Observations Along the Road

Theatre Writeups, Musings on the News, Rants and Roadkill Along the Information Superhighway

Category Archive: 'travel'

Who In The Hell Do You Think You Are

Written By: cahwyguy - Sun Jul 12, 2015 @ 11:31 am PDT

Jesus Christ Superstar (Rep East)userpic=repeastWhen I went to Jewish Summer Camp in the early 1970s, there were two “Jesus”-based musicals going around. One, Godspell, gave us a song we actually sang at camp: “Day by Day”. Out of context, it worked just fine. The other was this brown album with a stylized angel on it, and it gave us a song we sang as “Jesus Christ / Superstar / Who In The Hell Do You Think You Are”. The words aren’t too surprising for a Jewish summer camp. I mention this because that was really my knowledge of the musical Jesus Christ Superstar up to last night. I had seen Godspell a number of times and tended to like it because it wasn’t so “in your face” for a non-Christian. From what little I had heard or seen, JCS was much more in your face, heavy rock, and screamy. In recent years I had finally heard the music — and there were a few songs I liked — but still hadn’t seen the show either on stage or on screen. So when REP East Playhouse (FB) in Newhall, where we subscribe, announced the show for this season, I was looking forward to finally seeing it. Last night I finally saw it. I came away disappointed, unsure of what all the fuss was about. REP gave it a good effort, but it just didn’t strike that chord for me. As always, your mileage may vary.

Jesus Christ Superstar (JCS for short) was the first musical from the team of Andrew Lloyd Webber (FB) and Tim Rice (FB) to hit America (Joseph was written earlier, but was imported to the US after JCS became a success). It was released first as a rock concept album — that aforementioned brown album — and became a hit. This led to the album being staged on Broadway by the same director that had done Hair. On Broadway — just as with Wicked — the critics almost universally panned the show, but the audiences loved it. JCS can be said to have started the era of sung-through musical — we can blame JCS for not only Evita, Sunset Boulevard, Starlight Express, Phantom of the Opera, and Cats, but for spawning shows like Les Miserables, Miss Saigon, Tale of Two Cities, and the recent fringe show, The Count of Monte Cristo.

JCS essentially relates the well-known story of the last eight days of the man Jesus of Nazareth. Spoiler: He dies in the end (it does not show the resurrection). I’m not sure I need to relate the particulars of the story; if you need to see the plot synopsis, it is on the Wikipedia page.  The story really focuses on the relationship between Jesus, Judas, and Mary. Judas, who plays the central driving figure in the story, is disappointed that Jesus seems to have veered away from the focus of his ministry. Under what he sees as the influence of Mary, Judas believes that Jesus is spending funds on oils and ointments instead of using it to help the poor and needy. He becomes increasingly disillusioned with Jesus, moving to the point (as we all know) of betraying him to the authorities, which leads to his crucifixion. As Jesus gets pilloried by the authorities, we also see how many of his disciples appear to turn away from him as well, just as today popular media can turn people away from heroes of old. Only Mary stays steadfastly by Jesus’ side. At the end, they return remembering how he affected their lives.

The love triangle presented in story, as JCS presents it, is likely what drew youth into the story. The triangle: close friend disillusioned when the new woman in his bro’s life turns him away is classic — and it is an interesting take on Jesus’ life. I don’t know the extent to which this subtext, however, is actually in the gospels.

Unlike Godspell, which teaches Jesus’ lessons and focuses less on the actual life story, JCS really doesn’t teach what Jesus said about living. Through Judas, it seems to show how he turned away from what he was teaching. It shows Jesus as bargaining with God, trying to figure out his role in all of this. Ultimately, he is convinced he has to die in order to make his message. To me, a non-Christian, the portrayal of Jesus by Rice and Webber is a negative one. Here is a nice guy, trying to minister to the poor, but his followers inflate his ministry for their own purposes and for their own immortality (listen to the words in “The Last Supper”: “Always hoped that I’d be an apostle / Knew that I would make it if I tried / Then when we retire we can write the gospels / So they’ll all talk about us when we’ve died”). Rice and Webber portray Jesus as ultimately betraying his cause and his work to make that larger message, of being a reluctant messiah — in essence, of being a fraud. Look at the main lyric of the title song: “Jesus Christ, Superstar / Do you think you’re what they say you are”. Rice and Webber portray Judas as seeing through this, and trying to return Jesus to the right path. That’s certainly not the story of Jesus that I (a non-Christian) have gleaned over the years.  I think it is ultimately a negative portrayal of Jesus, with lyrics that are screaming and not always melodic.

