Observations Along the Road

Theatre Writeups, Musings on the News, Rants and Roadkill Along the Information Superhighway

Archive by Date: April 2nd, 2017

A Folk Classic Returns to the Stage | Tom Paxton @ McCabes

Written By: cahwyguy - Sun Apr 02, 2017 @ 8:48 am PDT

Tom Paxton and the DonJuansWhen last we saw Tom Paxton (FB) — that is, in September 2015 — he had announced he was stopping touring except for special events. As with many other groups, the farewell tour wasn’t. Tom went on tour again this year, together with two of his collaborators, Don Henry (FB) and Jon Vezner (FB) — the Donjuans (FB). Last night, they were at McCabes (FB) in Santa Monica, so naturally we were there (after rushing over from our matinee of Cat’s Paw in Hollywood).

Before the usual song list, a few observations. One would have expected given the Orange-Colored Man in the White House, there would have been some pointed observations from Tom. There were none. I don’t know if it was the presence of the Donjuans, disgust at the current political situation, or lack of focus on the “short shelf life” songs, but Trump did not inspire Tom as Bush 43 did. The political commentary was sorely missed.

The Donjuans started off the show, and then accompanied Tom throughout. I enjoyed their opening, although my wife didn’t. They had a few mistakes and joked about this being their first tour, although their Facebook page belies that claim. I am interested in ordering their album when it comes out.

Noel Paul Stookey (FB) [who we saw recently in Thousand Oaks] was in the audience, and he joined Tom on one song. Alas, he didn’t perform Impeachable.

It should note that shortly before the show, Tom was involved in an accident. As the papers reported:

Folk legend Tom Paxton was miraculously unhurt after he fell backward down an escalator at Penn Station.

The 79-year-old “Ramblin’ Boy” singer, who received a Grammy Lifetime Achievement Award in 2009, tells us, “I was going up normally and I felt myself pulled back and I couldn’t stop it. It was scary as hell. They stopped the escalator and got me on my feet and I was good to go.”

Joking, he said, “I’m a little old for that kind of dive. By the degree of difficulty, I hoped for higher scores . . . I’m just glad I didn’t make the obits today.”

While he amazingly escaped serious injury, aside from bloody hands, he did crack the head of his Martin guitar.

As a result, Tom occasionally used finger picks. There were also some songs in which he stood back and just sung. I don’t know if this was due to the accident.

The show consisted of the following songs (* indicates new for this year; ♫ indicates songs from his new album, Boat in the Water; 🎸 indicates songs performed by the DonJuans; 🎼 indicates songs written by the DonJuans (or members thereof); 🎙️ indicates songs unrecorded (either on YouTube or on an album)):

Act I Act II

 The DonJuans

Left It On The Plane 🎼🎙️
Is Love 🎼
Garden of the Dead 🎼
Where’ve You Been 🎼

Tom Paxton and the DonJuans

How Beautiful Upon The Mountain
Boat in the Water *♫
If The Poor Don’t Matter
Whose Garden Was This?
And If It’s Not True
Bottle of Wine

 Tom Paxton and the DonJuans

Did You Hear John Hurt?
The Mayor of MacDougal Street
It Takes All Kinds of Kinds 🎼🎸
This Old Town 🎸
Eleanor’s Song 🎼♫*
All The World Is Green *🎼🎙️
Susie Most of All *
Has Anybody Seen Amy? 🎸
Last Thing on My Mind
Ramblin’ Boy (w/Noel Paul Stookey)
What’s So Bad? *🎼🎙️
Dream On, Sweet Dreamer 🎼♫*

As I wrote last year:  McCabes (FB): The challenge is up to you. You now need to book some new favorites, such as the Austin Lounge Lizards (FB) or Blair Crimmons and the Hookers (FB).

 🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Today brings the Colburn Orchestra at the Valley Performing Arts Center (VPAC) (FB). The weekend of April 8 brings Kurt Vonnegut’s The Sirens of Titan at Sacred Fools Theatre (FB). Mid-April brings Doc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13, followed by Animaniacs Live at the La Mirada Performing Arts Center (FB) over the weekend. That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). The last weekend of April has two holds: one for the Renaissance Pleasure Faire, and one for Uncanny Valley at ICT Long Beach (FB) [we’re just waiting on Goldstar]. Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB), and hopefully Five Guys Named Moe at Ebony Repertory Theatre (FB).  As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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A Game That Could Be Played Today | Cat’s Paw @ Actors Co-Op

Written By: cahwyguy - Sun Apr 02, 2017 @ 8:07 am PDT

Cats Paw (Actors Co-Op)Yesterday, as part of my Aprils Fools “real or fake news” post, I linked to a real news article about planned cuts at the EPA: “The Environmental Protection Agency has issued a new, more detailed plan for laying off 25 percent of its employees and scrapping 56 programs including pesticide safety, water runoff control, and environmental cooperation with Mexico and Canada under the North American Free Trade Agreement.” In response, you could easily see an Eco-Terrorist taking someone hostage to protest these cuts and the damage done under them, especially when you consider that with a more limited budget, the EPA will be forced to make more questionable decisions about the communities in which they spend the little budget they do have. Decisions made by bureaucrats, with lives measured by actuaries and accounts.

