, I like music and live performance. As I’ve gotten older, I find a read less, but treasure music and performance more. As for what type of music, the answer is simple: all. I can find performers in almost every musical genre that I love (yes, even rap). I go to theatre seasons and plays and musicals to fulfill my need as an audience member to see stories on stage. I go to venues such as the Valley Performing Arts Center (VPAC) (FB),  McCabes (FB),  and the Hollywood Bowl to satisfy my musical live performance needs.

Thursday night saw us at VPAC for the penultimate show of our mini subscription: A celebration of Doc Severinsen and his Big Band on the occasion of his upcoming 90th birthday. For the youngsters out there, Doc Severinson was the long time band leader on the Tonight Show with Johnny Carson, from 1962 until the show ended in 1992. No, not the version with Jimmy Fallon. Not the version before that with Conan O’Brian. Not the version before that with Jay Leno. The long running version that actually had a big band.

Doc actually opened VPAC in… well, whenever it opened. It was Doc that did the first show and helped them tune the hall.

Thursday nights show was pure big band and swing. Doc was joined on a few songs by his vocalist, Vanessa Thomas. He was also joined, at times, by a violinist who was not listed in the program. His band consisted of:

I’ll note that a number of these musicians are also involved with Gordin Goodwin’s Big Phat Band (Goodwin is also a graduate of CSUN’s jazz program).

The program was straightforward big band jazz:

  • The Johnny Carson Theme
  • I Want To Be Happy
  • September Song
  • Singing in the Rain
  • When You’re Smiling
  • Georgia on My Mind
  • Isn’t She Lovely?
  • Jumping at the Woodside

(Intermission)

  • [Song I didn’t recognize]
  • Things Aren’t The Way They Used To Be
  • Happy Birthday Papa Doc
  • Mood Indigo
  • Secret Love
  • Every Day I Have the Blues
  • 1 O’Clock Jump

I’ll note this is very similar to their 2016 program on the website. This means the song I didn’t recognize was likely Dizzy Gillespie’s “Night in Tunisia.”

This was truly an enjoyable program. It is also remarkable to see Severinsen still doing this — touring and blasting away with his trumpet — at age 90.

 🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Tonight brings Animaniacs Live at the La Mirada Performing Arts Center (FB). That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). The last weekend of April brings the Renaissance Pleasure Faire on Saturday, and the new musical The Theory of Relativity at Harter Hall/Charles Stuart Howard Playhouse (FB) on Sunday. Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB), and hopefully Five Guys Named Moe at Ebony Repertory Theatre (FB).  As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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A Folk Classic Returns to the Stage | Tom Paxton @ McCabes

Written By: cahwyguy - Sun Apr 02, 2017 @ 8:48 am PDT

Tom Paxton and the DonJuansWhen last we saw Tom Paxton (FB) — that is, in September 2015 — he had announced he was stopping touring except for special events. As with many other groups, the farewell tour wasn’t. Tom went on tour again this year, together with two of his collaborators, Don Henry (FB) and Jon Vezner (FB) — the Donjuans (FB). Last night, they were at McCabes (FB) in Santa Monica, so naturally we were there (after rushing over from our matinee of Cat’s Paw in Hollywood).

Before the usual song list, a few observations. One would have expected given the Orange-Colored Man in the White House, there would have been some pointed observations from Tom. There were none. I don’t know if it was the presence of the Donjuans, disgust at the current political situation, or lack of focus on the “short shelf life” songs, but Trump did not inspire Tom as Bush 43 did. The political commentary was sorely missed.

The Donjuans started off the show, and then accompanied Tom throughout. I enjoyed their opening, although my wife didn’t. They had a few mistakes and joked about this being their first tour, although their Facebook page belies that claim. I am interested in ordering their album when it comes out.

Noel Paul Stookey (FB) [who we saw recently in Thousand Oaks] was in the audience, and he joined Tom on one song. Alas, he didn’t perform Impeachable.

It should note that shortly before the show, Tom was involved in an accident. As the papers reported:

Folk legend Tom Paxton was miraculously unhurt after he fell backward down an escalator at Penn Station.

The 79-year-old “Ramblin’ Boy” singer, who received a Grammy Lifetime Achievement Award in 2009, tells us, “I was going up normally and I felt myself pulled back and I couldn’t stop it. It was scary as hell. They stopped the escalator and got me on my feet and I was good to go.”

Joking, he said, “I’m a little old for that kind of dive. By the degree of difficulty, I hoped for higher scores . . . I’m just glad I didn’t make the obits today.”

While he amazingly escaped serious injury, aside from bloody hands, he did crack the head of his Martin guitar.