Even worse, I think that JCS perpetuates the antisemitic nature of the Gospels. Look at “King Herod’s Song”, and particularly the “Trial Before Pilate”. What comes across is that the Jews are viewed in a negative sense, and that the Romans are really reluctant to kill Jesus — but (as the song says) it is the Jews that demand that the Romans find a reason to do so.

Suffice it to say that I’m not enthused about the presentation of the story, and I now understand why I preferred Godspell. There are some versions of Godspell that can get a bit preachy, but they do not get anti-anything. JCS does. It has a few songs that I like, particularly “I Don’t Know How To Love Him”, but the show just turns me off. My guess is that this would be the case irrespective of the venue producing the show (although I am now curious about the highly-touted DOMA version).

Let’s now turn to the REP interpretation of the show, understanding how that may have been colored based on the book itself. Alas, this too was disappointing due to a number of factors, but I’ll ultimately chock it up to directoral vision combined with technical issues. As directed by Rick Pratt (FB), the show had a minimalist set staging (there were no real set pieces at all), with loads of odd lighting and paint choices that served to distract from rather than support the story. The pre-recorded music tended to overpower the voices, which were not helped by microphones that kept cutting in and out and having a fair amount of hiss. This was not the usual REP set, sound, or lighting quality — every theater has an aberration occasionally. Due to all this, the focus ultimately was on the cast and their relationships and emotions; given the sung through nature of the show, that had to come across in the quality and clarity of the songs and how they were sung. The cast tried hard to overcome these problems, but it never quite meshed with the demands the overwrought Webber/Rice story required.

As a quick aside, I also believe this is a story that works much better with live music. Live, as opposed to pre-recorded music, gives that extra energy that a rock opera such as this requires. The director, Rick Pratt, had experience with live on-stage music before at the REP and that worked very very well, and I wish he had been able to figure out a way to make the music live.

[Edited to Add: Based on some discussions with the REP, it looks like this will be transitioning to live music by 7/24. This should improve the production and energy greatly.]

In JCS, the central character driving the story is Judas. It is he that frames the initial opening direction of the story in “Heaven on Their Minds”; it is he that is there criticizing Jesus’s relationship with Mary; it is he that interacts with the High Priests; and it is he that ultimately faces Jesus in the end. His role is quite similar to the one that Rice/Webber would use again for Che in Evita. You need a powerhouse rock singer here — one that can not only act, but sing loud and clear to get the message across. You also need an actor who can just have that unspeakable presence. Adam Duarte tries very hard, and occasionally got the tone right, but didn’t have the consistency needed. Further, his attempt to be rock-ish made it difficult to hear the words clearly — and hearing the words is vital when the songs are the only thing moving the story forward.

The second part of the main triangle in the story is Jesus, who was played by Benjamin Patrick Thomas (FB). Benjamin sang well when we saw him in Return to the Forbidden Planet (also directed by Pratt). For the most part, he did well here but had a lot of trouble with the upper end of the range on some of Jesus’ songs. He also had seemingly the wrong look, but I can’t put my finger on why — as a mid-thirties white bearded hippie, he certainly didn’t fit the conventional picture of Jesus; then again, we don’t know what Jesus looked like.

The third part of the triangle — and one of the standouts in the show — was Natasha J. Gaston (FB) as Mary Magdalene. Gaston’s Mary conveyed wonderful emotions, and had a wonderful singing voice that she put to great use in “I Don’t Know How To Love Him” and “Everything’s Alright”. The quality of this voice came through even as her microphone kept cutting in and out and over a large amount of amplification hiss. I hope that we see more of this lovely actress.

