A Disturbing Pattern

userpic=trumpA few articles in the political news today caught my eye, and appear to demonstrate a disturbing pattern:

  • A Pattern of “Yes” Men in his Administration. This news item from the NY Times describes how Pres. Trump overruled his newly minted secretary of state, Rex W. Tillerson, and rejected the secretary’s choice for his deputy at the department, Elliott Abrams, a conservative who had served under President Ronald Reagan and President George W. Bush. This leaves Tillerson without a trained assisted to help guide the first-time government official around the State Department headquarters. But what is really interesting is why Trump rejected him. According to the article, the rejection came after Trump learned of Mr. Abrams’s pointed criticisms of the president when he was running for president, the administration official said. Among those criticisms was a column headlined “When You Can’t Stand Your Candidate,” which appeared in May 2016 in The Weekly Standard. You don’t back Trump, you don’t get the job. Never a good sign when the President surrounds himself with “yes” men.
  • A Pattern of Nepotism for Advantage. In the same article was a discussion about how the leading candidate for Solicitor General, Charles J. Cooper, said he was withdrawing as a possible nominee for solicitor general of the United States “after witnessing the treatment of my friend Jeff Sessions,” who was approved as attorney general Wednesday evening after bruising attacks by Senate Democrats over his civil rights record. What’s interesting here is not the criticism issue from the Senate, but who is left. According to the article, “His withdrawal appears to leave George T. Conway, a New York lawyer who is married to Kellyanne Conway, a top White House aide, as the leading contender for solicitor general.” Let’s see, his Secretary of Transportation is married to Mitch McConnell. His Solicitor General would be marred to Conway. No problem there.
  • A Pattern with Judges. Also in the NY Times was an interesting op-ed from Sen. Chuck Schumer on Judge Neil Gorsuch. The article noted how the Judge refused to answer questions regarding his positions on various past cases, or even how the Constitution would be interpreted. From this, Schumer had a very interesting observation: “As I sat with Judge Gorsuch, a disconcerting feeling came over me that I had been through this before — and I soon realized I had, with Judge John G. Roberts Jr. He was similarly charming, polished and erudite. Like Neil Gorsuch, he played the part of a model jurist. And just like Neil Gorsuch, he asserted his independence, claiming to be a judge who simply called “balls and strikes,” unbiased by both ideology and politics. When Judge Roberts became Justice Roberts, we learned that we had been duped by an activist judge. The Roberts court systematically and almost immediately shifted to the right, violating longstanding precedent with its rulings in Citizens United and in Shelby v. Holder, which gutted the Voting Rights Act.”
  • A Pattern of Racism. An article on Vox explored why Pres. Trump keeps referring to Sen. Elizabeth Warren as “Pocahontas”. It is a reference to her run for Senate and a claim that she had been told she had Native American relatives in her past, but insufficient to claim membership in the appropriate tribe. Although Warren told the story, there is no record she ever tried to use that status to her advantage. The pattern here? According to Vox: “Trump’s use of this particular nickname combines several of his worst habits: his inability to let perceived insults slide, his bullying mockery of opponents — and most of all, his general cluelessness on race issues. Trump has decades of racist statements and behavior under his belt. He has a particularly bad habit of essentializing people based on their heritage or ethnicity. Just look at his repeated comments alleging that federal judge Gonzalo Curiel, who presided over two class action suits against Trump University, is biased against Trump because of his Mexican heritage. (Curiel is American, born in Indiana to Mexican immigrants.) Conflating all Native Americans with “Pocahontas” is another example of Trump’s racist habits.”Trump’s inability to discern the difference between Sen. Warren and Pocahontas is no accident,” Cherokee Nation citizen Mary Kathryn Nagle told MSNBC’s Adam Howard. “Instead, his attack on her native identity reflects a dominant American culture that has made every effort to diminish native women to nothing other than a fantastical, oversexualized, Disney character.”