As a result, Tom occasionally used finger picks. There were also some songs in which he stood back and just sung. I don’t know if this was due to the accident.

The show consisted of the following songs (* indicates new for this year; ♫ indicates songs from his new album, Boat in the Water; 🎸 indicates songs performed by the DonJuans; 🎼 indicates songs written by the DonJuans (or members thereof); 🎙️ indicates songs unrecorded (either on YouTube or on an album)):

Act I Act II

 The DonJuans

Left It On The Plane 🎼🎙️
Is Love 🎼
Garden of the Dead 🎼
Where’ve You Been 🎼

Tom Paxton and the DonJuans

How Beautiful Upon The Mountain
Boat in the Water *♫
If The Poor Don’t Matter
Whose Garden Was This?
And If It’s Not True
Bottle of Wine

 Tom Paxton and the DonJuans

Did You Hear John Hurt?
The Mayor of MacDougal Street
It Takes All Kinds of Kinds 🎼🎸
This Old Town 🎸
Eleanor’s Song 🎼♫*
All The World Is Green *🎼🎙️
Susie Most of All *
Has Anybody Seen Amy? 🎸
Last Thing on My Mind
Ramblin’ Boy (w/Noel Paul Stookey)
What’s So Bad? *🎼🎙️
Dream On, Sweet Dreamer 🎼♫*

As I wrote last year:  McCabes (FB): The challenge is up to you. You now need to book some new favorites, such as the Austin Lounge Lizards (FB) or Blair Crimmons and the Hookers (FB).

 🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Today brings the Colburn Orchestra at the Valley Performing Arts Center (VPAC) (FB). The weekend of April 8 brings Kurt Vonnegut’s The Sirens of Titan at Sacred Fools Theatre (FB). Mid-April brings Doc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13, followed by Animaniacs Live at the La Mirada Performing Arts Center (FB) over the weekend. That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). The last weekend of April has two holds: one for the Renaissance Pleasure Faire, and one for Uncanny Valley at ICT Long Beach (FB) [we’re just waiting on Goldstar]. Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB), and hopefully Five Guys Named Moe at Ebony Repertory Theatre (FB).  As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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Singing Truth to Power | Peter Yarrow & Noel Paul Stookey @ TOCAP

Written By: cahwyguy - Sat Feb 18, 2017 @ 7:44 am PDT

Peter Yarrow and Noel Paul Stookey (TO Civic Arts Plaza)If you haven’t figured it out by now, we don’t only go to theatre. We go to concerts — folk, jazz, classical, eclectic. But my first musical taste — the first artists that I truly said were my favorite — were Peter, Paul, and Mary (FB). I still have fond memories of going to see them at the Hollywood Bowl in the 1980s and the Universal Amphetheatre in the 1990s. We last saw them in Los Angeles shortly before Mary got sick, in the early 2000s. After Mary’s passing, we saw them mostly as solos: a solo concert by Peter at UJ (AJU) back in 2009, and Noel Paul’s regular appearances at McCabes Guitar Shop (FB) (first in 2011, and most recently in 2015). Our understanding of the folk community has broadened to all the artists from the era that begat PP&M, and we’ve seen and grown to understand the traditions and the music better. But at the heart of it all — the seed that started it — was Peter, Paul, and Mary.

So when I saw that this year’s appearance of Noel Paul Stookey (FB) in Southern California was a much larger concert that he typically does, and it was together with Peter Yarrow (FB), I naturally had to get tickets — without even waiting for Goldstar. It is for a group such as this and artists such as this that we braved the storm that some groups named “Lucifer” to get out to the Thousand Oaks Civic Arts Plaza (FB) [where we normally go for Cabrillo Music Theatre (FB)] for the first concert in a tour of Peter and Paul. I was looking forward to seeing Noel Paul again, possibly seeing if Peter had actually released a new album, and getting some good commentary on the election.

I’m pleased to say that I wasn’t disappointed. The show, on the whole, was wonderful. The music was something that wrapped you in a warm embrace; the PP&M audience is a family that loves each other through shared music and shared values. There were just a few off notes, but on the whole it was worth braving the storm.

Before I go further, here’s the all important song list. Unless indicated by links, all songs are either from PP&M albums or Paul’s solo albums; I have links for some new ones.