As the opposition leadership, Chris Loprete (FB) [Pontius Pilate], Paul Nieman (FB) [Caiphas], and Ally Loprete (FB) [Annas] did well. All three sang well and were able to convey their emotions through song. The costuming seemed a bit strange, especially the overly clingy and sexy number for Annas, who was supposedly a high priest, and the devilish dark red suit for Pilate.

In the ensemble and playing a number of smaller roles were: Alex Bowman (FB) [Peter / Ensemble], Tara Cox/FB [Simon Zealotes / Ensemble], Michael Davies [King Herod / Ensemble], Eriel Brown (FB) [Ensemble / Dance Captain], Laura Norkin/FB [Ensemble], Marie-Clarie Erdynast/FB [Ensemble], Danielle Honeyman (FB) [Ensemble], Sean Goodman/FB [Ensemble], Bruce Robinson/FB [Ensemble], and Micahel Gilbertson/FB [Ensemble]. In the ensemble positions, all blended well, sang reasonably well, and had obvious fun portraying their characters. There are a few worthy of special comment. Tara Cox/FB was another of those actors with a voice above the rest; it came across quite strongly in the few solo numbers and portions of numbers that she had. We’ve seen Michael Davies before in Forbidden Planet. He was good in King Herod’s number (one of my favorites on the album), but didn’t quite have the right sense of the cat playing with the mouse that was required, and that feeds the righteous indignation that feeds the end of the number. The focus was the cutesy, not the message. Eriel Brown (FB) moved and danced well, and seemed (if I was picking her out right) to have a very nice singing voice. Lastly, Danielle Honeyman (FB) was fun to watch in the ensemble. Again, if I was hearing correctly, I heard a slightly operatic voice and tone.

As noted before, JCS was directed by Rick Pratt (FB) and Kimbyrly M. Valis (FB). Carla Bellefeuille (FB) was the vocal director, assisted by Justin G. Horwitz/FB. Erin Cholakian (FB) was the choreographer.  I’ve commented before about the directoral vision. JCS is a hard show to get correct in a small venue, so I do applaud the directoral team for trying.  Their choices didn’t work for me; it might work for others. I feel their attempt was hurt by the inability to have live music. It was also hurt by the current battle between intimate theatres and AEA that has led REP to go non-union; JCS in particular is a show that would have been helped greatly to have the additional seasoning, talent, and stage presence in the lead positions. I think the team did the best with what they had to work with. The choreography, on the other hand, worked well given the limited REP space; it is always nice to see dance on the REP stage.

[ETA: There was also an odd projection sequence during the overture music going through all sorts of historical scenes. The purpose was unclear — was it meant to say that this was done in Jesus’ name? What was the point? Further, given the uneven surface at the back of the theatre, the projections were hard to see and read.]

I’ve also noted before the various technical problems. The set design was minimal: some ramps, some raised stages, a cross that could be lowered, and some inexplicable painted lines on the floor and on the wall. This is not the style of set design that REP normally does, and it didn’t work for me (but then again, I’ve never seen JCS before — perhaps this is the concept). There were also significant problems with the sound — I don’t know if it was the design of Steven “Nanook” Burkholder/FB or problems with the wireless mics on the performers and difficulties at the sound board. In any case, it served to distract more than amplify. Although TC was listed as the resident lighting designer, lighting credit for this show was given to Jeffrey Hampton/FB. The lighting was odd — there were odd flashes during songs that I’m guessing were meant to be rock opera-ish. There were also points where characters were singing or moving in the dark, which shouldn’t be the case. I don’t know what to say about the costume design by Chelsea Jones/FB: they attempted to update this to some unspecified era so that the costumes were some odd eclectic mix of robes, sexy shorts, spandex, hippie threads, jeans and T-shirts, and suits. My wife noted that there were numerous fitting problems. Calliope Weisman/FB was the stage manager.  REP is under the artistic direction of  Mikee Schwinn/FB.