Back in 1984, William Mastrosimone wrote a play — Cat’s Paw — about an unusual terrorist, one who is brilliant, articulate and who believes he is right. He updated this play in 2001, right after the 9/11 attacks. It is running until April 30, 2017 at Actors Co-op (FB) in Hollywood, and it is surprisingly relevant today (especially in light of the Trump administration EPA actions). The play tells the story of  an eco-terrorist (Victor) who blamed the EPA for an incident in which the water supply of a town was poisoned. He kidnapped an EPA official (David Darling), and masterminded a suicide bomb attack at the White House in which 12 senators were killed. This terrorist — excuse me, eco-warrior — has a television news reporter (Jessica Lyons) led to his lair by his follower, Cathy, so she can tell the world why he has done what he has done. Victor’s obsession is the destruction of the world’s water supply and, with it, the final destruction of the human race by pollution. When the reporter asks if he feels any guilt about the death of the innocent people, he replies that hundreds of innocent people die every hour because of what mankind is doing to its water supply and do the people responsible feel guilt for this? The cat and mouse game between the young woman reporter and Victor gets more and more tense, leading to a shocking and violent conclusion.

In a very interesting piece about the play in the acting script (reprinted in one theatre’s blog), the author writes:

Information is what enables us to make good decisions in a democracy – right? but the truth is that most of information is repetitive or useless; turn is most of us have a morbid curiosity that needs to be satisfied. By giving in to our need to see mayhem, we give more power to the terrorists. We are all part of the deadly triangulation between the acts of terror, the media coverage, and the viewing.

During her tenure as P.M., Margaret Thatcher advanced a thought that we have not heeded: “Democratic nations must try to find ways to starve the terrorist and the hijacker of oxygen of publicity on which they depend.”

Until we figure out how to stay free and still report the news, terrorist acts will involve two explosions. The primary explosion kills innocent people in the street. The secondary explosion occurs in the viewer’s mind, over and over again, as a neural pathway is created. Ring bell. Bring food. Dog salivate. News is not just reported anymore; it is designed for effect. The story is edited, parts subtracted, associations established with editing in other stories and/or expert opinions or carefully chosen public reaction. The fear we felt when we first saw the event on television can be conjured again and again, at will, in video replay, as news and entertainment slowly merge. Fear is reinforced. Fear makes us malleable, and caught between the act of terror and media coverage, we exist for a time in a state of impaired judgement.

Cat’s Paw connects to a number of ongoing discussions in the world today: What is our responsibility to ensure clean air, clean water, and a safe world to live in? When there are other economic priorities, is it reasonable to cut back on environmental protections (and endanger other innocent lives) out of a need for that money for other economic purposes? Who should make those decisions, and what should be their basis: science, economics, or actuarial science? What is the role of the media in all this — are they dispassionate observers reporting news in a neutral fashion, or are they manipulating what we see to make us feel and believe things? Are they playing up our fears — whether that is a fear of our leaders, or those who oppose them? All relevant questions — all great discussions.

Actors Co-op (FB) production of Cat’s Paw is an intense and gripping presentation of these questions and issues (if not a little heavy handed). It places you in that bunker with David Darling; it allows you to see the sausage-making that is Terrorism, and its manipulation of the story for particular purposes. Is it relevant today? Yes. Does it present a clear answer? No. One would hope that this excellent production raises the questions above for you, and sends you home to discuss and explore the issue further. This is what theatre can do: start a discussion.

Cats Paw (Cast)The Actors Co-op (FB) presentation of Cat’s Paw, tensely directed by Stephen Rothman (FB), stars Sean McHugh (FB) as the eco-warrior Victor and Deborah Marlowe (FB) as the reporter Jessica Lyons, supported by Ivy Beech (FB) as Cathy (one of Victor’s minions) and Vito Viscuso (FB) as David Darling (the hostage). All are strongly believable as their characters: their fears and pains and intent come across strongly. Staged in the small Crossley theatre with audience members on three sides, there are often small moments off on the side that speak to the powerful immersion of these actors in their characters. Just great performances.

Lauren Thompson (FB) was the understudy for Cathy, and was ever-reliable behind the scenes in the box office.

Director Rothman’s vision, realized by the Scenic Design of David Potts, places the audience in the bunker with the Earth Now activists. There are rough tables and chairs, graffiti, and shelves of realistic supplies and realistic weapons (all the work of Property Designer Lori Berg (FB)). The feelings of the bunker are amplified through the lighting design of James Moody (FB) and sound design of Adam R. Macias (FB). All this makes the audience part of the story, and amplifies its impact.  E.B. Brooks (FB)’s costume design also contributed to the feeling that these were real terrorists talking to a real reporter. Other creative and production credits: Collin Bressie (FB) [Fight Director]; Greyson Chadwick (FB) [Producer]; Heather Chesley (FB) [Artistic Chairwoman); Christian Eckels (FB) [Stage Manager]; David Elzer/Demand PR (FB) [Marketing/Publicity]; Selah Victor (FB) [Production Manger].

Cat’s Paw continues at Actors Co-op (FB) through April 30, 2017. Tickets are available through the Actors Co-Op website. Discount tickets may be available through Goldstar. An intense play, very timely, and well-performed.

 🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: The evening continued with a concert with Tom Paxton and the DonJuans at McCabes Guitar Shop (FB). Today brings the Colburn Orchestra at the Valley Performing Arts Center (VPAC) (FB). The weekend of April 8 brings Kurt Vonnegut’s The Sirens of Titan at Sacred Fools Theatre (FB). Mid-April brings Doc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13, followed by Animaniacs Live at the La Mirada Performing Arts Center (FB) over the weekend. That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). The last weekend of April has two holds: one for the Renaissance Pleasure Faire, and one for Uncanny Valley at ICT Long Beach (FB) [we’re just waiting on Goldstar]. Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB), and hopefully Five Guys Named Moe at Ebony Repertory Theatre (FB).  As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

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