Act I:

  1. Weave Me The Sunshine
  2. Inch by Inch (The Garden Song)
  3. Puff the Magic Dragon
  4. Deportee (Plane Wreck at Los Gatos)
  5. Medley:  This Little Light of Mine ⫽ Down By The Riverside ⫽ I Woke Up This Mornin’ With My Mind Set On Freedom ⫽ Oh, Freedom
  6. Don’t Laugh at Me
  7. Where Have All The Flowers Gone?
  8. Have You Been to Jail for Justice?
  9. Light One Candle

Act II:

  1. America the Beautiful (Noel Paul)
  2. Impeachable (Noel Paul)
  3. One and Many (Noel Paul)
  4. The Children Are Listening (Peter)
  5. Lift Us Up (Peter)
  6. The Kid
  7. Leaving on a Jet Plane
  8. If I Had a Hammer
  9. Blowin’ in the Wind
  10. This Land is Your Land
  11. Goodnight Irene

Now, some impressions of the show:

  • It pains me to say it, but I think Peter is starting to lose it at little. The passion is still there 120%. The heart and soul and spirit are strong. The voice is just slightly diminished. However, the recall is a bit worse than when we last saw him in 2009. There were points where he had trouble with lyrics, and there was much more verbal hesitation in his patter. It is an unfortunately common situation as we get older; still, it is a bit of sadness to see.
  • Tom Paxton likes to say that it is OK to look back, as long as you don’t stare. There were times during this concert that the nostalgic aspects overwhelmed. Perhaps I’ve gotten used to Tom’s concerts and Noel Paul’s concerts where there is always new material. All the joint material was older material; one got the feeling that they were playing for the nostalgia (and the audience was there for that). This got better in the solo songs in the second act that touched on more topical material.
  • As both noted from the stage, Mary’s voice was there even though the body wasn’t. For me, it was loudest during “Have You Been to Jail for Justice?”, but I’m sure others heard them in her head at various points. It is a voice that is missed, especially with our current administration. You know Mary would be out there being in 45’s face.
  • One could easily see how each artist came to their political stridency from different places. Peter is clearly from the Jewish Wobbly tradition. Noel Paul comes from the true Christian side: love for one’s fellow man, doing right for those who are unable to speak for themselves. I’m not Christian, but Noel’s Christian passion is “walking the walk”, and is what I view as admirable Christianity. The important message is that we can all come with our passion to improve the world from different places — the important thing is to have and nurture that passion, and to do something based on that passion, even if it is just sitting and singing to power.
  • The most powerful portion of the show was the top of Act II: the solo sections. It made the clear impression that our children are learning from what is going on in Washington that bullying and other forms of idiocy are acceptable. We need to combine together as multiple candles creating a large flame to speak to power — to say that this is not OK, that this is not America. It is our responsibility to speak up, to fight unjust leaders and those that abuse power. This is why folk music is still relevant today.
  • Of course, it was great to hear Noel Paul do his extra verses of America The Beautiful. It was even nicer to hear the rarely done 4th verse of This Land is Your Land.
  • The PP&M audience is definitely getting older. Getting in and out of the parking lot was dealing with a bunch of moss-backed old-farts. We normally don’t have that traffic backup at the Kavli when we go to Cabrillo shows.

All in all, however, it was a great show. I look forward to the next time Noel Paul is in town, and to Tom Paxton’s upcoming show at McCabes.

 🎸 🎸 🎸

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Sunday brings the in-theatre broadcast of the Broadway musical Allegiance – A New Musical (recorded on Broadway) at the AMC Promenade. The last weekend in February brings Finding Neverland at the Hollywood Pantages (FB). March quiets down a bit — at least as currently scheduled — with the MRJ Man of the Year dinner,  Fun Home at the Ahmanson Theatre (FB) at the beginning of the month, Martha, a one-woman play on the life of Martha Graham (a good preparation for our May VPAC show of her dance group), at the Whitefire Theatre (FB) in the middle, and An American in Paris at the Hollywood Pantages (FB) at the end of the month. April starts with Cats Paw at Actors Co-op (FB) and a concert with Tom Paxton and the DonJuans at McCabes Guitar Shop (FB) (shifting Cats Paws to an afternoon matinee that day). The next day brings the Colburn Orchestra at the Valley Performing Arts Center (VPAC) (FB). The next weekend is currently open (and will likely stay that way). Mid-April brings Doc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13, followed by Animaniacs Live at the La Mirada Performing Arts Center (FB) over the weekend. That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB). As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

P.S.: Mostly so I can find it later, here’s my predictions of what will go on tour and where they will end up. The Hollywood Pantages (FB) announced their 2017-2018 season (which was the rest of 2018, after Hamilton took over the last 5 months of 2017) on February 7th. You can find my reaction to it here. Now we just need to see what the Ahmanson Theatre (FB) will do.