Jesus Christ Superstar continues at REP East (FB) in Newhall (Santa Clarita) through August 15, 2015. Tickets are available through the REP online box office. Discount tickets are available through Goldstar. I’m not a fan of JCS, but you might be.

After JCS concludes its run, REP will be presenting a special two-weekend “81 series” production of A Company of Wayward Saints by George Herman, a commedia del arte type show. Tickets are available through the REP website.

Ob. Disclaimer: I am not a trained theatre critic; I am, however, a regular theatre audience member. I’ve been attending live theatre in Los Angeles since 1972; I’ve been writing up my thoughts on theatre (and the shows I see) since 2004. I do not have theatre training (I’m a computer security specialist), but have learned a lot about theatre over my many years of attending theatre and talking to talented professionals. I pay for all my tickets unless otherwise noted. I am not compensated by anyone for doing these writeups in any way, shape, or form. I subscribe at three theatres:  REP East (FB), The Colony Theatre (FB), and Cabrillo Music Theatre (FB). Through my theatre attendance I have made friends with cast, crew, and producers, but I do strive to not let those relationships color my writing (with one exception: when writing up children’s production, I focus on the positive — one gains nothing except bad karma by raking a child over the coals).  I believe in telling you about the shows I see to help you form your opinion; it is up to you to determine the weight you give my writeups.

Upcoming Shows: July is a month of double-headers. Next weekend is another double header: “The History Boys” at the Stella Adler Theatre (FB) on Saturday (Goldstar), and “Green Grow The Lilacs” at Theatricum Botanicum (FB) on Sunday.  The last weekend of July brings our last double: “Lombardi” at the Lonny Chapman Group Rep (FB) on July 25th, with the annual Operaworks show the next day. August start calming down, with “As You Like It” at Theatricum Botanicum (FB) the first weekend of August, our summer Mus-ique show the second weekend of August, and “The Fabulous Lipitones” at  The Colony Theatre (FB) the third weekend of August. After that we’ll need a vacation … but then again we might squeeze in Evita at the Maui Cultural Center (FB) the last weekend of August. September right now is mostly open, with the only ticketed show being “The Diviners” at REP East (FB) and a hold-the-date for “First Date” at The La Mirada Theatre for the Performing Arts (FB). October will bring another Fringe Festival: the NoHo Fringe Festival (FB). October also has the following as ticketed or hold-the-dates: Kelrik Production (FB)’s Urinetown at the Monroe Forum Theatre (Hold for Sat 10/3);  “Mrs. A. Lincoln” at The Colony Theatre (FB) (Ticketed for Sat 10/10); and  “Damn Yankees” at Cabrillo Music Theatre (FB) (Ticketed for Sat 10/17). As always, I’m keeping my eyes open for interesting productions mentioned on sites such as Bitter-Lemons, and Musicals in LA, as well as productions I see on Goldstar, LA Stage Tix, Plays411.

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Saturday News Chum

Written By: cahwyguy - Sat Jun 13, 2015 @ 1:45 pm PDT

userpic=observationsIt’s Saturday, and that means it’s time to clean out the accumulated links.  As I’ve got about an hour before I jump into the Fringe, let’s get going:

 

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Another View of Airbnb

Written By: cahwyguy - Sun Dec 28, 2014 @ 5:30 am PDT

userpic=travelNear the end of November, I wrote a post detailing my experiences with Airbnb. Today’s Pearls Before Swine captures the Airbnb experience well, especially if you are staying in someone’s guest room. That’s not to say the Airbnb experience is bad, but it has a difference series of considerations from staying in a hotel.

(click to go to the image page)

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Let Me Be Your Guest

Written By: cahwyguy - Wed Nov 26, 2014 @ 10:36 pm PDT

userpic=travelI am no longer a virgin.

