And Then There Was One

Tom Faigin (Undated)userpic=father-and-sonSunday, I learned that my uncle, Tom Faigin, passed away at 4:30 AM. It wasn’t unexpected; but it is still a loss. As I did with my father when he died, I’d like to share a few remembrances.

When I think about Tom, first and foremost, I think about folk music. He was a musician at heart. He loved music. He taught music. He was at home playing a guitar, banjo, or mandolin. We shared that love (well, not playing, but of music — I can only play the cassette recorder). He introduced me to so many artists (especially when I digitized his record collection). I introduced him to a few. Although I could never play an instrument, I enjoyed listening to him play (and I’ll enjoy the one CD I have of him). We went to McCabes together a few times (I think he was the one that originally introduced me to Shep Cooke). We also had a lot of folk friends in common, for there are a large intersection between the folk communities and the cybersecurity communities.

He was also the political firebrand of the family. By that I mean that we had wonderful political discussion (especially as we were of a similar political bent). He was connected to the older labor-style Judaism that you don’t see these days. A Judaism more of action — and social action — than anything else. This also came through in the folk music.

In his later years, he was part of a musical group called the Geritones. His daughter is working on a documentary of the group. My memory of the Geritones is when they came to play for a membership recruiting day for Temple Beth Torah. They played a variety of old folk, Yiddish, and other Eastern European music.

I remember that he was an uncle my daughter loved as well. She loved to go over and visit, and as she got older and into Yiddish, they had another shared love. I also felt that her love of Yiddish was genetic, coming from my father and his father before him. Luckily, she was able to share her excitement of her trip to Eastern Europe with him. Alas, she wasn’t able to share her pictures after the trip.

His family suffered a loss a few years ago with the passing of his son, my cousin Nick. Nick, too, was an artist, and I think they shared that passion. Their musical tastes were different (and I’m not sure all understood), but art was in the blood.

He is survived by his wife, Ann, and his daughter Cece, and of course all of us cousins. Of the original four brothers (my father, Adrian; Herbert; Ron, and Tom), only my Uncle Ron remains. May he stay strong and healthy.

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You Out of Luck Today. Banks Closed.

[Today is Columbus Day, and, FYI, the banks are closed. Thus, it is all together fitting and appropriate to remind people why we do this… to give bankers 3-day weekends :-)]

In 1961, the humorist Stan Freberg issued Volume 1 of The United States of America, a musical telling of the founding of America through the Battle of Yorktown (Volume 2 goes through the end of World War I (“They’ll never be another war…”)). The first scene on Volume 1 relates the story of how the Indians discovered Columbus. As today is Columbus Day, I present a transcription of the scene:

 

NARR: 1492, Madrid. The Queen of Spain grants an audience to an obscure Italian sailor. There, in her chambers, plans are made destined to change the course of history.
COLUMBUS (CC): Alright, we’ll go over it once again. First you hock the jewels, you give me the money and I buy the ships. Then I discover the new world, you dump the king, and I’ll send for you.
QUEEN ISABELLA (QI): You say you’ll send for me, dahling, but will you?
CC: Look, we’ve been all through this before.
QI: I know, but really, you’re such a dreamer. You’ll go out there and sail right off the end of the world.
CC: I will not!
QI: You’re such a charming boy, dahling. Why don’t you forget all this? I’ll set you up with a nice little Fiat agency over in West Barcelona.
CC: I don’t want a Fiat agency!
QI: Then why don’t you go to art school like your friend, Da Vinci? I’ll put you through.
CC: If Lenny wants to starve to death, that’s up to Lenny. Me, I want to discover the new world, carry out my dream. (trumpet fanfare)

ANNOUNCE: His Majesty, King Ferdinand.

QI: (gasp) The King.
CC: Oh, sure, he’ll be at the inquisition all afternoon.
QI: Time just slipped away. Quickly, take the jewels and go, over the balcony. (door opens)
CC: Too late.

QI: Good afternoon dear. How was the inquisition? Amusing?
KING FERDINAND (KF): Dullsville. Same old… say, who’s that?
QI: You remember Christopher Columbus.
KF: You mean old “round, round world”. (laughs). You and your Bohemian friends.
QI: He’s not Bohemian, he’s Italian.
KF: Italian, Bohemian. Look at him in that hat. Is that a crazy sailor?

QI: Crazy? I’ll tell you how crazy. He’s a man with a dream, a vision. A vision of a new world, whose alabaster cities gleam, undimmed by human tears. With purple mountains magestied above the 2 cents plain
CC & KF: (fruited)
QI: Fruited. He holds these griefs to be self-evident, this “round, round world” with Indians and justice for all. Let us then go forward together toward Miami Beach, so that the dream of this crazy Italian boy, indivisible, should not perish from the map. (cheers from crowd)

CC: Is that moving? Was that a great bit?
KF: I always said this girl had a lot of…Wait a minute! I ask a simple question, I get a pageant. Why should Spain sponsor you? Why don’t you go to Portugal?

CC: I did—they bought “The Price is Right”
KF: Oh.

CC: Then I have your permission to sail?
KF: Have you had your shots?
CC: I have.
KF: Permission granted.
CC: Gracias. Areva Derchi
KF: Hasta La Vista
QI: Adios (Mariachi band: Adios Muchachos, Compañareros)

KF: Would you get out of here? (footsteps) Strange, he left by the balcony.
QI: Force of habit I guess.
KF: Yeah, yeah, how’s that again.
QI: Nothing.
KF: Isabella? When are you going to quit fooling around with these nuts?

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