 

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Life in Harmony | Manhattan Transfer and Take 6 @ VPAC

Written By: cahwyguy - Fri Feb 10, 2017 @ 11:35 am PDT

The Summet - Take 6 and the Manhattan Transfer (VPAC)One of the advantages of concert reviews is that they are much easier to write. There’s no plot; no story. Nothing to analyze or compare and contrast. No incredibly large ensemble to write up (usually). There’s not even a requirement to write up a set list, especially if I am less familiar with the group’s repertoire to know the names of every song. I can just sit back and enjoy the music.

That’s what I did last night at “The Summit: Take 6 and the Manhattan Transfer” at the Valley Performing Arts Center (VPAC) (FB) at CSUN. Sit back and listen to the rhythms and the harmonies. It was a delight.

I’ve known about The Manhattan Transfer (FB) for years, going back to when I was a subscriber at KCRW and Tim Hauser was programing one of their “becomes Eclectic” shows (I want to say “Morning Becomes Eclectic”). Hauser founded the group, and I think I became aware of them in their post-1970s version with Tim Hauser, Alan Paul, Janis Siegel and Laurel Massé (later replaced with Cheryl Bentyne). After Hauser’s death, Trist Curless replaced him. The Paul / Siegel / Bentyne / Curless configuration was the configuration we saw last night.

On the other hand, I was unfamiliar with Take 6 (FB). Take 6 is an  a cappella gospel music sextet formed in 1980. It consists of Claude V. McKnight III, Mark Kibble, David Thomas, Joey Kibble, Khristian Dentley, Alvin Chea. They had some remarkable vocal qualities, including Chea’s ability to become the best bass you’ve ever heard.

In most shows with two artists, you often have one act with one artist, a second act with the other artist, and the two coming together for perhaps one or two songs. That wasn’t the case here. These two groups were obviously comfortable with each other, and kept switching it up: doing songs together, swapping members (for example, “A Nightingale Sang in Berkeley Square” was sung by the two ladies of MT and two of the men of T6). There were a few sequences done with each group alone, and there was one sequence where each group playfully sang some of the other groups songs. In short, they were having fun out there being playful with each other, and this fun was reflected into the audience.

I did not keep track of the songs to make a playlist. I know that MT did a number of there most popular songs — I remember them doing Tuxedo Junction, Route 66, Candy, Operator, Trickle Trickle, and Birdland. Being less familiar with T6’s songs, I can’t quite recall which ones they did. Both did a number of songs with audience participation. Again, playful and fun.

This is the type of jazz that I like: harmonies, melodies, swinging. There was also quite an element of traditional jazz in the scat and playing with the music and the melody. They packed quite a lot of fun into a single ~100 minute, one act show. If you like this style of music, I’d recommend this show strongly.

Their performance at VPAC was just for the one night, but they are playing tonight at the McCallum Theatre in Palm Desert, Saturday 2/11 at the Cerritos CenterSunday 2/12 in Wickenberg AZ, and Tuesday 2/14 in Tucson AZ. After that, according to their website, they are off to Florida, the Carolinas, and Virginia.  As for us, our next concert is Peter Yarrow and Noel Paul Stookey at the Thousand Oaks Civic Arts Plaza (FB) a week from tonight (February 17), and our next jazz is Doc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13.

🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Theatre continues this weekend with 33 Variations at Actors Co-op (FB). The third weekend of February brings Peter Yarrow and Noel Paul Stookey at the Thousand Oaks Civic Arts Plaza (FB) on Friday, February 17, with seeing Allegiance – A New Musical (recorded on Broadway) at the AMC Promenade on Sun 2/19. The last weekend in February brings Finding Neverland at the Hollywood Pantages (FB). March quiets down a bit — at least as currently scheduled — with the MRJ Man of the Year dinner,  Fun Home at the Ahmanson Theatre (FB) at the beginning of the month, and An American in Paris at the Hollywood Pantages (FB) at the end of the month. We may go see Martha, a one-woman play on the life of Martha Graham (a good preparation for our May VPAC show of her dance group), at the Whitefire Theatre (FB) on March 18 — we’re still planning that. April starts with Cats Paw at Actors Co-op (FB) and a concert with Tom Paxton and the DonJuans at McCabes Guitar Shop (FB) (shifting Cats Paws to an afternoon matinee that day). The next day brings the Colburn Orchestra at the Valley Performing Arts Center (VPAC) (FB). The next weekend is currently open (and will likely stay that way). Mid-April bringsDoc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13, followed by Animaniacs Live at the La Mirada Performing Arts Center (FB) over the weekend. That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB). As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

P.S.: Mostly so I can find it later, here’s my predictions of what will go on tour and where they will end up. The Hollywood Pantages (FB) announced their 2017-2018 season (which was the rest of 2018, after Hamilton took over the last 5 months of 2017) on February 7th. You can find my reaction to it here. Now we just need to see what the Ahmanson Theatre (FB) will do.

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