The Course of a Relationship 👫 “Last Five Years” @ A.C.T. San Francisco

Last Five Year (ACT San Francisco)userpic=playbillComplexity in Simplicity. That’s a good way to describe the musical we saw last night: The Last Five Years (L5Y) by Jason Robert Brown (FB). Now L5Y would not be at the top of the list of musicals we would see this week if we could (42nd Street Moon’s The Most Happy Fella would have that spot). After all, we’ve seen it twice before: in 2006 at the Pasadena Playhouse, and in 2007 at the 81 seat REP East Playhouse. However, our daughter specifically asked to see it, and so off to the Geary Theatre we went. This did provide us with the opportunity to see the show in a large venue — Pasadena is mid-size, and REP was intimate.

The Last Five Years is a simple show in terms of story: there are two actors, and they rarely appear together. The show tells the story of the relationship between Jamie and Kathy. Kathy’s version of the relationship story is told backwards: from the breakup to when they meet. Jamie version is forward: from when they meet to the breakup. They are only together at the middle (the marriage) and the last scene (but that time their songs are separate). The story alternates between the two stories, and from it the audience gets the story.

Given this structure, the storytelling depends on two things: the performance and the music. Jason Robert Brown (FB)’s music has the JRB romantic musical sound (i.e., you’ll find that The Bridges of Madison County has a similar sound): deep, lush, emotive, and at times playful. There are some very beautiful songs in L5Y; there are some very funny songs; and there are some very poignant songs.

More than almost any other show I know, this show is a showcase for the actors and the directors. Good actors can make the show. Wooden actors can put you to sleep. I’m pleased to say that the performances at A.C.T. were wonderful — they were full of personality and character. When these actors were happy, you know it; when they were sad, it was clear. You could get a real sense of their personalities from their performances. For example, just look at Zak Resnick (FB)’s performance in “Shiksa Goddess”. It was playful, happy, bouncy, and full of character. Similarly, the emotion he brought out for “The Schmuel Song” was spectacular. He was paired with Margo Seibert (FB)’s Kathy. Again, this was a performance filled with personality, as demonstrated in both “A Summer in Ohio” and “I Can Do Better Than That”. Both were just a lot of fun to watch. Kudos to the director, Michael Berresse (FB), for keeping the production simple and for bringing out the personalities of the characters.

Jeffrey Brian Adams and Kelsey Venter were the understudies.

The six piece orchestra was under the music direction of Matt Castle (FB), who also played the piano. Accompanying him were Deborah Price on violin; Jessica Ivry (FB) on cello; Kelley Maulbetsch (FB) on cello; Schuyler McFadden (FB) on guitar; Dewayne Pate (FB) on bass. Kevin Porter (FB) was the music contractor.

Tim Mackabee (FB)’s scenic design of the production was simple. Some large scrims created walls that could move, and there were various establishing furniture pieces and props that would move on stage to indicate the particular scenic location.  This was complemented by the excellent lighting design of Robert Wierzel (FB), who used the lighting not only to establish mood but to punctuate songs and emotions. Kai Harada (FB)’s sound design was clear and crisp up in the mezzanine, which is something that can be difficult in a large theatre. Remaining production credits: Associate Lighting Designer – Paul Hackenmueller (FB); Costume Design – Callie Floor (FB); Casting – Janet Foster C.S.A. (FB); Stage Manager – Megan Q. Sada (FB); Assistance Stage Manager – Christina Larson. A.C.T. San Francisco is under the artistic direction of Carey Perloff (FB).

The Last Five Years continues at the American Conservatory Theatre (ACT) of San Francisco (FB) until June 5, 2016. Tickets are available through A.C.T. online. Discount tickets might be available through Goldstar or Theatre Bay Area.

A.C.T. San Francisco has announced their 2017 season, and one show caught my eye: Here Lies Love, running in June 2017. This is a musical by David Byrne, with music by David Byrne and Fatboy Slim, about Imelda Marcos. I’ve heard the music, and it is quite fun. I recommend it to those in the Bay Area.