Some of Trump’s patterns appear to be biting him in his orange tush:

  • Violations of the Logan Act. Federal law prohibits private citizens from conducting diplomacy with foreign nations. But, according to the NY Times, that is exactly what current National Security Advisor Michael Flynn did. Specifically, he discussed lifting of Russian Sanctions with Russia before his confirmation, while still a private citizen. Even more significantly, he lied about doing so to Congress, and apparently, so did VP Mike Pence.  From the article: “Federal officials who have read the transcript of the call were surprised by Mr. Flynn’s comments, since he would have known that American eavesdroppers closely monitor such calls. They were even more surprised that Mr. Trump’s team publicly denied that the topics of conversation included sanctions. The call is the latest example of how Mr. Trump’s advisers have come under scrutiny from American counterintelligence officials. The F.B.I. is also investigating Mr. Trump’s former campaign chairman, Paul Manafort; Carter Page, a businessman and former foreign policy adviser to the campaign; and Roger Stone, a longtime Republican operative.” Pence’s inclusion is interesting — it could provide the opportunity to impeach and remove Pence, get an acceptable replacement VP, and then get Trump removed or resigned. Worked for Richard Nixon.
  • Violation of Federal Ethics Law. Federal law prohibits administration officials from promoting or endorsing a private business. Yet that is exactly what Kellyanne Conway did when she told people to go buy Ivanka Trump’s products. She has supposedly been “counseled” about this. Related to this is the President’s behavior itself. The Stop Trading on Congressional Knowledge Act, or STOCK Act, was intended to close a loophole to prevent legislators from using nonpublic information for private profit or engaging in insider trading. But a lesser known section, 18 U.S. Code § 227, also restricts the president and vice president from using their office to influence or make threats about an employment practice of any private company, especially if it’s solely driven by partisan political feelings. The section of the law that applies is sufficiently broad, says Markovic, who has written on the Trump conflicts issues, to extend to other employment decisions such as vendors or independent contractors like Ivanka Trump.

It is interesting how the Obama administration was relatively scandal-free; certainly after months and months of investigations, nothing was proved. Here, there is loads of evidence of scandal — in just three weeks — but nary a single investigation. I guess it isn’t wrong if it is done by a member of your own party.

Yeah. Right.

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Life in Harmony | Manhattan Transfer and Take 6 @ VPAC

The Summet - Take 6 and the Manhattan Transfer (VPAC)One of the advantages of concert reviews is that they are much easier to write. There’s no plot; no story. Nothing to analyze or compare and contrast. No incredibly large ensemble to write up (usually). There’s not even a requirement to write up a set list, especially if I am less familiar with the group’s repertoire to know the names of every song. I can just sit back and enjoy the music.

That’s what I did last night at “The Summit: Take 6 and the Manhattan Transfer” at the Valley Performing Arts Center (VPAC) (FB) at CSUN. Sit back and listen to the rhythms and the harmonies. It was a delight.

I’ve known about The Manhattan Transfer (FB) for years, going back to when I was a subscriber at KCRW and Tim Hauser was programing one of their “becomes Eclectic” shows (I want to say “Morning Becomes Eclectic”). Hauser founded the group, and I think I became aware of them in their post-1970s version with Tim Hauser, Alan Paul, Janis Siegel and Laurel Massé (later replaced with Cheryl Bentyne). After Hauser’s death, Trist Curless replaced him. The Paul / Siegel / Bentyne / Curless configuration was the configuration we saw last night.

On the other hand, I was unfamiliar with Take 6 (FB). Take 6 is an  a cappella gospel music sextet formed in 1980. It consists of Claude V. McKnight III, Mark Kibble, David Thomas, Joey Kibble, Khristian Dentley, Alvin Chea. They had some remarkable vocal qualities, including Chea’s ability to become the best bass you’ve ever heard.

In most shows with two artists, you often have one act with one artist, a second act with the other artist, and the two coming together for perhaps one or two songs. That wasn’t the case here. These two groups were obviously comfortable with each other, and kept switching it up: doing songs together, swapping members (for example, “A Nightingale Sang in Berkeley Square” was sung by the two ladies of MT and two of the men of T6). There were a few sequences done with each group alone, and there was one sequence where each group playfully sang some of the other groups songs. In short, they were having fun out there being playful with each other, and this fun was reflected into the audience.

