Day: July 9, 2016

Recently, I have seen various things that remind me of how society has changed since my youth — whether it is for the better, I’ll leave to you decide. It is markedly a loss of innocence and a growth of awareness.

• When I was up at camp Friday night, I noticed in the dining hall a brit that all campers had to sign. This evidently has been part of camp for the last (mumble) years since the current director came, and I think is it a good thing. It requires all campers to acknowledge that camp is a mutually supportive safe space, that embraces individuality. Back when I went to camp in the 1970s, we had that feeling (although there were a few bullies), and I believed that everyone came away with the impression that camp was a safe space. I certainly did, and I was one of the more individualist campers out there. But today we have to say it and remind people — a sad commentary on not only the prevalence of bullying, but the acceptance of bullying in some circles.
• Back in the 1960s, the Smothers Brothers had a routine about updating old musical standards that reflected societal mores no longer in vogue — the example I remember was the all-white MacNamera’s Band requiring integration. The other day I read a review of Beauty and the Beast in the Daily Cal that captured another thing people might have missed, best embodied by this paragraph: “At this point, most audiences — and, indeed most Americans — know the plot of “Beauty and the Beast”: Belle, a brilliant woman utterly suffocated by the patriarchy and her small town, escapes marrying a misogynistic, violent, entitled alpha male (Gaston), and ends up being held captive by another man in his castle. ” The reviewer goes on to castigate the show as outdated, but you’ll find a large number of Broadway successes (and even Shakespearean successes) have such equivalent dated values, from Merchant of Venice to How to Succeed to Flower Drum Song to … you name it. My comment is more on the increased awareness we have of these issues — our increased recognition of art that accepts violence and perpetuates stereotypes, or that appropriates culture. Again, a loss of innocence from our youth, but perhaps for a good reason.
• The third item is also from the Daily Cal, this time looking at the Venmo culture. Again, here’s the key paragraph: “Short Venmo transactions — supposedly aimed at discreet, cold-cut convenience — were enough to make me feel left out. Something about the nature of their publicized transactions screamed: “We don’t want to announce to the world that we hung out, but we still want you to see and imagine what we did.” And that’s when it struck me: We, as Millennials, have entered a whole new territory of humblebragging.” Through Facebook and Venmo and Twitter, we’ve entered the era where we regularly state our status by sharing our activities, humbling our friends who cannot afford such luxuries. I’ll admit I’m guilty of that with my theatre reviews — it is hard to know the balance. But again, the issue here is awareness — we’re increasingly aware of when privilege comes into play.
• That brings me back to camp. While at camp — with this increased sensitivity — I was realizing that most of our Jewish summer camps are camps of privilege — just due to the nature of the makeup of Judaism as predominately white. There are black Jews and hispanic Jews and Jews in lower socioecomic spectra, but what do we do to reach out to them to provide that camp experience — that safe shared space. If they came, would it be humble-bragging of our position? I don’t know, but it would be good to find a way to reach out.