Perhaps I should clarify that. I’m no longer a sharing economy virgin. I just completed my first stay with AirBNB. I thought I would share some observations that aren’t specific to my particular host and location, but things I perceive to be peculiar to the AirBNB experience. For the TL;DR and TLA contingent: BLUF: I would use AirBNB again, but this emphasizes the importance of choosing your hosts and locations correctly.

For those who don’t know what AirBNB is: It is people putting up underused spaces for rent on the Internet. People looking for places to stay can rent them short term. This can range from a tent or a tea house in the backyard, to a room in a house, to an entire house. But it is not a hotel experience. There is no maid. Your bed is probably not made up for you. You likely have the same towel every night. There is no on-site restaurant or business center.

What I did — and what I guess is the typical experience — is rent a room in someone’s house. In essence, you are their houseguest (although you are paying for the experience). I was very conscious of this, and tried my best to be a good guest. This meant following house rules (which, in Berkeley, with limited water, included “If it’s yellow, let it mellow…”, which was a bit uncomfortable for me, but I understood why it was done and respected the rule). This also meant I was very conscious about the noise I made, both while listening to my music at night and walking to the bathroom in the middle of the night (the floor squeaked).  I had kitchen privileges, and so when I dirtied a dish, I always washed it and put it away. Lastly, I always made up my bed in the morning.

These are things you don’t think about in a hotel. But when you are a guest in someone’s house, you think about them. If this is something you cannot live with, then stick with the hotel. There, you pay for the privilege not to think about this stuff.

Here are some other things you don’t think about. There’s no ice machine (or microwave, or coffee pot in your room). You need to remember to ask about those things (for example, I knew I could use the microwave, and kept using the same mug. I would have felt weird going into the refrigerator for ice, tho. You might be sharing a bathroom with your host, with all that entails — including not adjusting the showerhead or the water temperature, out of courtesy.  That level of personal contact is something you don’t have in a hotel. You typically don’t have hotel-provided amenities, so remember to bring your own soap and shampoo, and potentially your own alarm clock (although your cell phone can serve as one).

What this boils down to is this: The AirBNB experience can be great. But don’t go into it just to save money. Pick your hosts carefully and ensure they are compatible, especially if you will be sharing space in their house. Read your location description carefully. Someone warned me about this, and I truly enjoyed staying with my host, Stephani (in fact, she seemed like someone with whom I could get along with outside of the AirBNB experience).

Will I use AirBNB again? I certainly think so. It is great for going someplace with few hotels (such as Berkeley) and when you’re traveling alone. I’m not sure I’d do it if I was traveling with my wife, but if I did, I’d pick the host and location to be compatible.

So, have you used AirBNB? Do you’re experiences jibe with mine?

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I’m Just a Travelin’ Man…

Written By: cahwyguy - Thu Jun 12, 2014 @ 6:19 pm PDT

userpic=psa-smileBefore I head off to a Golf Committee meeting, I thought I would share some tidbits from the news related to traveling…

 

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Champagne Dreams and Sparking Wine Realities

Written By: cahwyguy - Fri Aug 30, 2013 @ 6:38 am PDT

userpic=travelHere’s an important reality every business today should take to heart: Every one of your customers may be writing up a review of your business and posting it on the Internet. As Internet reviews are often critical to future business, you need to treat every customer the best, and provide them the best possible experience.

I mention this because — as you’ve probably figured out by now — we’re just finishing a vacation in Escondido, CA. We’ve been staying at the Lawrence Welk Resort San Diego, having exchanged a week three years ago with Interval International (and thus we needed to use it before it expired). This is my write-up of my experiences here. In short: I’d come back, but I challenge them to do even better, because I know that they can. In Yelp ratings, call it ★★★★.