I did not keep track of the songs to make a playlist. I know that MT did a number of there most popular songs — I remember them doing Tuxedo Junction, Route 66, Candy, Operator, Trickle Trickle, and Birdland. Being less familiar with T6’s songs, I can’t quite recall which ones they did. Both did a number of songs with audience participation. Again, playful and fun.

This is the type of jazz that I like: harmonies, melodies, swinging. There was also quite an element of traditional jazz in the scat and playing with the music and the melody. They packed quite a lot of fun into a single ~100 minute, one act show. If you like this style of music, I’d recommend this show strongly.

Their performance at VPAC was just for the one night, but they are playing tonight at the McCallum Theatre in Palm Desert, Saturday 2/11 at the Cerritos CenterSunday 2/12 in Wickenberg AZ, and Tuesday 2/14 in Tucson AZ. After that, according to their website, they are off to Florida, the Carolinas, and Virginia.  As for us, our next concert is Peter Yarrow and Noel Paul Stookey at the Thousand Oaks Civic Arts Plaza (FB) a week from tonight (February 17), and our next jazz is Doc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13.

🎩 🎩 🎩

Ob. Disclaimer: I am not a trained theatre (or music) critic; I am, however, a regular theatre and music audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB), the  Hollywood Pantages (FB), Actors Co-op (FB), the Chromolume Theatre (FB) in the West Adams district, and a mini-subscription at the Valley Performing Arts Center (VPAC) (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Theatre continues this weekend with 33 Variations at Actors Co-op (FB). The third weekend of February brings Peter Yarrow and Noel Paul Stookey at the Thousand Oaks Civic Arts Plaza (FB) on Friday, February 17, with seeing Allegiance – A New Musical (recorded on Broadway) at the AMC Promenade on Sun 2/19. The last weekend in February brings Finding Neverland at the Hollywood Pantages (FB). March quiets down a bit — at least as currently scheduled — with the MRJ Man of the Year dinner,  Fun Home at the Ahmanson Theatre (FB) at the beginning of the month, and An American in Paris at the Hollywood Pantages (FB) at the end of the month. We may go see Martha, a one-woman play on the life of Martha Graham (a good preparation for our May VPAC show of her dance group), at the Whitefire Theatre (FB) on March 18 — we’re still planning that. April starts with Cats Paw at Actors Co-op (FB) and a concert with Tom Paxton and the DonJuans at McCabes Guitar Shop (FB) (shifting Cats Paws to an afternoon matinee that day). The next day brings the Colburn Orchestra at the Valley Performing Arts Center (VPAC) (FB). The next weekend is currently open (and will likely stay that way). Mid-April bringsDoc Severinsen and his Big Band at Valley Performing Arts Center (VPAC) (FB) on April 13, followed by Animaniacs Live at the La Mirada Performing Arts Center (FB) over the weekend. That will be followed on the penultimate weekend of April with Sister Act at Cabrillo Music Theatre (FB). Lastly, looking to May, the schedule shows that it starts with My Bodyguard at the Hollywood Pantages (FB) the first weekend. It continues with Martha Graham Dance and American Music at the Valley Performing Arts Center (VPAC) (FB). The third weekend brings the last show of the Actors Co-op (FB) season, Lucky Stiff, at Actors Co-op (FB). May concludes with Hello Again at the Chromolume Theatre (FB). As for June? Three words: Hollywood Fringe Festival (FB). That, barring something spectacular cropping up, should be the first half of 2017.

As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Better-Lemons, Musicals in LA, @ This Stage, Footlights, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves. Note: Lastly, want to know how to attend lots of live stuff affordably? Take a look at my post on How to attend Live Theatre on a Budget.

P.S.: Mostly so I can find it later, here’s my predictions of what will go on tour and where they will end up. The Hollywood Pantages (FB) announced their 2017-2018 season (which was the rest of 2018, after Hamilton took over the last 5 months of 2017) on February 7th. You can find my reaction to it here. Now we just need to see what the Ahmanson Theatre (FB) will do.

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