* 🎭 🎭 🎭 *

Ob. Disclaimer: I am not a trained theatre critic; I am, however, a regular theatre audience member. I’ve been attending live theatre and concerts in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I currently subscribe at Cabrillo Music Theatre (FB) and the  Hollywood Pantages (FB); my subscription at  The Colony Theatre (FB) has gone dormant, and REP East (FB) has seemingly gone dark for 2016. Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: Next weekend brings Los Angeles: Now and Then (FB), a new musical at LA City College (FB) from Bruce Kimmel. The last weekend of May has HOLDs for the MoTAS Outing to the Jethawks, and for I Only Have Eyes for You at the Ricardo Montalbán Theatre (FB).

That brings us to June. June is the Hollywood Fringe Festival (FB), and I’ve already written about the shows I plan to see, as well as suggestions to the Fringe regarding viewing the audience as a customer. Our Fringe schedule is as follows:

Whew. July brings us back to conventional theatre, with Beautiful at the  Hollywood Pantages (FB) and the Western Corps Connection (FB) the first weekend, a HOLD for Grey Gardens at the Ahmanson Theatre (FB); the second weekend, The Little Mermaid at  Cabrillo Music Theatre (FB); the third weekend, Weird Al Yankovic at the Hollywood Bowl (FB) and Operaworks (FB) Opera Re-Constructed at CSUN; the fourth weekend, a mid-week Hollywood Bowl (FB) concert of Wynton Marsalis and Aaron Copeland, and a HOLD for Armadillo Necktie at The Group Rep (FB) the last weekend.  As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Bitter-Lemons, and Musicals in LA, as well as productions I see on Goldstar, LA Stage Tix, Plays411 or that are sent to me by publicists or the venues themselves.

 

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Chum for a Sunday Afternoon: Drums, Drives, Drugs, Dust, Dresses and More

Observation StewI’ve been on travel for my daughter’s graduation, and so I haven’t had a lot of time to write about the articles I’ve seen. I’ve got two themed collections of chum that I’ll write up after last night’s theatre review (not sure when I’ll post them). But first, here’s the stuff that wouldn’t theme, but that caught my eye:

  • Bang. Bang. Bang. Anyone who has attended Drum Corps, or likely even seen a band will recognize this name: Remo. The news in recent weeks included an obituary of the man behind the name: Remo Belli, who invented the synthetic drum head. Before Remo, drums were animal skins, highly variable. As the obituary notes: “Belli was a young professional drummer in the 1950s, backing singer Anita O’Day and others, when he grew frustrated with the limitations of animal-skin drumheads, which could wilt or expand depending on the weather. In 1957, he and his collaborators perfected and began marketing one of the first artificial drumheads made of a resilient polyester film manufactured under various brand names, including Mylar, made by DuPont. He dubbed that first product the Weather King, a signal that it was durable no matter the atmospheric conditions of the gig, unlike finicky cow-skin drums.” Since then, his product has become the standard.
  • Long Commute. This article caught my eye because it deals with Las Vegas and teachers. Specifically, there is a group of teachers who live in Las Vegas, and commute daily to teach in the small community of Baker, at the gateway to Death Valley. Why? Pay, of course. The starting salary for teachers in Baker is $44,000. In Las Vegas it’s $34,000, though it will be $40,000 next year after a new contract takes effect. At the same time teacher shortages are ravaging America’s cities, however, rural schools have arguably been hit hardest. Teacher turnover is high, and many small towns are finding it hard to attract teachers. While many are attracted to Baker because of the pay, they stay because the work is satisfying, the way teaching should be but often isn’t in large urban school districts. Class sizes are extremely small: compared with the 30-50 in the large school districts, we’re talking 4-10.
  • Hacking the Brain for Fun… and to Relieve Pain. In our life, pain is a constant. My wife deals with arthritis; I deal with migraines. What do you think we would do for a good solution for the pain? Here’s an intriguing direction: A group is playing with a non-chemical solution that involves hacking the Vagus nerve. The vagus nerve starts in the brainstem, just behind the ears. It travels down each side of the neck, across the chest and down through the abdomen. ‘Vagus’ is Latin for ‘wandering’ and indeed this bundle of nerve fibres roves through the body, networking the brain with the stomach and digestive tract, the lungs, heart, spleen, intestines, liver and kidneys, not to mention a range of other nerves that are involved in speech, eye contact, facial expressions and even your ability to tune in to other people’s voices. It is made of thousands and thousands of fibres and 80 per cent of them are sensory, meaning that the vagus nerve reports back to your brain what is going on in your organs. Research shows that a high vagal tone (strength of your vagus response) makes your body better at regulating blood glucose levels, reducing the likelihood of diabetes, stroke and cardiovascular disease. Low vagal tone, however, has been associated with chronic inflammation. Said inflammation has been connected with arthritis and migraines. This article talks about using an implant to stimulate the vagus nerve to reduce pain. Fascinating.
  • Pain and Empathy. Chemical painkillers  can be insidious. For example, we all believe Tylenol (acetaminophen, paracetamol in the UK) is safe; safer than aspirin or other NSAIDs. But there have been numerous reports that even the slight overdose can cause serious liver damage, and slight overdoses are easy because it is in so many products because it is believed to be safe. Here’s another danger from Tylenol: In research published online in the journal Social Cognitive and Affective Neuroscience, scientists from the National Institutes of Health and Ohio State University describe the results of two experiments they conducted involving more than 200 college students. Their conclusion: Acetaminophen, the most common drug ingredient in the United States, can reduce a person’s capacity to empathize with another person’s pain, whether that pain is physical or emotional. In fact, I’m on it right now (just took two Excedrin). Ask me if I care ;-).
  • It’s a Gas — Porter Ranch Causes . One group I do emphasize with are all the folks in Porter Ranch, the community next to where we leave. Not only did they have to deal with the Aliso Canyon gas leak for numerous months, being relocated and such, but they are still having problems even after the leak was sealed. They have now figured out why. Los Angeles County Public Health Department officials say its test of dust in Porter Ranch homes turned up the presence of metals, including barium, that could have caused the kinds of health symptoms some residents have reported experiencing even after the big gas leak was plugged. County officials said there appeared to be  a pattern — or fingerprint — of metals to which all of the homes were exposed. Those metals were barium, vanadium, manganese, lead, strontium and aluminum. The county health official said the barium was in the form of a salt known as barium sulfate, which is not radioactive. It was found at the Aliso Canyon Natural Gas Storage Facility, which is in the Santa Susana Mountains directly north of Porter Ranch homes. Barium sulfate is added to the fluids that are used in the course of oil well drilling. As I said when the leak first started, this is going to be a clusterf*ck of tremendous proportions — unfortunately, one that will affect our synagogue and many friends and neighbors.
  • Taking Offense at Everything. There are more folks these days that are just finding any hint of skin or sex offensive. We’ve all seen the bathroom wars, where a subgroup of men either believe that men will just choose to dress as a lady to go into a ladies restroom to attack women, or that some woman dressed as a man will go into the mens room and see their shortcomings. Here’s another one: a female weather reporter wearing a beautiful black beaded dress on-air was handed a grey cardigan because some viewers complained they could see her bare arms. This didn’t happen in some backwater area either — this was in Los Angeles folks. Geez, get a life folks. If something offends you, change the channel. If you can’t control your urges, that’s your problem. ETA: Then again, perhaps it was all a joke. Perhaps. ETA#2: Yes, it was a joke.
  • Cell Phones and Theatres. Here’s a very nice piece on Broadway vs. Cell Phones. It explains why they are such a problem. First, taking pictures is making copies of a copyrighted design (yes, the show and all the design elements are copyrighted, and represents significant artistic work). Second, the light these devices emit can distract the performers on the stage, and can distract and disturb other audience members. Thirdly, if they  make noise, the noise can do the same: distract and endanger performers, and disturb the audience. Power them off, or silence them and put them in airplane mode. Why the latter? The signals sometimes interfere with wireless microphones.
  • Replacing Ikea. In Burbank, California, Ikea is moving down the street to an even larger facility. So what is going to happen to the existing facility? What will happen to the dying mall next to it. A report this week gave the answer. Crown Realty is proposing to build a six-story, mixed-use project with 765 apartments and about 40,000 square feet of retail space on the ground level of the current Ikea space. They also envision converting the site into a community gathering area where an outdoor ice rink could be built and a farmers market could be held. As for the neighboring mall, one of the major proposed changes will be redesigning the entryway at San Fernando and Magnolia boulevards. A section of the second-floor roof will be removed to create an open-space feel and an escalator will be installed to allow pedestrians to get to the upper level from the street. Other amenities — such as the food court, children’s play area and elevators — will be moved around to create a better flow and atmosphere in the mall.
  • Yiddish in Poland. Lastly, in honor of my daughter’s graduation, here is a map of the Hebrew and Yiddish language frequency in Poland based on the Polish Census of 1931. Those of you who know her will understand.

 

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