The resort, which looks to have been started in the late 1980s, consists of a number of small communities each connected to a recreation center: Melody Hill, Harmony Hill, Broadway Hill, Villa on the Greens, and their newest community, Mountain Villas. All of the communities are on golf courses that appear to be well maintained. There is a central plaza that provides a full theatre (with live theatre productions), resort shop, Pizza Hut Express, convenience store, spa, and restaurant. The recreation centers are mostly family-oriented with playgrounds, pools, spas, water-play areas, some water-slides, and recreation rooms. One (Melody Hills) is over-18 with a kid-less pool, dry sauna, fitness center, and weight room. Some of the recreation centers have board games, but nothing I would consider a good board game :-). The pool areas look very nice, although we really didn’t use them. The resort has a large variety of activities that are well publicized and that would serve families quite well.

The rooms themselves have a wide variety — as one expects in a timeshare — with full kitchens, beds, sleeper sofas, washer/driers, etc. Ours had a jacuzzi tub large enough for two! Our was reasonably clean and we’ve enjoyed our stay here quite a bit, although we haven’t partaken in any of the activities (other than their Farmer’s Market). There are barbeques everywhere for people to use. I’ll note that they do try to promote a resort tour in exchange for discounts for local attractions, their evening shows, or in the restaurant.  Translation: they are trying to get people to buy into the new Mountain Villas development. We’re not interested as we already have a timeshare, but I could see it being appealing to families.

I also want to know that the Customer Service people we dealt with were, for the most part, attentive. Maintenance was a little slower, but then again, we didn’t make our maintenance problem a priority issue. So I’ll give them a very good on customer service.

With all of this, why the ★★★★ rating? Attention to detail. Although they have a fitness room, the machines are older and look it (but they work). Handrails could use paint. I noticed the occasional cigarette butt on the ground (that remained over 24 hours). The drain on our Jacuzzi tubs didn’t pop up; we needed to resort to a kitchen knife to pry it up. We had a light on the porch hanging by its conduit (which they fixed when we brought it to their attention). The grounds-crew is not attentive to the noise of their equipment (I understand the need to maintain the course, but there’s a difference between a lawn mower and using those obnoxious string trimmers or leaf blowers).

[Karen adds: I found a few annoyances – burned out light bulbs (2 in our unit), not really enough light for puzzling, comfortable reading or needlework, and this is the first timeshare I’ve done that didn’t have a mid-week light cleaning, sundries replacement,  linen change-out and trash emptying…Other maintenance items showed that they aren’t paying close attention – a nasty burning smell emanating from the dishwasher when we used it, the flange on the shower arm was floating loose, and the very nice magnifying make-up mirror in the bath has an intermittent short in its power supply or cord  – sometimes the on-board light worked, sometimes it didn’t … Also, unlike some of the other places I’ve been, very few activities were targeted to adults…enough that if I hadn’t brought my own projects, i would have been bored stiff…]

Additionally, the plugs near the desk are full, so there’s no place to plug in a laptop… and they have limited Internet speeds.Further, during this visit, the Internet went down — c’mon, how can you have a vacation with no Internet, furgodsakes — and it took them over 12 hours to realize that they needed to raise a ticket with their ISP (e.g., the problem was off-premises). I ended up going off-premises to a Starbucks 10 miles away to take care of conference email Thursday morning. That’s a grrrrr in my book. Once they raised the issue, it was fixed in a few hours (i.e., it was about around 930am, so it was down from 1p-930a). Now that my arm is complete again, there is calm in the world. Funny how that works.

In any case, these are the little things that distinguish a top rating (which I see in the reports from our home resort, The Whaler on Kaanapali Beach, which is ★★★★½ on Trip Advisor… and they work hard to maintain it). None of these are make it or break it items; none go to the level of sanitary problems or major safety issues. They all fall into the category of temporary light annoyances. Still, to my eye, to reach the excellent level there should be no annoyances.

Will we be back? Quite likely. When we do an exchange, we like locations in driving distance from home. My wife did Sedona once. We did Palm Springs last August, Las Vegas in May, and this August is Escondido. The location is great. San Diego is an easy drive. The facility encourages walking and exercise (I’ve walked or exercised for an hour each day – go me!). The pools and greens are beautiful. The customer service has been very good.

Lastly, when I mentioned we were at a Welk resort, people were going — but that’s for old folks. I’ll note that we’re seeing a large number of families here, and the facilities seem very family-oriented. Although Welk himself was known to an older demographic, his show was always family oriented and his resorts appear to be oriented that way. If you are looking for a place without a lot of kids, this probably isn’t the place. There are some of those in Palm Springs or Vegas. (Oh, and if you want Lawrence Welk music, visit the SVDP Thrift Shop in Escondido. They had loads of Welk LPs)

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Historic Roads and Exotic Cuisines

Written By: cahwyguy - Tue Aug 27, 2013 @ 9:53 pm PDT

userpic=travelAs I noted in my last post, we’re down in Escondido on vacation. Today was a day of historic highways, exploration, and exotic foods, all driven by a need to drive into San Diego proper to visit our niece. We had a delightful visit (albeit short — she’s a very busy young lady), and enjoyed talking to her and catching up on what is going on. But on to the stuff you probably care about.

Historic Roads. As we’re in Escondido, and we were visiting San Diego (in particular, the Hillcrest area), this gave us the opportunity to drive on a number of incarnations of US 395 and US 80 — in particular, sections in Escondido (City Center, Escondido Blvd, Grand) and in San Diego (CA 15, CA 163, El Cajon Blvd, Washington). We also got to visit a number of hipster districts, explore some thrift shops and some used record shops. In my opinion, the used record shops up on Adams — one with a large collection of folk, blues, and bluegrass music, the other with an astounding collection of original cast albums — had great selections but were overpriced for many of their LPs, starting on the order of $7-$9. If the record is rare the price might be OK, but when I can find the music on CD for the same (if not better) price, I’m not going the LP route (especially when it is over 90°F outside). I did pick up some records — four for $1 each at an Assistance League Thrift Shop. The thrift stores were much better (Erin, if you read this, we have a lovely Calphalon pan we got for $4.5 and a nice knife for you).

Exotic Cuisine. While driving along El Cajon Blvd, we saw an interesting restaurant: “Flavors of East Africa“.  Located at El Cajon and Texas, they have wonderful Kenyan cuisine. We had keema beef, tilapia, collards and cabbage, a wonderful stew of hominy, kidney beans, potatoes and carrots cooked in olive oil with garlic, tomatoes and onions, mashed plaintains, and rice. Driving home, the spices from the keema beef  hit back a little, and so we found another wonderful place: “Tropicana Delite“. This is a Mexican paleteria y neveria, family owned, with hand-made ice cream and popsicles. They had flavors there I have never seen before in ice creme: queso rompope, mango/chile, elote, guayaba, nuez… on top of traditional flavors. Plus, they were making something I’ve never seen before: “Tostilocos”, which is a Tijuana street food. Here’s a description:

You begin by opening a bag of Tostitos, usually the salsa verde-flavored kind, and you layer on ingredients. If you can imagine an assembler of this dish in Tijuana, Mexico, ripping open the bag of Tostitos and then taking the ingredients from three shelves in a bodega and dumping all of those in. Those ingredients include: shaved jicama; pickled pigskins; stumpy, little, sweet, sour tamarind candy; sweet coated peanuts; and chopped cucumbers. Then they pull out two liquids: fresh-squeezed key limes and chamoy — that magenta-colored, vinegary, puckery, pickled fruit in brine. It’s sauce that you see often when someone is buying chips in a store — even when they are not buying Tostilocos. You’re handed a bottle of chamoy with which you garnish chips.

All that goes in the bag. The bag kind of bulges under that payload. Often the bag, when filled with all those ingredients, the sides slip and you just start dripping this Rorschach pattern on the pavement as you eat and walk.

So, as I said, a day of historic roads and exotic foods.

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Saturday News Chum: Poor Wandering Subject

Written By: cahwyguy - Sat Aug 24, 2013 @ 7:19 am PDT

Observation StewAh, the weekend. Time to rest, relax, and recharge… while gorging yourself on this collection of interesting links that didn’t quite fit into a theme:

 

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